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Copyright of Erciyes Akademi is the property of Erciyes Universitesi Sosyal Bilimler Dergisi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

It is seen that art has been interpreted in different ways by passing periods throughout history. In order to get out of the current situation, to gain a new search and attitude, an art movement was either born as a reaction to another art movement or was further developed and gained a different dimension. Based on this situation, the "Rumi" motif, which has a very old history and is used in many art branches, especially in the art of illumination, has been stylized with the influence of the "Cubism" art movement, one of the 20th century art movements, and a new motif has been created. The motif was given the name "Kutri", which means life force. A cloak, which is thought to be able to show the motif in the most beautiful way, was designed, and the “Kutri” cape was pinned with the felt pinning technique. The cloak, which required a wide fabric surface for its preparation, was named “Kutur” and the resulting design was defined as “KutriKutur”. In this study, which means the space that contains life, the aesthetic structure of "Rumi" and the importance given to form by "Cubism" were tried to be emphasized. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Art History / Sanat Tarihi Dergisi is the property of Ege University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anadolu University Journal of Art & Design / Sanat & Tasarım is the property of Anadolu University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Itobiad: Journal of the Human & Social Science Researches / İnsan ve Toplum Bilimleri Araştırmaları Dergisi is the property of Itobiad: Journal of the Human & Social Science Researches and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The science of literature deals with the subjects belonging to the society, according to the artistic forms it contains. This sometimes manifests itself in prose, sometimes in poetry. The symbolism movement, which is one of the modernist art movements, aims to save poetry from its explanatory function and materialist attitude. The symbolism movement emerged in France at the end of the 19th century and influenced 20th century literature. Russian writers, who produce competent works in the symbolism movement, are instrumental in experiencing a "Silver Age" in literature. Russian symbolism is shaped according to the internal dynamics of the country. Russia and Turkey, two countries that have hosted many civilizations throughout history enters the race to own the Scythian civilization in this context. Documents and archaeological excavations indicate that the Scythians originated from the Turks. Since the Scythian civilization was far ahead in every aspect during its existence, the effort to embrace the Scythian civilization is of great importance. The essence of our study is to examine the reflections of the Scythian civilization, which has an important place in world history, in the poems of Russian symbolist poets A. A. Blok, V. Ya. Bryusov and K. D. Balmont. [ABSTRACT FROM AUTHOR]

In this study, Superstroke and Superblur art movements, which continue to actively continue their art activities, but are not known and pronounced much, are mentioned. These art movements, influenced by past trends and understandings, but showing their existence with a different stance, published their declarations stating their goals. Especially the reactive art movements inspired by art movements such as Cubism, Expressionism and Pointillism are interesting in the history of art with the productions they create using different techniques and symbols. These responses; It is about the fact that unique new styles can be created without adhering to Western understandings and based on existing painting traditions. Because, some countries have entered into a change of direction in the art styles continuing with these approaches. With these insights, Superstroke and Superblur art movements have been evaluated both between each other and with other movements, and with examples from artists. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Art History / Sanat Tarihi Dergisi is the property of Ege University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Online Journal of Art & Design is the property of Online Journal of Art & Design and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Monograf is the property of Monograf and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Don Quixote, as a text within the historical development of the novel, represents a meaningful beginning. Like all the rhetorical habits of the ancient ages, which are carried to enlightenment, Don Quixote, is a text from these ancient times in terms of the art of the novel. However, the modern era in which practical art concerns are organized with the Enlightenment does not accept Don Quixote with its technical features in the classical dimension in terms of novel theory. Modernism changes the novel by its consumption and aspiration forms. This article aims at a theoretical analysis in the context of literary thought for the post-modern era, focusing Don Quixote in this theoretical change story of the novel. [ABSTRACT FROM AUTHOR]

'Modernism' which had its name frequently mentioned in the literary and artistic debates of the 20th century had significant influence upon the embodiment of the period in a different way. Having become influential especially after the World War I, this movement means disengagement from the western concepts of art and culture. One of the significant short story writers of the period, Katherine Mansfield extracted to her works various striking characteristics of the period, and became an important representative of the movement. In this study, modernist short story techniques in some of Katherine Mansfield's works have been analyzed and author's attitudes within that concept have been elaborated [ABSTRACT FROM AUTHOR]

Copyright of Yedi is the property of YEDI (Dokuz Eylul Universitesi Guzel Sanatlar Fakultesi Yayini) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Electronic Turkish Studies is the property of Electronic Turkish Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Conservative Thought / Muhafazakar Düşünce is the property of Muhafazakar Dusunce Dergisi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Today Art advances at a dizzying pace and hosts many subject and tecnique. In our era very favorable rapid consumption of this environment, the arts also inevitably affected. Movement from the fact that another type of technology emerging with every last day occupied all our lives, art is oblivious to these influences. These changes are changing our visual style, senses and aesthetic understanding at the same time. Period, understandings and ways of life change as a result of this change also keeps up with art. In the first quarter of 20th century at the time of plastic arts expanding its boundaries, effects of technology starting with dizzying world of photograph formed by cameras, printing methods, video and computer tecniques and today whole known memorizes are started re-edited. Now, rejecting the speed of technology or stay in the old tecniques pressure on the artist. Artist who applies oil painting or other classical tecniques, technology help artist at any step of work. Today, art don't expect staying behind like everything, it is hard to keep time and staying behind limits artists and following modern art built on the concept of modern artist. [ABSTRACT FROM AUTHOR]

Copyright of Gazi University Journal of Gazi Educational Faculty (GUJGEF) is the property of Gazi University Journal of Gazi Educational Faculty (GUJGEF) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Selcuk University Social Sciences Institute Journal is the property of Selcuk University Social Sciences Institute Journal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)