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Copyright of Art-E is the property of Suleyman Demirel University, Faculty of Fine Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Black Sea / Karadeniz is the property of Black Sea / Karadeniz and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Art-Sanat Journal / Art-Sanat is the property of Art-Sanat and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Urban Academy/ Kent Akademisi is the property of ICAM NETWORK and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Afyon Kocatepe University Journal of Social Sciences / Afyon Kocatepe Üniversitesi Sosyal Bilimler Dergisi is the property of Afyon Kocatepe University (AKU) Sosyal Bilimler Enstitusu and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Fethiye, a district of Muğla province, is an important center in which flat weaving activities have been carried out for a long time. Flat weavings have been done for a long time in order to meet weavers' own needs in the region. Weaving activities in Fethiye include the dye of yarns and the production of flat weavings via a variety of weaving techniques such as kilim, jejim, sili. There is not a professional marketing of flat weavings. However, there are families weaving make to order. Today flat weaving in Fethiye has lost its former importance. However, weaving is still in progress as a handcraft of indigenous. Fethiye flat weavings meet families' own needs, and sometimes contribute to home economics by providing them income. In this paper, demographic characteristics of weavers, weaving purposes of weavers, information related weaving preoccupation, yarn, pattern, loom supplies, weaving techniques, the general properties of the woven materials, the current problems and solutions have been analyzed and the current status of flat weaving in the district of Fethiye has been presented. [ABSTRACT FROM AUTHOR]

Folk painting is a kind of painting through which people from all walks of life reflect on various materials like wood, paper, glass with various methods techniques in line with their own aesthetic understanding. These paintings are the reflections of folk traditions, religious and national values and also social, political events of the present period. Reverse-glass paintings, which are characterized with their different techniques and style, are among the most interesting examples of folk painting both with their construction and the topics they treat. Although there are many descriptions for reverse-glass paintings, it can be expressed as the application of patterns on the glass inversely. Mastery of the artists is not generally reflected in the works of reverse-glass paintings. They can also be encountered in many regions of Anatolia as ornaments. Topics covered in the pictures; goodness, beauty, truth, are based on ideals such as bravery. On the use of fertility, which is believed to bring health and peace of mind and a sense of spiritual uploaded images it has found widespread use among the Anatolian people with these characteristics and is very popular. In this article, the styles and trends in reverse-glass painting, which maintained its freedom with its characteristic features despite the social changes in the freedom of the Turkish folk painting, are discussed. The aim of this study is to introduce and promote rich profile and aesthetic values of reverse-glass paintings, which with its free character attracts attention among handicrafts, which are indicators of cultural richness. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Social Sciences Research / Sosyal Bilimler Arastirmalari Dergisi is the property of ODU Journal of Social Sciences Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Yaratici Drama Dergisi is the property of Yaratici Drama Dergisi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Gümüshane University Electronic Journal of the Institute of Social Science / Gümüshane Üniversitesi Sosyal Bilimler Enstitüsü Elektronik Dergisi is the property of Gumushane University Electronic Journal of the Institute of Social Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Gümüshane University Electronic Journal of the Institute of Social Science / Gümüshane Üniversitesi Sosyal Bilimler Enstitüsü Elektronik Dergisi is the property of Gumushane University Electronic Journal of the Institute of Social Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)