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The article analyzes the introduction of Chinese poetry in Catalonia before the Franco dictatorship, highlighting the influence of figures such as Sinibald de Mas i Sans and Ernest Fenollosa. Catalan translators such as Apel·les Mestres, Josep Carner, Josep Maria López-Picó, and Marià Manent are mentioned, who adapted Chinese poems to the Catalan poetic style, paying attention to meter and rhyme. The Bernat Metge Foundation played an important role in the dissemination of classical literature and Chinese poetry in Catalonia. [Extracted from the article]

This article analyzes the experience of political exile in Chile during the dictatorship through the narratives of women. The role of the Araucaria magazine in maintaining communication between exiles and those who stayed in the country is highlighted. The importance of including women's narratives to have a more complete understanding of exile and to deconstruct its analysis is emphasized. It is concluded that it is necessary to continue exploring and contrasting masculine discourses in order to open the discussion of exile to new interpretations. [Extracted from the article]

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Objective/context: The article analyzes the tensions in the construction of official and alternative truths about the repression of pobladores during the civil-military dictatorship in Chile (1973-1990). Despite the magnitude and massiveness of the repression against this group, it has only been officially recognized in a nominal and exclusive way. Based on a socio-historical reconstruction of the place occupied by the repression toward the impoverished sectors of the city, we investigate the narratives contained in the official reports of the truth commissions and the alternative responses of civil society. Methodology: A case study based on documentary analysis of reports, press, and secondary bibliography. Conclusions: The study evidences the contentious character of settlers in the canonical narratives on political violence during the civil-military dictatorship. In this context, civil society has played a key role in the dispute over the meanings and temporalities of violence; similarly, the place of pobladores as key actors in the political dynamics of the last decades is discussed. Originality: Given the scarcity of works that focus on the representation of pobladores in building official and alternative truths, our findings highlight the gaps and debts in constructing truths about the places and subjects of violence fifty years after the coup d'état in Chile. [ABSTRACT FROM AUTHOR]

In a situation of advance and consolidation of the ultra-right in Latin America, in which security claims and government interventions in the name of the "combat against insecurity" have been one of its most dynamic vectors, this work is aimed at exploring the contours of another approach to the question of crimes and punishments. During the seventies, in the heat of dictatorships and exiles, a critical, combative, partisan criminological model was forged in Argentina. This other model is tributary of a strategic assembly between the "Foucault effect" in Argentina and Latin American critical criminology. Specifically, the traces of this process are covered through three strong ideas: 1) the "Foucault effect" in Argentina and critical criminology are the ties of a certain critical attitude; 2) that history is realized in a topological structure: it unfolds in the ups and downs experienced by intellectuals here in the dictatorship and there in forced exile; 3) these imports, readings and uses of Foucault overflow and dislocate Foucauldian analysis itself. [ABSTRACT FROM AUTHOR]

Rhetorical resources, literary motifs and the literary reconfiguration of the past for critical purposes serve as elements that allow us to prove the presence of a counter-hegemonic discourse in The Autumn of the Patriarch. This perspective is confronted with Enrique Krauze’s views, in order to contribute to the closure of a literary discussion sparked by the work’s complex character and by the political actions of its author. Hayden White’s reflections will serve to demonstrate how the nature of the historical narrative is destabilized in the work. [ABSTRACT FROM AUTHOR]

The article is a review of a book written by Esteban Torres in 2023, which analyzes the evolution of the theorization of the link between actors and social change throughout history. The author proposes to identify the fundamental challenges faced by studies on social change in Latin America and revitalize the commitment of social sciences to the structural transformation of society. The book presents different intellectual constellations throughout history, from the European constellation to the post-dictatorial constellation in Latin America. The author analyzes three sociological currents in Latin America and proposes the need to resume and update the Latin American sociological theories prior to the military dictatorship to create a new critical sociology. Additionally, he calls for the construction of a new conception of Latin America as a regional society, claiming equality between countries and sociologies of the Global North and South. [Extracted from the article]

The article analyzes the critical vision of Chilean writer Alejandro Zambra regarding educational institutions in his works "Mis documentos" (My Documents), "Facsímil" (Facsimile), and "Poeta chileno" (Chilean Poet). Zambra reflects on the Chilean educational system, addressing topics such as the inflexibility of schools and the alienation of students. Additionally, the connection between education and the Pinochet dictatorship is highlighted in his work. The author criticizes the Chilean educational system and advocates for an education that develops analytical thinking and critical awareness in students. [Extracted from the article]

The article analyzes the work of Chilean poet Jorge Torres Ulloa, highlighting his aesthetic concern when faced with the violent reality of the Chilean dictatorship. It mentions the expressive crisis that Torres experienced and how this led him to collect newspaper clippings to create his work "Found Poems and Other Pre-texts". Torres' work uses newspaper clippings to create found poems that represent fragments of reality and delusions, and his book functions as an exhibition of an archive. During the military dictatorship in Chile, poets were censored, and Torres seeks to take writing to another place, inviting readers to be finders of poems. [Extracted from the article]

Copyright of Tropelías: Revista de Teoría de la Literatura y Literatura Comparada is the property of Prensas Universitarias de Zaragoza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Trashumante. Revista Americana de Historia Social is the property of Universidad de Antioquia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Doxa Comunicación is the property of Fundacion Universitaria San Pablo - CEU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Pasado y Memoria. Revista de Historia Contemporánea is the property of Pasado y Memoria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Universum is the property of Instituto de Estudios Humanisticos Juan Ignacio Molina, Universidad de Talca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The objective of this research is to describe the forced disappearances and extrajudicial executions during the Stronist dictatorship (1954-1989) in Paraguay. It consists of the systematization of the data found in Volume VIII, Part 3 of the Truth and Justice Commission in index card format. The methodology applied was of documentary design, empirical-quantitative type of descriptive scope considering the characterization of forced disappearances and extrajudicial executions in the Paraguayan State. The results show that in a period of 35 years of dictatorship there were 336 cases of forced disappearances and 59 cases of extrajudicial executions. Most of the victims were Paraguayan nationals, with a smaller percentage of foreigners. The victims did not know the reason for their detention or how long they would be detained; they were detained on the mere suspicion of belonging to a certain association linked to communism. [ABSTRACT FROM AUTHOR]

Two telegram messages sent to the United States Department of State by the ambassador of that power, Nathaniel Davis, informing the corresponding authority of the favorable reception that former President Eduardo Frei Montalva gave to the new military regime that emerged from the coup d’état of September 1973, are transcribed. An outcome that seemed inevitable to him, and the sole responsibility of President Salvador Allende Gossens and the Popular Unity government. In passing, he notified Davis of the concrete cooperation that many technicians and former officials of his administration, of Christian Democratic affiliation, were giving to the emerging Chilean dictatorship, whose necessity Frei approved. [ABSTRACT FROM AUTHOR]

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Copyright of Letras (Lima) is the property of Letras, Facultad de Letras y Ciencias Humanas. Universidad Nacional Mayor De San Marcos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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The article "Arendt and Spain" is a review of the book of the same name written by Agustín Serrano de Haro. The author reconstructs the life and history of Hannah Arendt, philosopher and witness of the events of the 20th century, with a focus on her relationship with Spain. The book examines Arendt's visit to Spain in 1941, her involvement with the humanitarian organization Spanish Refugee Aid, and her references to Spain in her writings. It also analyzes the distinction between dictatorship and totalitarianism, the influence of Ortega y Gasset on Arendt's thinking, and the reception of her works in Spain. The book concludes by highlighting the relevance of Arendt's political principles in the present day. [Extracted from the article]

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Copyright of Perífrasis. Revista de Literatura, Teoría y Crítica is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Revista Mexicana de Ciencias Politicas y Sociales is the property of Revista Mexicana de Ciencias Politicas y Sociales and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of HiSTOReLo: Revista de Historia Regional y Local is the property of Universidad Nacional de Colombia, Centro Editorial Facultad de Ciencias Humanas y Economicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article highlights the importance of poems written in Chile during the dictatorship and the democratic recovery, which reference the Holocaust. The author, David Preiss, explores the relationship between poetry and the memory of the Holocaust, emphasizing its importance as a tool for memory and cultural reparation. The article mentions Pope Paul VI's 1965 Declaration Nostra Aetate, which addresses the Church's relations with non-Christian religions in a context of growing religious intolerance and antisemitism. [Extracted from the article]

This article explores how Taiwan and Spain have confronted their traumatic pasts under dictatorships and how 21st-century films have served as tools for preserving and transmitting collective memory, as well as constructing national identity. Despite peaceful democratic transitions in both na- tions, there are still open wounds, particularly regarding victims of state violence and the recovery of memory. We establish a dialogue between Spain and Taiwan, revealing the need for further sociopoliti- cal progress. Additionally, the power of cinema to generate awareness and social and academic interest in collective memory is highlighted. [ABSTRACT FROM AUTHOR]

I will present a reflection that seeks to address part of the work of the Chilean writer Patricio Manns motivated by highlighting his poetics of exile. Manns is a writer whose political commitment to resistance and opposition to the dictatorship of the genocidal Augusto Pinochet, who had to face exile and clandestinity, is known. This political fact accentuates his poetics of exile not only due to the spiritual conditions but also due to the historical events that occurred in the collective sphere of Chilean society. Part of the approach to his cantological writing will be from an epistemological perspective that includes the category of the subaltern thinker. [ABSTRACT FROM AUTHOR]

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Copyright of Revista Latinoamericana de Filosofía is the property of Centro de Investigaciones Filosoficas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In one of the few articles published on El hipnotizador (HBO 2015, 2017), Ada Cristina Machado da Silveira highlights the show's cross-border nature by suggesting that the series exemplifies the feeling of unbelonging central to the migrant experience of the Latino diaspora in transnational contexts, posing that it then participates in the construction of a supposed Latino viewing community (318). For her, the symbolic nature of El hipnotizador finds in the chronotope, heteroglossia, and space-time hybridity an innovative way of approaching an imaginary pan-Latin community (322). This essay suggests that the series can also be read from the perspective of the national through a detailed reading of the signs, symbols and allegories that point to a critical reflection of Argentine history. While the co-production and bilingual nature of the fiction suggest a latinoamericanidad, a careful analysis of the repeated presence of recognizable cultural codes and the intentional aesthetic artificiality of the composition encourages an allegorical reading that calls for reflection of the ideological bases of historical milestones in the country, such as its nineteenth-century national foundation and the most recent Proceso de Reorganización Nacional of the last Argentine military dictatorship. [ABSTRACT FROM AUTHOR]

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Copyright of Archivos de Historia del Movimiento Obrero y la Izquierda is the property of Archivos de historia del movimiento obrero y la izquierda and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Archivos de Historia del Movimiento Obrero y la Izquierda is the property of Archivos de historia del movimiento obrero y la izquierda and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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During the dictatorship of Francisco Franco (1939–1975) Catalan literature suffered a terrible blow, mainly in the censorship of books published in Catalan. In this period of cultural repression, the objectives and characteristics of the mission of translating foreign poetry in the Catalan-speaking regions were determined by special socio-historical circumstances. This article presents a panoramic investigation into the dissemination of Chinese poetry in Catalan culture during the Franco dictatorship. The various aspects of the investigation and the period in which it was carried out have been studied: the publications, translation and editing, the motives of Catalan translators in carrying out their work and the influence of socio-historical elements on the dissemination of the translated poetry. [ABSTRACT FROM AUTHOR]

Copyright of Investigaciones Historicas is the property of Universidad de Valladolid, Facultad de Filosofia y Letras and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Between 1980 and 1992, a civil war took place in El Salvador between its armed forces and the Farabundo Martí National Liberation Front (FMLN). It was preceded by a popular mobilization of enormous wealth and unprecedented character (1972-1979). The present work reviews various analyzes on the mobilization of the 70s, mainly in the urban area, to account for two assumptions that underlie the debate: the 70s as a prelude to the civil war or the continuity between the mobilization of the 70s and the development of the armed struggle, and the continuity between the mobilization prior to the civil war and the democratic transition. A reading of recent Salvadoran history is proposed that seeks to dialogue with the afore mentioned by discussing this idea of continuity. For this purpose, emphasis is placed on those logics, dynamics and elements that were weakened or disappeared as a result of the repressive surge that took place around 1980. [ABSTRACT FROM AUTHOR]

This article examines the post-war summary trials during the Franco dictatorship from a legal perspective. It begins by approaching the concept of Show Trials -used to define pseudo-judicial processes employed by certain dictatorial regimes, primarily in the Soviet sphere- to question whether Franco's summary trials can be categorized similarly. The study aims to contrast the model of justice the Franco regime sought to project with the representation of these trials designed to instill their pedagogical effect on society. [ABSTRACT FROM AUTHOR]

The turbulent situation in Nicaragua the late 1970s constituted a significant challenge for the military dictatorship in Argentina (1976-1983). Divided into often opposing sectors, they developed various evaluations, found different motivations and, consequently, promoted different activities related to the Central American country. This article seeks to contribute to the broader debate on Argentine extraterritorial activities during the last dictatorship by focusing on the foreign relations between Nicaragua and Argentina (1977-1979) and delving into the motivations for said activities. It does so through the reading and detailed analysis of an extensive corpus of documents from the Argentine Foreign Ministry. I argue that among the variables that explain the "erratic and contradictory" foreign policy towards Nicaragua, the type of diplomacy involved (military, economic or official) and the specific historical moment (before or after the Nicaraguan revolution) must be taken into account. This analysis stands in sharp contrast to previous works that analyze only one cause - the persecution of Argentine exiles in revolutionary Nicaragua - or only one sector of the Armed Forces - the nationalists or "hardliners". [ABSTRACT FROM AUTHOR]

This study seeks to present the imaginaries of Orompello Street in Concepción, Chile, described in the poetry book Cipango (1992) by Thomas Harris. To do this, a qualitative interpretive analysis of the collection of poems was carried out through reading cards. It was compared with the historical events that occurred in the place and a semi-structured interview with the author to delve into certain meanings present in the text. The results showed that the urban space and the living present in the story make up a heterotopia transformed into dystopia, located in a timeless context, the product of primordial violence that dates back to the time of the discovery of America and that is reproduced not only by the dictatorship of Pinochet but also by the State in democracy. The inhabitants of this place are immersed in a marginal atmosphere of repression and devastation, transforming the place into a wasteland. These characteristics and events make Orompello Street an uninhabitable place but full of meaning. [ABSTRACT FROM AUTHOR]

The goal of this work is to analyze the political continuity surrounding two Chilean dramaturgical texts: Retablo de Yumbel by Isidora Aguirre, and Villa by Guillermo Calderón. The former was written and staged during the civil-military dictatorship, while the latter belongs to the post-dictatorial period. The reflection is developed through a comparative analysis, drawing upon theories that explore the concept of politics. Specifically, the relationship between human rights violations committed under the dictatorship and the theater is examined. The article concludes that references to the history are made using a variety of stylistic allusive techniques, including those of self and metacognitive reflection. In both works, the word serves as both an aesthetic and dramatic device as well as an emotive one. Through this exploration, the art delves into its political possibilities from an ethical perspective. [ABSTRACT FROM AUTHOR]