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Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Internacional de Humanidades is the property of Common Ground Research Networks and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The aim of this article is to demonstrate that the mystical treatise known as “Siete grados o sendas”, that historiography and literary criticism have attributed to the hermit and mystic of New Spain Fernando de Córdoba y Bocanegra (1565-1589), was not written by him, but copied entirely from a Portuguese Franciscan chronicle, translated into Spanish, that circulated in the Hispanic territories at the end of the sixteenth century. It also explains the reasons why this hermit-was influenced by Franciscan spirituality and interested in his soul being united with God-he appropriated this treaty, transcribed it and sought to have other devout people read it and take advantage of its contents. [ABSTRACT FROM AUTHOR]

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Today, easy access to cinematic productions in any of its forms (movie houses, television, streaming platforms) has allowed people to have at their fingertips all manner of content, allowing them to mold their perspective on reality and begin to move through life with the values and anti-values they see in films. This is why this research analyzes the influence cinema has on appropriating values in one sector of the population. [ABSTRACT FROM AUTHOR]

This essay attempts to establish heavy metal’s social traits as a sociomusical identity. To do this, the author delves deeply into the genre’s historical origins and its strictly musical character. He then establishes a conceptual basis that allows us to understand metal-heads as a collective subject, that is, what has created their social listening sense. Finally, he reconstructs the history of the elements that make up the fan base as a socio-musical identity in Mexico City. [ABSTRACT FROM AUTHOR]

This article presents the results of the second stage of an anthropological research on the appropriation and socialization of political information in Uruguay. Its fundamental premise is to recover the subjects’ perspective in the inquiry into the meaning of their practices through in-depth interviews. In this stage, our focus was twofold: first, to explore the modes of coexistence in sociodigital networks, particularly the role played by the “silence” resource in managing and mitigating conflict; and second, to explore the influence of territory and locality in the various socio-technical networks of sociability that individuals engage in. The findings allow for lessening the impact of polarization and the filter bubble on the selection, interpretation, and validation of significant political information among diverse social actors. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos de Música, Artes Visuales y Artes Escénicas is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Co-herencia is the property of Universidad EAFIT and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Diferents: Revista de Museus is the property of Diferents. Revista de Museus and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Comunicación is the property of Universidad Pontificia Bolivariana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Other Modernities / Altre Modernita / Otras Modernidades / Autres Modernités is the property of Altre Modernita and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Desacatos is the property of Centro de Investigaciones y Estudios Superiores en Antropologia Social and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article focuses on the poem Seudoaraucana by Elvira Hernández (2010; 2017) based on the rewriting as an articulating resource of an off-center and amplified look at the source text, La Araucana de Ercilla y Zúñiga. As a hypothesis, it proposes that the rewriting discusses social phenomena linked to the fissures of the Chilean nation and the political processes of the current situation. As an objective, it tries to establish a dialogue with the tradition and the literary field around the epic, on the one hand, and with critical reconsiderations about the poetic imagination of history, on the other. [ABSTRACT FROM AUTHOR]

In cities, public spaces are shaped by the encounters they make possible the historical memory and the uses and customs that propitiate their "symbolic appropriation" and the constitution of the genius loci. Political mobilizations appropriate public spaces, which are momentarily transformed into "political spaces" whose strength, character and symbolic weight are assimilated to projects of identity, capacity for mobilization and political action. In Mexico City, two cases of politization of the public space are the Ángel de la Independencia and the Estadio Azteca. [ABSTRACT FROM AUTHOR]

Introduction: This article is based on the results obtained, through the work process with the group of women in the community of Los Ledezma, during the first and second semester of the workshop Local organization and construction of citizenship, taught by the School of Social Work at the University of Costa Rica. Objective: Analyze the lived experience of the achievements and learning of the group of Social Work students, through the work process with the women of Los Ledezma, during the year 2022. Method: From a social approach, from the review of background and field diaries, the achievements and learning derived from the work are observed, based on theoreticalmethodological understandings translated into the organization of a group of women in the town of Los Ledezma. Results: A greater handling of technical tools by the work group is identified, having a more accurate understanding of reality from the application of previously acquired theory. As well as a more defined ethical-political position in practice. Conclusions: This is not a linear process, there were numerous challenges that led to testing, proposing, negotiating and starting over; Flexibility was a constantly applied skill, due to the fact that different daily activities were being worked on. A necessary axis of analysis, linked to the above, is the system that reduces women to fulfilling specific roles in which there is no space for them to participate on their own and use their voice. [ABSTRACT FROM AUTHOR]

Copyright of Roca: Revista Científico-Educacional de la Provincia de Granma is the property of Universidad de Granma, Departamento Editorial and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Legado de Arquitectura y Diseño is the property of Universidad Autonoma del Estado de Mexico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Acta Comportamentalia is the property of Instituto de Psicologia y Educacion de la Universidad Veracruzana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Urban studies have developed the notion of public space by putting in tension its normative framework and its practical side. However, less attention has been paid to urban public space as a historical process. This article addresses the formation of public space from a historical perspective in the city of Rosario, Argentina. It seeks to show the open and porous character of public space, beyond its normative and idealized definition. The methodology combines a work of historical data reconstruction, based on a corpus of official and journalistic documents, and an ethnographic approach of participant observation in public spaces to capture contemporary processes. The article shows that public spaces are part of an open, complex, and multicausal historical process involving an unstable set of forces, actors, and interests. Likewise, although urban regulation models and social regimes of accumulation may influence urban policies, they do not completely determine the profile of public spaces and the modulations of their social appropriations. [ABSTRACT FROM AUTHOR]

Copyright of Ideas y Valores is the property of Universidad Nacional de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Students, teachers and citizens know the truths and realities through media products, with aggravating circumstances such as misrepresentation, falsification, spectacularization and decontextualization. The general objective of this research is to analyze the developments, approaches and challenges of the use and appropriation of technology - communication - education interaction for media comprehension in the virtual or face-to-face classroom. In this research it was found that educational systems today raise media literacy and revive educommunication without considering that technology says how, what and why it should be apprehended. [ABSTRACT FROM AUTHOR]

The books VISO I (Aproximación a una Imaginería Visual en Venezuela) and II (Irrupción de la Visualidad Lírica, after VISO), are part of a visualization of the experimentalisms and holistic handling of the word as a multi-form enlargement from Venezuela, and as an open and attentive research-action to the unstoppable creative moment. [ABSTRACT FROM AUTHOR]

Copyright of Revista Musical Chilena is the property of Universidad de Chile and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Venezolana de Gerencia (RVG) is the property of Revista de Filosofia-Universidad del Zulia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In the following research we will address the problem of Latin American art as an expression of identity, recognizing on the one hand that art offers interpretations that can nurture Latin American philosophical thought, and on the other hand that because it is a manifestation of reality, it can allow us to understand the aesthetic experience from particular, localized points of view. We follow the guide of two central categories: Reticulophagy and Appropriation, to understand what this "expression of the real" is about in the Latin American artistic scene, starting from the idea that Latin American art throughout its history has been capable of eating the reticulated reason of the other and appropriating the imposed visual elements to create with them a manifestation of what is observed. In addition, other contributions that address the ethical problem implicit in the study of Latin American art are included in this research, such as Enrique Dussel's proposal on the aesthetics of liberation and Vasconcelos's coordinative philosophy as a philosophy of the living, capable of accepting observation as a action that has no control over what is observed. All of the above will serve to lay the foundations for a Latin American aesthetic proposal. We recognize the difficult (if not impossible) task of describing the reality of such a diverse territory under an aesthetic category, therefore we will emphasize developing readings, glimpses of a shared will, without understanding this approach as a single truth about social, territorial, aesthetic, political realities of the different Latin American countries. [ABSTRACT FROM AUTHOR]

This article describes the social class trajectories of the families of professionals and executives in Buenos Aires. The author did biographical interviews with men and women born between 1965 and 1975 into families in which one or both parents were university-graduate professionals and held high-level posts in organizations. He analyzes the evolution of both family and individual possession of different kinds of capital (economic, cultural, social, symbolic), as well as the ways in which resources were transmitted and appropriated for the reproduction or change in class position. He found diversity in the appropriation of family cultural capital: often class was reproduced by people aiming for different goals from those of their family of origin. [ABSTRACT FROM AUTHOR]

The public space appropriation is linked to pilgrimage phenomena. Both are irremediably connected to architectural objects, expressly created as gravitational centers of religious devotion, where this social phenomenon is verified. The comparative points of the main investigation start from the architectural objects production and a lecture of its transformations over time. Understood as the main places where hierarchical structures exercise their power, implicit in the act of inhabiting through time. [ABSTRACT FROM AUTHOR]

The appropriation of technology has been a permanent challenge in the history of human evolution. With the advancement of Information and Communication Technologies (ICT), opportunities and challenges are presented in educational environments. The is understanding and adoption of ICT in these contexts require a series of intentional steps because its appropriation does not happen spontaneously. This article presents the results of qualitative research carried out on this subject, it begins with a conceptual approach that addresses the opportunities and challenges faced by educational systems in their generalized intention to make the best possible use of ICT to improve their performance, it also analyzes some teaching models proposed by multilateral organizations, which focus on digital skills and the adoption of technological tools. Subsequently, a case study carried out in the National Learning Service (SENA), an institution of technical and technological training attached to the Ministry of Labor of Colombia, is presented. Finally, a methodology is proposed for the integration of ICT in educational institutions that involves three dimensions (pedagogical, administrative, and infrastructure). It places the trainer as an active and crucial subject and also outlines the conditions, requirements, and persons who intervene directly and indirectly for the effective adoption of ICT in training processes. [ABSTRACT FROM AUTHOR]

Copyright of Bitacora: Revista de Arquitectura is the property of Universidad Nacional Autonoma de Mexico, Facultad de Arquitectura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de Investigación en Arquitectura is the property of Universidad ORT Uruguay, Facultad de Arquitectura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of RHS: Revista Humanismo y Sociedad is the property of Corporacion Universitaria Remington and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pensamiento, Palabra y Obra is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ñawi: Arte, Diseño y Comunicación is the property of Escuela Superior Politecnica del Litoral and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Dearq is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This presentation explores a new strategy in the repatriation policy of exiled Peruvian heritage. Latin American heritage has an important presence in the world's museums, but it is less conspicuous than the heritage of other regions, looted according to cultural origins, colonial ties or economic power. In the early 20th century, scientific research in the Andes preceded the indiscriminate looting that would fill American and world museums with artifacts. In this scenario, the best examples of looted Peruvian heritage were found in foreign museums until 1987. The call for the repatriation of heritage is common from many of the looted countries. Peru is no exception. But such claims are haphazard, circumstantial, erratic and, while legally required, very costly and ultimately, I believe, counterproductive. Unless action is inevitable when, in a rare scenario, a museum showcases Peruvian heritage in an exhibit called "A Stolen World." In this presentation I propose a new strategy to face the immense exiled Peruvian heritage, revaluing repatriation not as a political discourse, and therefore illogical, of heritage policy but in new academic dimensions, of cultural promotion and identity. [ABSTRACT FROM AUTHOR]

After the SARS-CoV-2 pandemic, the new normalcy is real and little by little we are assimilating it, so it is necessary to try to clarify the inhabitation of the architectural space together with the pragmatic inquiry of its user. These elements provide an image of the space in which it is possible to appreciate the architectural coexistence as a whole covered under the semiotic theory of signs. There are different ways of understanding architecture, and its design is considered as a formal and functional activity, which due to the cognitive distancing of rationalist architecture, generated a crisis that led to an application of the scientific method with the purpose of freeing itself from all formal concepts, where there is no representation of the space but a configuration linked to the functional value of these (the spaces) and as a consequence the design process advances from the interior to the exterior. [ABSTRACT FROM AUTHOR]

This text makes an ethnographic approach to the relational complexity present in the Amazonian territories, where the care and cure routes detonate a fact that cannot go unnoticed and is the presence of religious institutions that echoes up to the present time and that marks with deep wounds the history and the life courses that are woven there. Marks of a mainly missional legacy of the Catholic Church manifested in Jesuits and Franciscans, which in addition to spiritual disputes, leads to tensions and re-existence between the actors involved in the care and healing processes. [ABSTRACT FROM AUTHOR]

This research comes about in response to the demand of centennial and millennial students for new methods to develop creativity through use of new technologies. This paper considers the need to incorporate appropriation as an educational strategy to promote the creative competence in the digital age. The main goal of this work is to promote new didactic methods that allow the integration of social and technological dynamics that determine online daily interactions. The mash- up has been adopted as the main tool to carry out a methodological proposal of teaching innovation in the academic context of Advertising Communication studies. The construction of the model called lateral visual thinking constitutes a revision of the design thinking based on two distinctive characteristics: vernacular creativity and the practice of lateral thinking through the recombination of materials of diverse origin and authorship in the World Wide Web. [ABSTRACT FROM AUTHOR]

This article is a work in progress of a research on feminist art activism in South America with a focus on the performative work Un violador en tu camino (A rapist in your path) by the Chilean collective Lastesis, and is part of my master's thesis research for the MA in Cultural Studies at the Andina Simón Bolívar University, Ecuador. Due to the rebellious nature against patriarchal violence, the video rapidly went viral in a very short time, after which we began to see numerous women's groups and feminist collectives around the world reprising it in their locations around the world. The cultural, social and political dimensions of this performance reveals an interesting overlap and interrelation between art and activism, as it created new forms of communication of feminist activism through the power of artistic creation, by way of the audiovisual media that circulates through the Internet and social networks. In this article I dedicate attention to the use of the body in relation to the concept of poner el cuerpo (putting the body) and how the body is a political battleground in performance as well as art activism. Based on the collective's declaration of working from the micro-politics to move macro-politics, I highlight how the use of the body as an aesthetic, combined with social networks and appropriation, has generated a global solidarity which wove an underground fabric of feminists, contributing to macro movements. Finally, I address the concept of rebel creativity, introduced by the Bolivian collective Mujeres Creando, to propose that art and creativity are not necessarily at the service of social movements, but rather complement and strengthen them by creating other powerful realities and subjectivities that question the truth imposed by hegemonic powers. [ABSTRACT FROM AUTHOR]

In the southern outskirts of Bogotá, the Ciudadela Nuevo Usme is characteristic of a new social housing offering built since the mid-2000s by the private sector. This article seeks to give an account of the experience lived by the residents of this emerging model of vertical social habitat. Our study is based on field work done in 2018 in two closed residential complexes in the Ciudadela, aimed at low-income populations and displaced households, victims of the armed conflict. Through a study of of living patterns and focusing on the divergences between the constructed space and the inhabited space, we will try to evaluate the adequacy of this housing offer to the needs and aspirations of its beneficiaries. To this end, we will carry out a multiscale analysis of the "practices of places" and representations of space of the inhabitants of these apartment blocks. [ABSTRACT FROM AUTHOR]

Copyright of Propiedad Inmaterial is the property of Universidad Externado de Colombia, Centro de Estudios de la Propriedad Intelectual and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)