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As the American election increasingly resembles a production of CATS performed by actual cats, U.S. citizens are looking for a new leader. That leader is Canada, and they want your vote for president of the United States.Since launching their viral video campaign in January, the Canada Party has been covered around the world, including CNN, BBC, the Huffington Post, and German State Television. America, but Better: the Canada Party Manifesto, balances the doctrine of American exceptionalism with a dose of Canadian humility and common sense to secure Canada as the new leader of the free world, by proxy.Their promises: One gay couple will be allowed to marry for every straight couple that gets divorced. The phrase'job creators'will be changed to'job creationists,'and they will be given seven days to actually create some.Corporations will still be people, but if they can't provide a birth certificate they will be legally obligated to care for your lawn. Corners will be installed in the Oval Office, and timeouts given to congressmen who can't play nice.Devoted to restoring America to its former glory, the Canada Party will soon have the whole world chanting,'Yes We Canada.'

Humor has always been an essential part of North American aboriginal culture. This fact remained unnoticed by most settlers, however, since non-aboriginals just didn't get the joke. For most of written history, a stern, unyielding profile of “the Indian” dominated the popular mainstream imagination. Indians, it was believed, never laughed. But Indians themselves always knew better. As an award-winning playwright, columnist, and comedy-sketch creator, Drew Hayden Taylor has spent 15 years writing and researching aboriginal humor. For Me Funny, he asked a noted cast of writers from a variety of fields — including such celebrated wordsmiths as Thomas King, Allan J. Ryan, Mirjam Hirch, and Tomson Highway — to take a look at what makes aboriginal humor tick. Their hilarious, enlightening contributions playfully examine the use of humor in areas as diverse as stand-up comedy, fiction, visual art, drama, performance, poetry, traditional storytelling, and education.

Saltwater City pays tribute to those who went through the hard times, to those who swallowed their pride, to those who were powerless and humiliated, but who still carried on. They all had faith that things would be better for future generations. They have been proven correct.Canada s first Chinese arrived in British Columbia in 1858 from California. Almost all mee merchants, peasants, and laborers and almost all from eight rural counties in the Pearl River delta in what is now Guangdong province they came in search of gold and better fortune, escaping the rebellions, flood and drought of their homeland.By 1863 over 4,000 Chinese lived in B.C., filling jobs shunned by whites: miners, road builders, teamsters, laundry men, restaurateurs, domestic servants and cannery workers. Between 1881 and 1885, thousands more arrived, most imported to build the transcontinental railway. They were to create, in Vancouver, Canada s largest and most dynamic Chinese Community, known to its original inhabitants as Saltwater City.

Emily Carr's journals from 1927 to 1941 portray the happy, productive period when she was able to resume painting after dismal years of raising dogs and renting out rooms to pay the bills. These revealing entries convey her passionate connection with nature, her struggle to find her voice as a writer, and her vision and philosophy as a painter.

A collection of short stories about people and animals by the legendary Emily Carr that mingle the sad and the joyous, the cruel and the tender, in her unique style.The Heart of a Peacock is a collection of 51 short stories by the legendary writer and painter Emily Carr. The stories are arranged in themes such as her experiences with Native people, her adventures with various beloved creatures (particularly birds), her love of nature, and a whole section of stories about her mischievous pet monkey Woo. Together, they underline Emily Carr's place as a writer with the sharp yet tender eye of an artist, with a deep feeling for the tragedies of life and with a rich sense of the comic. The Heart of a Peacock has been in print ever since its publication in 1953, and, like her other books, has been read and loved by a couple of generations. The book is enhanced by seven of Carr's own line drawings of scenes from nature.Carr's first book, published in 1941, was titled Klee Wyck, won the Governor General's Literary Award for non-fiction. Her writing is vital and direct, aware and poignant, as well regarded today as when first published.

Emily Carr was primarily a painter, but she first gained recognition as an author for her seven books about her journeys to remote Native communities and stories about life as an artist, as a small child in Victoria at the turn of the last century—and as a reluctant landlady.Before winning recognition for her painting and writing, Carr built a small apartment building with four suites (she lived in one of them) that she hoped would earn her a living. But things turned out worse than expected, and in her forties, the gifted artist found herself shoveling coal and cleaning up after people for 23 years.The House of All Sorts is a collection of 41 stories of those hard-working days and the parade of tenants- young couples, widows, sad bachelors and rent evaders— all the tears and travails of being a landlady confronted with the startling foibles of humanity. Carr is at her most acerbic and rueful, but filled with energy and inextinguishable hope.Carr's writing is vital and direct, aware and poignant, and as well regarded today as when The House of All Sorts was first published in 1944 to critical and popular acclaim. The book has been in print ever since.

The legendary Emily Carr was primarily a painter, but she first gained recognition as an author. She wrote seven popular, critically acclaimed books about her journeys to remote Native communities and about her life as an artist—as well as her life as a small child in Victoria at the turn of the last century.The Book of Small is a collection of 36 short stories about a childhood in a town that still had vestiges of its pioneer past. With an uncanny skill at bringing people to life, Emily Carr tells stories about her family, neighbours, friends and strangers—who run the gamut from genteel people in high society to disreputable frequenters of saloons—as well as an array of beloved pets. All are observed through the sharp eyes and ears of a young, ever-curious and irrepressible girl, and Carr's writing is a disarming combination of charm and devastating frankness.Carr's writing is vital and direct, aware and poignant, and as well regarded today as when she was first published to both critical and popular acclaim. The Book of Small has been in print ever since its publication in 1942, and, like Klee Wyck, has been read and loved by a couple of generations.

As a'Sea Hunter'and host, with novelist Clive Cussler, for the new National Geographic International television series, join Delgado as the team searches for, discovers and explores, among others, the wrecks of RMS Carpathia, the ship that rescued Titanic's survivors; Mary Celeste, the infamous'ghost ship'found sailing alone without a soul aboard, in the mid-Atlantic in 1872; Vrouw Maria, a perfectly preserved Dutch cargo ship of 1771, discovered on the bottom of the Baltic Ocean packed with cargo, including crates of long-lost Old Masters belonging to Empress Catherine the Great of Russia; the lost ships of the Mongol fleet of Kublai Khan that invaded Japan in 1274; and wreck of the USS Mississinewa, the first ship sunk by a Japanese'suicide submarine'in WWII.Stories and personalities of the past are interspersed with visits and voyages around the world - crossing the Atlantic, drifting in a powerless ship at the mercy of gales in the heart of the Pacific, and navigating through the fabled Northwest Passage. The undeniable thrill of being where history was made make'Adventures of a Sea Hunter'a highly entertaining, personal account of the exploration of the sea and the past that rests beneath the waves.

Collected from Emily Carr's private and public writings, these previously unpublished pieces reveal the outspoken artist at her most forthright. Expurgated sections from Carr's journals detail her anguished meditations on her spiritual mission, musings about Native culture and the white community's reaction to it, and thoughts about her family. Her groundbreaking 1913 “Lecture on Totems”, her first recorded writing on Native art and people, is also included, as are some of her most fascinating letters to friends and colleagues.

First Crossing recounts an adventure of epic proportions -- in equal parts romantic, historically significant and compelling. It is the story of Canada's most famous explorer, Alexander Mackenzie, who in 1793 became the first person to cross the continent of North America north of Mexico. With a mix of wonderfully readable text, historical and contemporary photographs, and archival maps and illustrations, here is fresh insight into what drove Mackenzie to undertake his dramatic and dangerous quest for the Pacific Ocean, and how his daring secured Canada's legacy.