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Copyright of Olivar is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Olivar is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The following article is a contrastive study of the complete works of Ángel González and Luis García Montero, especially focused on the treatment of the theme of love, and how this is represented in the poetry of both authors through urban space and temporal references. Also included in the same article an annex that includes an interview the author himself Luis García Montero on the various issues raised by this subject. [ABSTRACT FROM AUTHOR]

Poetry of experience is already a widely discussed matter in recent literature. Its landscape is nowadays open to other aesthetic proposals, but for more than two decades this movement has carried with it a real boom of readers —and, largely, of public—. This genre, traditionally intended to minorities only, has been highly successful in terms of sales in poetry. Thus, other less popular and less hermeneutically accessible streams have taken advantage of this issue. That's why we here distinguish between readers and public. [ABSTRACT FROM AUTHOR]