Search

The topic of this article is the vocabulary related to teaching defined or used by Sebastian of Covarrubias in his celebrated dictionary-encyclopedia. The analysis and interpretation are divided into three sections, connected with the main educational institutions of the time: 1) primary schools, 2) grammar schools, and 3) universities. Once organized, the chosen linguistic corpus reveals a fairly precise image of the pedagogical consensus at the time. Clearly the author was interested in and familiar with these questions, mainly we assume, during his formative years. From this point of view, the Tesoro is revealed as a valid historical source. On the other hand, the examination of the terms in its historical context allows us to better understand their meaning and consequently the text. [ABSTRACT FROM AUTHOR]

Copyright of Revista Razón Crítica is the property of La Fundacion Universidad de Bogota Jorge Tadeo Lozano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Numismática Hécate is the property of Revista Numismatica Hecate and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Además de is the property of Ademas de: Revista on line de artes decorativas y diseno and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Prehistoria y Arqueologia is the property of Cuadernos de Prehistoria y Arqueologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Norba: Revista de Historia is the property of Servicio de Publicaciones de la Universidad de Extremadura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Documenta & Instrumenta is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Numismática Hécate is the property of Revista Numismatica Hecate and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Bulletin Hispanique is the property of Universite de Bordeaux III (Michel de Montaigne), Institut Hispanique and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Archivo de Prehistoria Levantina is the property of Museu de Prehistoria de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article deals with the treasure of duendes as a common folk myth that generated a lexicalizacion and proverb, which has numerous allusions and quotations from literary sources, in particular in the Siglo de Oro. Both speeches are compared in the light of the concepts of iconotropisme (Graves) and gift (Mauss), which leads to a hermeneutics and deconstruction of the concept of treasure in these sources, with emphasis on the description of metonymic movement and the opening of the meaning. The literaturising of the folktale culminates in a process of semantic restriction, where treasure is materialized in a unidirectional way and simultaneously moralize as source of deception. On the other hand, the classical concept of agalma is much more all-inclusive view and appearance play a large role, shaping as an isotopy of the visionary and the visibility, which engages well two worldviews. The symbolic devaluation of the gift explains the use of the proverb in the Siglo de Oro. [ABSTRACT FROM AUTHOR]

Copyright of Temas de Estetica y Arte is the property of Real Academia de Bellas de Santa Isabel de Hungria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)