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Starting from a question about the "diasporic" position of certain authors of cultural criticism in Latin America, always halfway between academic affiliation and a kind of fractious position regarding their increasingly bureaucratized practices of knowledge administration, this paper proposes a reading of three representative texts by the Brazilian-Argentine critic Raul Antelo: Crítica acéfala, Archifilologías latinoamericanas. Lecturas tras el agotamiento and A ruinologia. These strange and problematic texts seem to be articulated from a position that not only (post)critically revises the foundations of more conventional criticism, but also moves toward the behavior of the most radical bids of artistic conceptualism; in other words, in them criticism becomes an act: intervention. And therein lies its forceful emergence in the framework of contemporary literary and cultural studies. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos de Literatura is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Culture is a broad concept that crosses different social sciences, especially after the cultural turn of the mid-twentieth century, before that was mainly the subject of anthropology. This paper focuses on various current theoretical principals that deal with culture and sets special emphasis on the debate on information/communication. The idea is to escape from different binary oppositions and look for complex and dialectical concepts that help us establish truly interdisciplinary debates. [ABSTRACT FROM AUTHOR]

Copyright of Nomadas (01217550) is the property of Universidad Central and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Literatura is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Comunicação Midiática is the property of Universidade Estadual Paulista, Faculdade de Arquitetura, Artes e Comunicacao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper reports the findings of a review of 51 Latin American empirical studies on television audiences published between 1992 and 2007 in the most important journals in the region. The analysis compares the studies according to their theoretical approach, research techniques and type of television content. Findings show that cultural studies is the most popular theoretical approach, that television and daily life, and the mediations are the topics covered the most, and that many studies still lack a solid methodological base. The paper presents a diagnosis of the strengths and weaknesses of current Latin American empirical research on television audiences and points out the need for more methodological rigor and emphasis on ideological readings. [ABSTRACT FROM AUTHOR]

This paper seeks to emphasize the relevance of analyzing the exchanges between local and foreign counterparts. Latin American cultural history, cultural studies as well as architecture and urbanism histories contribute to discuss dependentists analyses on center--periphery relations. Those research lines enable a more productive approach on international circulation of ideas, technicians and urban models as well as international exchanges. The theoretical approach is articulated with a previous research that analyzes the struggle to define diagnoses of Buenos Aires city problems between 1983 and 1992. Those diagnosis are developed by various networks of local professional and technician, related in multiple ways with Spanish peers. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos de Literatura is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)