1. 17-18. Yüzyıl Avrupa Resim Sanatında Türk İmgesi Olarak Kahve.
- Author
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ÖZKAYMAK, Bilge and BAŞ, Ali
- Abstract
The subject of our study is the reflection of the concept of coffee, which took its place in the lives of Europeans as a part of Turkish admiration in Europe in the 17th-18th centuries, on European painting. Turkish and European societies were influenced by each other due to the political, economic and social relations between them, which inevitably reflected on their arts. This reflection, as it manifests itself in every field of art, was widely felt in the art of painting, fed by visuality. In general, although European influences began to be seen in Turkish art after the 18th century, this influence was seen as the influence of Turkish culture on European art in the 17th and 18th centuries. Despite the fact that the origin of the concept of coffee, which we discussed in our study, was not Turkish lands, its entry into Europe through the Turks enabled the Europeans to see coffee as a Turkish image. For this reason, the concept of coffee in European paintings of the 17th and 18th centuries was always associated with 'Turk' and presented to the audience. It is clear that the art of painting was inspired by some segments of daily life as well as having fictional expressions. Therefore, it was impossible for Europeans to transfer this new concept to their lives and paintings alone, and it can be said that they accepted any concepts, that came to mind when they thought of coffee, together with coffee. This enabled the Turquerie movement that emerged in this period to spread to large areas in Europe. The examples discussed in the study are examples that can be discussed under the title of Turquerie within the scope of the 17th-18th centuries. Although in many examples at that time there was a coffee image placed somewhere in the paintings, the examples in the study were selected from those that directly referred to Turks, had Turkish names in the titles of the works, or had figures wearing Turkish clothes in the works, or where the figures were depicted in places reminiscent of Turks. [ABSTRACT FROM AUTHOR]
- Published
- 2024
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