Search

Copyright of Anales del Seminario de Historia de la Filosofía is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tendencias: Revista de la Facultad de Ciencias Económicas y Administrativas is the property of Universidad de Narino, Facultad de Ciencias Economics y Administrativas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Universum is the property of Instituto de Estudios Humanisticos Juan Ignacio Molina, Universidad de Talca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The aim of the article is: to analyze her discourse about women in the Boletín de la Escuela Moderna. To do this, the issues published between 1901 and 1909 are examined. These are kept at the Fundación Ferrer i Guàrdia and at the Historical Archive of Barcelona (Spain). The documentary analysis reveals that the rationalist discourse includes two spheres: public and private. Within the private space, women’s freedom is conditioned by marriage and maternity. Rationalism seeks female emancipation through the free union between the sexes. Likewise, it is committed to a conscious, voluntary maternity and protected by public powers. In the public sphere, rationalist education and salaried work are key to the social liberation of women. However, the discourse proves ineffective in enabling women to break free from their biological and social destiny. [ABSTRACT FROM AUTHOR]

The article presents a monograph on the evolution of linguistic ideas in Peru during the 19th century. It analyzes 24 grammatical treatises published between 1832 and 1899, highlighting the importance of understanding the historical context and the actors involved in the production and dissemination of these ideas. The structure and paratext of the works are examined, as well as the influence of educational legislation on the reorganization of the texts. Concepts such as grammar and inflectional classes are also analyzed, highlighting the presence of classical tradition and rationalism. Overall, this study is a valuable contribution to linguistic historiography in Latin America. [Extracted from the article]

Deleuze’s relationship with Gueroult is paradoxical. On a strictly philosophical level, Gueroult adhered to a rationalism that was not dissimilar to that of Alquié or Hyppolite, which Deleuze criticized severely. But Deleuze did not criticize Gueroult’s positions, instead frequently adopting them himself. How can this be explained? The reason seems to be the following: Gueroult constantly sought a “synthetic order” or a “genetic dynamism” in philosophy; yet, before it served as the basis of the thinker’s method, this aim expressed a certain conception of philosophy, from which both his practice and history of philosophy derived; and if Deleuze took up Gueroult’s positions, it is because Gueroult’s aim, and the conception of philosophy it involved, never ceased to influence his own philosophical work. In Deleuze’s work, this desire even made it possible to take a decisive position—that is, the critique of rationalism in the name of transcendental empiricism—, surpassing Gueroult’s intention. The disciple became a creator, both with and beyond Gueroult. It is perhaps in this sense that Olivier Revault d’Allonnes’s statement can be understood: “I have always found that Gilles [Deleuze] was a great disciple of Gueroult.” [ABSTRACT FROM AUTHOR]

Copyright of Agora (0211-6642) is the property of Universidad de Santiago de Compostela, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ideas y Valores is the property of Universidad Nacional de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article seeks to show how art becomes the support for such a worldview and how modern rationalism originated in Cartesian intuition of the method, while contemporary irrationalism, on the other hand, arises from the discovery of the will as a thing in itself. Schopenhauer's philosophy is fundamentally linked to the problem of negativity: the pain of the world, the misery of existence, and everything that falls under the negative concept of life, with a particular focus on boredom. Schopenhauer is the first contemporary philosopher capable of breaking with many of the ideas that philosophy had put forward before him. In this article, we will make a first approach to how the will becomes present through art and the fact that in art, we find a momentary release from the pain of existence. We will then analyze the cause of suffering, finding it in the expression that desire, as a constituent of the will, inevitably leads us to it. However, since suffering is not the only thing that afflicts the will, we will analyze the possibility of leisure with the genesis of the boredom proper to the idle class. Finally, in this text, we return to Schopenhauer's artistic conception by analyzing the concept of genius, finding in it the sublime expression of Schopenhauerian art. [ABSTRACT FROM AUTHOR]

Copyright of Revista Entramado is the property of Universidad Libre Seccional Cali and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Encuentro Educacional is the property of XIOMARA ARRIETA DE UZCATEGUI and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Fotocinema is the property of Revista Fotocinema and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Praxis Filosófica is the property of Universidad del Valle and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In his works, Charles Taylor delves into his master narrative of Modernity as an alternative to the story of subtraction that became the dominant narrative. The study presented here only intends to delve into one of the causes that led to secularization; that is, the progressive disenchantment of the world. In his main works, the Canadian hermeneutic considers what other reasons led to alternative moral sources to theism and allowed the arrival of the coated self and exclusive humanism. [ABSTRACT FROM AUTHOR]

This bibliographic review article aims to provide relevant information on the origin of knowledge and its influence on pedagogical models in schools throughout history. A methodology with a qualitative approach was used, a method based on the PRISMA guide, the documentary analysis technique and a data collection record sheet as an instrument. The results show diverse positions from the epistemological point of view where the origin of knowledge approach has been adopted in the pedagogical models according to personal and institutional criteria. The conclusions reveal that today in educational institutions, teachers focus their interest more on issues concerning the pedagogical model, but without going into detail about the epistemological debate. [ABSTRACT FROM AUTHOR]

This work intends to establish the foundation for furthering the epistemic analysis of legal controversies regarding tax law and particularly the phenomenon of tax avoidance. Starting from the diagnosis that there is little interest on the part of the doctrine in dealing with the particularities of interpreting facts on this subject, the intent is to relate how facts of tax relevance should be construed from linguistic uses rather than legal uses, adopting the developments of rationalism in evidence studies. This is the only way to build a rationally controllable conceptual apparatus capable of guiding the behavior of the targets of laws. [ABSTRACT FROM AUTHOR]

Copyright of Cauriensia: Revista Anual de Ciencias Eclesiásticas is the property of Instituto Teologico San Pedro de Alcantara de Caceres and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales del Seminario de Historia de la Filosofía is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Limite is the property of Universidad de Tarapaca, Departamento de Filosofia y Psicologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contrastes: Revista Internacional de Filosofia is the property of Contrastes: Revista Internacional de Filosofia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Arquitectura (1657-0308) is the property of Universidad Catolica de Columbia, Facultad de Arquitectura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Prometeo Conocimiento Científico is the property of Puerto Madero Editorial Academica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Proyecto, Progreso, Arquitectura is the property of Proyecto, Progreso, Arquitectura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article analyzes telework as the evolution of the way of providing the service associated with modes of business organization relating it to Hayek's idea of progress and as a result helps to overcome the economic, environmental and health challenges of society. The analysis of telework under this line, invites us to reflect on the evolutionary rationalism based on the spontaneous order that allows us to understand telework from its origins. The research is of descriptive type with qualitative approach. It is concluded that telework arises naturally and evidences the progress of scientific research identifying technology as its main essence. [ABSTRACT FROM AUTHOR]

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Agnes Martin, one of the most singular figures of the second half of the 20th Century American art scene, created a cohesive body of work based on pale-colored, iterative, geometrical yet lyrical abstraction. Her oeuvre, poetic and subtle to the point of being not easily photographable, has only recently gained international acclaim. Tensioned by the relationships between drawing and painting, the natural and the abstracted, spirituality and rationalism, subjectivity and objectivity... her work awes both critics and the vernacular public. This text dissects Martin's mature paintings in relation to the notions of time and perception. In order to do so, Martin's own notes and writings, as well as interviews transcriptions and memories by close gallerists and critics are analyzed here. Ultimately, this article poses the perceptive and temporal experiences as decisive factors in Martin's pictorial proposals, which demand the attentive, slow gaze to be fully grasped. [ABSTRACT FROM AUTHOR]

If the virtus of antiquity was strength, bravery and courage, and in Modernity, diligence, work, merit and effort, today the commoditas has been installed, a kind of nihilistic pseudo-virtue that claims the idleness, radical egalitarianism, and entertainment. Contemporary postmodern society has surpassed both Greco-Roman philosophical metaphysics and Christian theology, both rationalism and enlightened empiricism, as well as romantic-decadent idealism and materialist positivism, so society has entered a sort of end of history of selfindulgent and self-satisfied playful nihilism. We conclude that commoditas is here to stay and will reconfigure the nature of the human being based on a new mentality that pales tradition to the point of practically annulling it. [ABSTRACT FROM AUTHOR]

This research has the purpose of analyzing the material provision of popular democracy as the validity of human rights in today's societies. It is a bibliographical study of a diachronic nature from the deductive rationalist approach. He insists that the administration of the means of production by a few, in liberal democracy or in statism, causes injustice by generating classist, racist and sexist societies. Contrary to the capitalist configuration, the equitable distribution of productive structures causes just societies, by allowing the various human associations to use goods to meet collective needs instead of validating the accumulation of capital. Consequently, it promotes the characteristic values of intercultural dialogue as a basis for consensus that allows communities to deliberate in favor of highlighting the inherent dignity of life. [ABSTRACT FROM AUTHOR]

The study allowed to establish the philosophical foundations of the market and the government. Within this framework, the market is conceived as a spontaneous order that is based on evolutionary rationalism that recognizes abstraction as the only instrument with which our mind can deal with a reality; instead, the government constitutes a built order based on constructivist rationalism that does not recognize abstract concepts, they are the result of human design. In this way, the state intervention of the government, being a built order, should not hinder the spontaneous order of the market, but on the contrary, should set the essential conditions for exchanges to flow in the various markets. However, in most cases, the governments of the various countries end up excessively interfering in the markets, causing in some cases, certain privileges and thus affecting the spontaneous order of the market. [ABSTRACT FROM AUTHOR]

Copyright of Ideas y Valores is the property of Universidad Nacional de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales del Seminario de Historia de la Filosofía is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales del Seminario de Historia de la Filosofía is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Cartesian subject is constituted in the subordination of all the faculties to the intelligence; it has to impose its conditions at all times and in all situations, because what is at stake is to ensure the mastery of things, something that cannot be achieved without interposing to desire, to that desire, an adequate understanding. And Descartes knows very well that there is no understanding that is not of objects. Human beings are endowed with these faculties, which habitually clash and never cease to conflict. In replacing confusion (and superstition) for method, Descartes takes to its extreme the subjection of the other faculties by the understanding, an injustice that will revolt many. This article addresses this problem. [ABSTRACT FROM AUTHOR]

Copyright of Temas de Historia Argentina y Americana is the property of Pontificia Universidad Catolica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Endoxa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this paper I analyze the concept of Church presented by Danish theologian Nicolai Grundtvig (1783-1872) in the document known as «The Church's Rejoinder». In this text, published in 1825, Grundtvig denounces the rationalist theology of Henrik Nicolai Clausen, particularly his claim that the Bible is the only valid source of Christian revelation; the Scriptures, Clausen adds, ought to be interpreted by professional exegetes. Grundtvig will argue instead that the essence of the Church is the assembly of believers who embraces the message of Christ through the acceptance of the Creed, baptism and communion. [ABSTRACT FROM AUTHOR]

Copyright of Con-textos Kantianos: International Journal of Philosophy is the property of Con-Textos Kantianos (CTK) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The mid-sixties saw the Modern Movement space being questioned. Attempts that tended to dematerialise the limits of space were carried out from both countercultural and pop perspectives. Supergraphics became a strategy with which to stage all these transformations. Filmography from these years presents many examples of the new spatialities that arose through the graphic treatment of architectural surfaces. These proposals fuelled the architectural imaginary of a generation that introduced substantial modifications to modern space. The equal understanding of productions from the real and fictional spheres came to integrate different ways of thinking about space, adding a third dimension that did not seem to belong exclusively to either the real or the fictional spheres, but rather to the social imaginary. The construction of reality, therefore, was largely influenced and determined by new cinematographic spatialities. [ABSTRACT FROM AUTHOR]

The research analyzed from the philosophical perspective of Hayek's constructivist rationalism, the constructivist foundations of banking secrecy, framing it as a protection mechanism of the financial system, a system that, although it appears as a spontaneous order due to the need of various individuals to have a savings and financing mechanism, currently subject to certain rules of the game and specific supervision by government authorities, is considered a constructed order that seeks, in relation to banking secrecy, to safeguard information on individuals' savings in order that they can count on a patrimonial support. [ABSTRACT FROM AUTHOR]

Copyright of Bajo Palabra: Journal of Philosophy is the property of Bajo Palabra: Journal of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Quintana: Revista do Departamento de Historia da Arte USC is the property of Universidad de Santiago de Compostela, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Usually, the criticism of the modern foundational epistemological project and the representational conception of knowledge is associated with the philosophies of Heidegger and Wittgenstein. However, in an epigone of British idealism such as Michael Oakeshott, one can also recognize a singular position against philosophical foundationalism, representational epistemology, the theory of truth as correspondence and universalist rationalism. This article aims to reconstruct Oakeshott's philosophical inquiries into the conditions of human experience and understanding. Through the exegesis of his philosophical essays, we propose an integral reading of his systematic reflection on the modalities of human knowledge, which coherently combines idealistic, skeptical, and hermeneutical motives beyond the temptations of traditional epistemology. [ABSTRACT FROM AUTHOR]

Despite the enormous global problems linked not only to the ecological sphere, but also to the environmental, political, economic, social and cultural dimensions, humanity continues to consider that the discourse of sustainability has a close and unique relationship with nature. It is not like this. This text aims to make a deeper reflection on the historical context, interests and power relations that derive from considering sustainability as an alternative development model. Because, more than a neutral discourse, sustainability must always land in a specific historical and spatial context, which allows it to adapt and, then, perhaps become more operational and functional. The central hypothesis places the media as simplistic and, at times, partial interlocutors; definitely not neutral, of said discourse, which prevents the individual from understanding the complex dynamics of the planet and the possible solutions to current problems. Because, it is not only the fact that the media define what sustainability is, but also reflect on how and why they do it. [ABSTRACT FROM AUTHOR]

This essay aims to contribute to the discussion on the presence of a Political Theology in Populism. Starting from this presupposition, links are drawn between authors who have studied the processes of Modernity, the problem of Rationalism, the crisis of Liberalism, the rise of totalitarianism, as well as the question of convictions, Political Theology and Populism. The aim is not to provide a definitive interpretation about a problematic that arouses reactions and interpretations as diverse as they are contradictory. The rather modest aim of this paper is to look at the ways in which rationalism has attempted to undermine its "other side", also profoundly modern, and at the impact of this undermining on politics and theory, where Populism is effectively presented as a manifestation of this process and, consequently, as a Political Theology, generally with practical and immediate aims. It is thus considered that the study of the articulations between Populism and Political Theology could serve the rationalist tradition not to neglect the dramatic and highly conflictive origin of the political, which populism uses to intervene in public life. [ABSTRACT FROM AUTHOR]

Copyright of Aurora: Papeles del Seminario María Zambrano is the property of Seminario Maria Zambrano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Dilemas Contemporáneos: Educación, Política y Valores is the property of Dilemas Contemporaneos: Educacion, Politica y Valores and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Discusiones Filosóficas is the property of Universidad de Caldas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)