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Copyright of Tropelías: Revista de Teoría de la Literatura y Literatura Comparada is the property of Prensas Universitarias de Zaragoza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contrastes: Revista Internacional de Filosofia is the property of Contrastes: Revista Internacional de Filosofia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Imago (22549633) is the property of IMAGO Revista de Emblematica y Cultura Visual and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

According to the main thesis of this article, in order to articulate the scope and interest of Wittgenstein's family resemblances topic, we should see into it not an answer to the question what concepts in general are, but a methodological proposal. Two questions guide the central part of the text: (1) What does "family-resemblances concepts" mean? (2) What concepts fall within the corresponding class? Regarding (1) I try to show that "family-resemblances concepts" is not an unequivocal term: a first sense has to do with the dictum of "similarities overlapping and criss-crossing" (IF 67) and is to be distinguished from a second sense associated with the topic of "blurred edges" (IF 71). This distinction lies behind the answer I offer to (2): in the first sense of the term, there is no family concept at all, while according to the second sense all concepts are of this kind. In the final part I propose a reinterpretation of the issue from a methodological perspective. To say that concepts like language, understanding, thinking, etc. are family concepts means that the philosophical reflection on them should not centre on the praxis of looking for definitions. As important --maybe more important-- as that it's the careful description of paradigmatic examples, as "centers of variation" (EPB 190). [ABSTRACT FROM AUTHOR]

Copyright of Estudios de Teoría Literaria is the property of Estudios de Teoria Literaria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Filosofía (0185-3481) is the property of Universidad Iberoamericana Cuidad de Mexico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Amauta 'Todo lo Humano es Nuestro' is the property of Universidad del Atlantico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of VLC Arquitectura is the property of VLC Arquitectura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Bajo Palabra: Journal of Philosophy is the property of Bajo Palabra: Journal of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Bajo Palabra: Journal of Philosophy is the property of Bajo Palabra: Journal of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Although Bachelard's entire philosophy of imagination is affected by a symbolic materialism which can play a mediating role in reverie's path, it is also true that the purpose of art, especially in poetry, is the search for truth, the lightning flash of insight, the deep apprehension of being itself, an experience that can hardly be given if we interpose, between the being of the thing/object and human subject, concepts or categories that seek a higher comprehension of the operational phenomena at stake, but which ultimately drown the saying of what is being shown to us. The poetic image must be a vehicle capable of symbolizing reality by connecting it with the imaginary, while being at the same time that uncaused force which brings about the ontological novelty capable of building a new anthropocosmos. [ABSTRACT FROM AUTHOR]

Sensible objects and the human beings, that make up the changing world, have a structure, an order and a dynamic of their own, by which the presence of causes or generating principles that endow them with such attributes is perceived. Hence, limit and measure represent conditions of an order that is established in the ideal world, an order that acts as a cause of the harmony and proportion that shape the visible world. This ontological and cosmic order also projects ethical consequences for the anthropological realm, which arise from an attempt to explain reality in its totality and that the present text will try to elucidate. [ABSTRACT FROM AUTHOR]

Copyright of Logos: Anales del Seminario de Metafísica (1575-6866) is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Artnodes is the property of Universitat Oberta de Catalunya and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper explores the links between the poetic word and the Spectral music. For this purpose we will rely ‐among other approaches‐ on Eugenio Trías’ philosophy of the limit, on Giorgio Agamben’s idea of dýnamis, as well as on Jordi Pons’ research about the organic form in Webern’s music. As axis point of these pages, in relation with a specific musical model, we will base our study on the Spectral music theoretical fundaments. [ABSTRACT FROM AUTHOR]

Copyright of Quintana: Revista do Departamento de Historia da Arte USC is the property of Universidad de Santiago de Compostela, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Colombiana de Sociologia is the property of Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Departamento de Sociologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The ideas of limit and musicality constitute axial concepts in José Ángel Valente's poetry. In this paper we propose to link Valente's poetics with Spectral Music. We will review the foundations of José Ángel Valente's maturity poetry with the purpose of comparing them with the theoretical approaches of Spectral Music. The fluctuating and permeable nature of the limit determines the foundations of Spectral Music as well as Valente's poetics. We can establish that the notion of 'reverberance' constitutes the epistemological basis-even ontological-of those styles. The exploration of the own material nature is the way that both liminal aesthetics determine themselves as knowledge paths. The self-knowledge turns into aesthetic object. [ABSTRACT FROM AUTHOR]

This article explores the meaning of thinking from an artistic practice which opens a dialogue with the truth that the production of the work presents. Based on two texts by Heidegger "What is called thinking" and "The origin of the work of art" this process of thought is analyzed, during the production of the series "Borderland Guide-line. This analysis shows the way of thinking, during the production of the work, disassemble the representation of concepts such as limit, edge, border, and margin, and allows the truth of these concepts, as a work, it is going to be revealed, as the artist has aesthetic experiences with what the work will be. [ABSTRACT FROM AUTHOR]

Copyright of Bajo Palabra: Journal of Philosophy is the property of Bajo Palabra: Journal of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

As highlighted in the presentation, the document that is published definitively ditches the debate about when and by whom the Biobío River was constituted in the political and territorial boundary between Hispanics and Mapuches in the kingdom of Chile. Accordingly, this historical demarcation takes effect in 1612 and responds to a direct disposition of the Spanish monarchy, then ruled by King Felipe III. [ABSTRACT FROM AUTHOR]

Copyright of ZARCH: Journal of Interdisciplinary Studies in Architecture & Urbanism is the property of Universidad de Zaragoza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of International Journal of Political Philosophy / Las Torres de Lucca is the property of Revista Las Torres de Lucca. Facultad de Filosofia, Ciudad Universitaria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Brocar: Cuadernos de Investigación Histórica is the property of Universidad de la Rioja, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Freedom of expression is one of the most important rights and a structural element of modern constitutional democracy. Through it, the exchange of ideas, political deliberation and the generation of consensus for life in society are protected and guaranteed. It is about the guarantee of being able to formulate our own arguments, of saying what we think and of enjoying the freedom to give opinions and communicate them. All the media would be reduced to a simple propaganda instrument without freedom of expression. Even a multiplicity of rights would be reduced to nothing without the possibility of free, sincere and autonomous dialogue. This article is an attempt to expose the fundamental quality of freedom of expression for Western constitutional law and international human rights law. The first part deals with the philosophical foundations and importance of freedom of expression, and the second part exposes the practical effects of the right. Finally, a conclusion is made, where it is postulated that since freedom of expression is a human right, it must be understood following the moral method of interpretation. [ABSTRACT FROM AUTHOR]

Copyright of Revista de Historia (07169108) is the property of Universidad de Concepcion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Bajo Palabra: Journal of Philosophy is the property of Bajo Palabra: Journal of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Bajo Palabra: Journal of Philosophy is the property of Bajo Palabra: Journal of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Paradigma is the property of Universidad Pedagogica Experimental Libertador and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This essay refers to language, its limits and the problem of the incommunicable. The incommunicable appears at the limit of saying, that is, when words, crossed by countless ideas and interpretations of the world, lose their capacity to reveal and make common the fundamental problems of existence. In order to understand the meaning of this gap between language and existence, first, we analyze the problem of original understanding and the limits of interpretation; second, the origin of the misunderstanding will be explained-. Finally, - analyzed the bridge from the interpretative dimension to the expressive dimension of language, a dimension that constitutes the place for the manifestation of the original sense of existence. [ABSTRACT FROM AUTHOR]

Due to the interest at stake and the obligation to comply EU guidelines, the scope of private copying is one of the most controversial issues when regulating Intellectual Property. Private copying is the individual's possibility to copy works protected under copyright for his private use. In this study, I will analyze the evolution of this precept throughout time and construction, as well as the requirements imposed by law for a reproduction to be sheltered in order to elucidate why the scope is how it is today and what can we expect for the future. [ABSTRACT FROM AUTHOR]

Copyright of Agora (0211-6642) is the property of Universidad de Santiago de Compostela, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Música, Artes Visuales y Artes Escénicas is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Delimitation is an essential requirement for our trade with external stimuli to produce a cognitive experience. The processing of a complex of dynamic stimuli requires its segmentation into temporal-individuals (Situations), a segmentation operationalized in the languages through the constitution of limits. The properties that define the different types of linguistic limits do not all correspond to extralinguistic realities, they also result from impositions of 'design' provided by cognitive and communicative factors, respectively, presuppositions and implicatures. The objective of this paper is to identify different types of limits that segment the Situations in Spanish to define them later in terms of an integration of semantic, cognitive and pragmatic properties. The methodology consists of, first, exhausting the description in terms of truth conditions of the content that constitutes a limit in an expression to then show the insufficiency of that description and thus finally resorting to pragmatic categories to grasp it" [ABSTRACT FROM AUTHOR]

Copyright of Alteridades is the property of Universidad Autonoma Metropolitana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The first section of the essay offers a historical account of the "bohemias" and athenaeums in Peru as laboratories of avant-garde movements and in relation to Trujillo's Bohemia. In the second part, the aesthetic and pedagogic ideas of Antenor Orrego are analyzed to decentralize Amauta, the magazine, by searching for other Peruvian amautas. Likewise, the aesthetic and pedagogic contributions of Orrego are connected to his intellectual work. In the third part, the impact of Orrego's work in the Peruvian avant-garde is analyzed. The discovery of common motifs in the texts of César Vallejo, Antenor Orrego and Alcides Spelucín show their constant collaboration. [ABSTRACT FROM AUTHOR]

Space and time are inseparable concepts. The relationship that joins them is so close that one can understand space as the opposite side of time, and vice versa. Unity and otherness of space and time constitute a fundamental problem for science, especially physics, as well as for philosophy and art. Although there may be connecting lines between the conceptions those different fields hold on space and time, one observes fundamental differences in the way they understand these two concepts and the relation between them. The conception of space and time in classical physics, as well as in Wittgenstein's notion of logical space connected with the principle of simultaneity, represent necessary theoretical premises in order to establish physical laws and precise representations. Opposite to the scientific and transcendental concepts, we find Heidegger's ontological and Chillida's artistic conceptions. Giving up the ideal of precision, of measurement and verification, the philosopher and the sculptor understand the mutual belonging of space and time as something that has a fundamental importance in human life, and that constitutes a challenge that one can only search for. [ABSTRACT FROM AUTHOR]

From Hegel's point of view, all that is real, and especially the living things, is a more or less developed subject. According to the German philosopher, subjects have the faculty to determine and realize themselves, which requires the faculty to judge. Unlike Kant, however, Hegel understands the judgment in an ontological way. On the one hand, he conceives subjects as totalities that are facing the world; on the other hand, he considers the world as something that belongs to the being of subjectivity. For Hegel, the problem of limit consists, therefore, in understanding the limit in an immanent and dialectical manner (as its counterpart), that is, as relation, as connection and mediation (Vermittlung). [ABSTRACT FROM AUTHOR]

Copyright of Bajo Palabra: Journal of Philosophy is the property of Bajo Palabra: Journal of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios Filosóficos is the property of Estudios Filosoficos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios Filosóficos is the property of Estudios Filosoficos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The relationship between tourism and borders has seen renewed academic interest over the last decades. This paper presents a literature review on this theme, with particular focus on geographical studies, and identifies some major lines of research as well as the main theoretical contributions. Whereas most of the articles focus on a particular case study, some of them make an effort to conceptualize the knowledge produced. However, these contributions do not always incorporate the new approaches on tourism and border studies. Nevertheless, some research has begun to trace some new arguments to re-think the relationship between tourism and borders. [ABSTRACT FROM AUTHOR]

The article explains how it applies the concept of the mathematical limit on financial operations; using resources theoretical/practical, as they are, on the one hand the principles that define it and on the other hand, a range of examples resolved to illustrate; as a result, it can be shown not only to the independent variable varies, the dependent variable is approaching a bounded value (limit); where is the independent variable the number of periods (synonym of time), while the dependent variable is the target value in question (present or future value); He is also established that in the case of investors, obtain greater benefits from having a major composition (number of periods). [ABSTRACT FROM AUTHOR]

The problem with which this text is opens is the exclusion of the "testimonios" from the philosophycal Library and the objective will be to demostrate that such texts can be included. Frist of all, I will try to destabilize the distinction between philosophical and non-philosophical text. Then, I will show that the "testimonios" are a consistent mode of expression of a certain conception of philosophy. Thirdly, I intends to open the possibility of a philosophical discourse no-proposicion in the "testimonios". Finally, I will show that what you can find in the "testimonios" are images and that they should be interpreted as such to gain access to their philosophical knowledge [ABSTRACT FROM AUTHOR]

Copyright of Studia Poliana is the property of Studia Poliana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Metafísica y Persona. Revista Sobre Filosofía, Conocimiento y Vida is the property of Universidad Popular Autonoma del Estado de Puebla A.C. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)