1. Entrainment to an auditory signal: Is attention involved?
- Author
-
Richard Kunert and Suzanne R. Jongman
- Subjects
Adult ,Male ,Auditory perception ,110 000 Neurocognition of Language ,genetic structures ,media_common.quotation_subject ,Experimental and Cognitive Psychology ,050105 experimental psychology ,03 medical and health sciences ,0302 clinical medicine ,Rhythm ,Developmental Neuroscience ,Salience (neuroscience) ,Perception ,Reaction Time ,Dividing attention ,Humans ,Attention ,0501 psychology and cognitive sciences ,General Psychology ,media_common ,Brainwave entrainment ,Psycholinguistics ,05 social sciences ,Retention, Psychology ,Verbal Learning ,Time perception ,Pattern Recognition, Visual ,Time Perception ,Auditory Perception ,Female ,Language and Communication [DI-BCB_DCC_Theme 1] ,sense organs ,Entrainment (chronobiology) ,Psychology ,Music ,030217 neurology & neurosurgery ,Cognitive psychology - Abstract
Item does not contain fulltext Many natural auditory signals, including music and language, change periodically. The effect of such auditory rhythms on the brain is unclear however. One widely held view, dynamic attending theory, proposes that the attentional system entrains to the rhythm and increases attention at moments of rhythmic salience. In support, 2 experiments reported here show reduced response times to visual letter strings shown at auditory rhythm peaks, compared with rhythm troughs. However, we argue that an account invoking the entrainment of general attention should further predict rhythm entrainment to also influence memory for visual stimuli. In 2 pseudoword memory experiments we find evidence against this prediction. Whether a pseudoword is shown during an auditory rhythm peak or not is irrelevant for its later recognition memory in silence. Other attention manipulations, dividing attention and focusing attention, did result in a memory effect. This raises doubts about the suggested attentional nature of rhythm entrainment. We interpret our findings as support for auditory rhythm perception being based on auditory-motor entrainment, not general attention entrainment. 12 p.
- Published
- 2017