Search

Copyright of Revista Anuario de Historia Regional y de las Fronteras is the property of Universidad Industrial de Santander and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos.info is the property of Pontificia Universidad Catolica de Chile, Facultad de Comunicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyzes the Argentine popular festival of the "Meeting of Copleros" in Jujuy, which was carried out as part of the cultural and popular actions in support of the return to democracy from 1984 to the present. With the aim of analyzing the historical traditions invented by the performance of the function of the year 2023. [ABSTRACT FROM AUTHOR]

The article discusses how the popular carnavalesque festivities of Sant Antoni in Mallorca contributed from below to the social and political democratisation of Mallorca. For this purpose, we analysed the cases of the municipalities of Artà and Manacor, in the rural peripheries of the east of the island. These festivities were deeply intervened and domesticated during the National Catholic period of Franco's regime, and during the 1960s they were abandoned by the institutions and consequently lost popular participation. However, from the end of the 1960s onwards, they were reinvented from below by rescuing the most carnival-like elements that had previously been repressed, and creating new rites with a traditional rural appearance. This led to the fiesta becoming a platform for popular protest and political participation carried out by incipient local civil organisations which later played a leading role in the transition to democracy at the municipal level. At a time like the 1970s, when civil rights were not yet guaranteed and political debate in the public sphere was not yet entirely free, the old regional festivals of carnival origin became a shield of apparent political innocence from which political dissidence could be discreetly expressed and mobilising muscle could be trained. [ABSTRACT FROM AUTHOR]

Copyright of Millars: Espai i Història is the property of Millars: Espai i Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Aura. Revista de Historia y Teoría del Arte is the property of Aura Revista de Historia y Teoria del Arte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper presents the process of the research entitled "Spanish as a Foreign Language SFL Teaching through Colombian Festivals Language", which sought to promote its learning, from the perspective of strengthening of interculturality. It was circumscribed in the interpretive paradigm with a qualitative approach based on culture as inherent content of the process. It is a study with the help of a pilot test that involved the design of teaching units for C Level of CEFR that would stimulate it in other languages learners. It was sought to activate communicative and intercultural competence, so that non-native speakers of Spanish had access to the meanings that speakers from different Colombian regions give them. For which a theoretical framework on the relationship between language and culture was needed. As a result, this research has not only a pedagogical-didactic value, but also a sociocultural one, since it confirms that learning a language is inhabiting the culture that speaks it. It is concluded that SFL teaching through ordinary language is a viable and a productive strategy because it implies a genuine immersion. [ABSTRACT FROM AUTHOR]

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Trashumante. Revista Americana de Historia Social is the property of Universidad de Antioquia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In the city of Luján, daily spatiality is built with great influence from the religious sphere. The city itself could be considered as the main seat of the Marian Catholic cult nationwide and visitors exceeding one million people annually is a clear evidence of this fact. Although it is not a practice with current origins (the first manifestations in Lujan are recorded in the colonial period) the fete of the Burning of Judas has experienced in recent years a new series of modifications around the morphology of the celebrations. During the first decade of the current century, the municipal government implemented a series of devices aiming at institutionalizing this holiday in order to include it in Luján "tourist agenda". This situation opened a new space for disputes over the festivity, which is now formally known as the "Colonial Easter". From a Cultural Geography perspective, this article proposes to carry out a theoretical discussion about the main conceptualizations thought as tools for a critical approach to the festive stages. The analytical categories of scenario, territoriality, fete, among others, are some of the concepts considered nodal to carry out the research. [ABSTRACT FROM AUTHOR]

Copyright of Studia Histórica: Historia Moderna is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Recorde: Revista de História do Esporte is the property of Recorde: Revista de Historia do Esporte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Quaderns de l'Institut Català d'Antropologia is the property of Institut Catala d'Antropologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article first establishes the foundation of a pragmatic anthropology --mainly interested in the question "How do people do?" - that should guide the ethnographic research. Then it describes with an ethnographic extract some of the different practices in the celebration of San Juan/Inti Raymi in Otavalo in the Ecuadorian Andes, with a textual construction made from a pragmatic perspective. Finally, the article develops four points that support the pragmatic and detailed description: action in the situation, intellectualism overcoming the situational relations of power and the co-experience of readers. [ABSTRACT FROM AUTHOR]

Barranquilla's Carnival, with its dances, performances, disguises, and music, a colorful and cheerful explosion, is the fulfillment of joined tasks and the creative cultivation of a marvelous heritage. This way, it generates the fullness of humanity, which constitutes Jesus Christ Himself. The purpose of this article is to analyze the deep celebrative and jolly character natural to Christian experience from the experience itself of this carnival. [ABSTRACT FROM AUTHOR]

Copyright of Revista CS is the property of Rafael Silva Vega and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Polis (07176554) is the property of Polis - Revista Academica Universidad Bolivariana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)