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This article studies the pre-Avant-garde period of Alberto Hidalgo's poetic production, between 1914-1919, considering particularly the qualification of "futurist" that was given to his first two books. In this youthful period, his poetry not only showed thematic glimpses of the Italian school, but also modernist formal aspects and a strong egotistical accent. The revision of this moment "without coming of age" of his poetic production demands a new perspective from approaches like Brazilian "antropofagia" ot Oswald de Andrade and Cuban "Calibanismo" of Roberto Fernández Retamar. [ABSTRACT FROM AUTHOR]

The article aims at analyzing how the work "Pelos + rede" by Brazilian Minas Gerais artist Laura Lima revisits and concomitantly dismantles the remains of the Brazilian anthropophagical cultural movement. Thus, questions are raised on what the artist herself called body in itself, which will be approached here through the disfiguring figures of hammock, hair and nudity. [ABSTRACT FROM AUTHOR]