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The article reviews the exhibition of the greatest drawings in the world held at the Knoedler Art Galleries in New York City in 1961.

The article reviews the exhibition of the works of Ogden Minton Pleissner at Milch Galleries in Manhattan, New York City in November 1953.

The article reviews the exhibition "The Heritage of French Poster Art," curated by Rene Salanon which was held at the IBM Gallery in New York in summer of 1966.

The article reviews the exhibition "Landscape Drawings and Watercolors From Bruegel to Cezanne" at the Pierpont Morgan Library in Manhattan, New York City, in the second week of February 1953.

The article reviews the "Young Designers Series Exhibition" at Gallery 303 in New York City which features the designs of artists Bruno Brugnatelli, Ewald Breuer, Richard Hess, Kenneth Hine and Clarence Lee.

The article reviews painting exhibitions by Japanese Sabro Hasegawa at The Contemporaries, Norwegian Per Krogh and Italian Prince Henry of Hesse, Germany in Manhattan, New York City.

The article reviews the exhibition which features the works from several Italian artists, including Leonardo da Vinci, Titian, and Michelangelo at the Metropolitan Museum of Art in New York City in 1961.

Reviews are presented of New York City art exhibitions, focusing on 1965 exhibitions such as an exhibition of the artist Reginald Marsh at the Gallery of Modern Art, an exhibition of Israeli art at the Jewish Museum, and an exhibition of shaped canvas art at the Guggenheim Museum.

This article reports on the fortieth annual exhibition of the National Academy of Design, New York City, New York. This exhibition is stronger in landscape painting than in any other department of art. George B. Wood's little picture "Clearing off Cold," is an instance minute incident on large canvass. Two years ago Wood exhibited a small painting of Mulleins, and these two pictures are all people know of his work. Charles H. Moore's "Study in the Catskill Valley," is a representation on a very small scale of a very wide range of country. The spectator stands on a slightly rising ground, and looks across perhaps ten miles of low-lying country to the Catskill Mountains beyond.

The article reviews the first Alliance Graphique Internationale exhibition in the U.S. on November 8 to December 2, 1966 at the American Institute of Graphic Arts in New York City.

No critic, self appointed to safeguard oppressed and undiscovered genius, nor those chosen young vessels themselves - can complain that the artist with a "tendency" has not been offered a fair chance at the exhibition of the National Academy of Design, open in New York City from March 14 to April 18. In groups and singly, on every hand, are examples of all the latest "movements" in art. And after a tour of the galleries one comes away with the memory of things one does not care for. The Academy hitherto has usually excluded works which have been seen before on its walls or in other public exhibitions in the city. This year, however, with a liberality greater than the Academy has been credited with possessing.

At the exhibition of the National Academy of Design there were five large drawings, illustrating designs by artist B.M. Hunt for four entrances to the Central Park in New York City and for a terrace in connection with one of them. Photographs of these drawings are now for sale. It seems, then, that the four southern gateways to the park are to be built after these designs. As the southern wall of the park is nearly completed, and is only waiting for the gateways, and as it is already a very long time since gateways were first talked of and reported about, it is probable that the work will soon be begun. These designs, therefore, demand the notice of all who care about the character of decorative architecture.

Reviews the art exhibit entitled "Esso Salon of Young Artists," at the IBM Gallery in New York city.

Reviews the exhibition "Recent Painting USA: The Figure," at the Museum of Modern Art in New York, until May 2, 1962.

The article reviews the exhibition "50 Years of Graphic Arts in America" at the Chemical Bank New York Trust Co. in New York starting March 1, 1966.

The article reviews the exhibition "Young American Paints" at the Rockefeller Galleries in New York City, organized by Binney and Smith LLC.

The article reviews the exhibition "Modern Art in Your Life" at the Museum of Modern Art in New York held in November, 1969.

The article reviews the exhibit of contemporary international book illustration from 1935-1945 at the Pierpont Morgan Library in New York City.

The article reviews an exhibition devoted to portrait drawing which was held at the Galleries of Portraits Inc. in New York in the spring of 1966.

The article reviews the fourth exhibition of the Photography in the Fine Arts series at the Metropolitan Museum of Art in New York in Summer 1963 organized by painter and printmaker Ivan Dmitri.

The article reviews the exhibition "The Twentieth Ceramic International" at the Metropolitan Museum in New York City starting January 23, 1959.

The article reviews the exhibition of a collection of travel posters at the Museum of Modern Art in New York City in May 1957.

Reviews a pop art exhibition at the Albright-Knox Gallery in Buffalo.

Focuses on an art exhibition at Whitney Museum of American Art in New York City. Information about shows on gestural abstract art; Type of American art displayed in the exhibition.

Reviews the art exhibitions "International Exhibition of Modern Art" at the Brooklyn Museum and "Chardin" at the Wildenstein Gallery in New York.

Provides information on the exhibition of paintings of the artist, Kandinsky Wassily in Guggenheim Museum, New York. Arrangement of the art work in chronological order; Feature of visual intricacy depicted in paintings of Kandinsky; Information related to abstract painting and monochrome painting made by Kandinsky.

Reviews an exhibitions of paintings held at the Whitney Museum in New York City.

Reviews the exhibition "American Painting 1865-1905," staged at the Whitney Museum in New York.

The article discusses the Juan Gris exhibition at New York City's museum of modern art. The earliest painting in the show is a still life and reveals the cezanne link more clearly than the later cubism of Gris or anyone else. A kettle, a pot, a cup and a book are grouped at the edge of a table and all display the geometrical basis the older artist saw in mountains, apples, bathers and country architecture. Almost at once, though, other things begin happening in Gris's work and it seems increasingly unlikely, as the show proceeds, that cubism was such a hot name after all.

The article reviews the exhibition "A New National Print Annual Exhibition" at the Brooklyn Museum in New York City, on view as of June 1947.

The article reviews a product exhibition sponsored by the National Alliance of Art and Industry at the Art Center in New York City in 1933.

Reviews an art exhibition at the Whitney Museum in New York. Report that on view are the 55 examples of collections related to American 20th Century painting, drawing and sculpture acquired by the Sara Roby Foundation; Views of Lloyd Goodrich, director of the Whitney and secretary of the Foundation on the exhibition; View that the greatest surprises of the show was a new painting by Paul Cadmus, "Night in Bologna"; Description of the painting by Cadmus; Report that the show has fine paintings by Jack Levine, Ben Shahn, Edward Hopper, Max Weber, and Isabel Bishop.

The article reviews the exhibition "The Art of Assemblage," at the Museum of Modern Art in Manhattan, New York in October 1961.

The article reviews the 25th Annual Exhibition of Advertising and Editorial Art held in April 1946 in New York City.

Reviews the painting exhibition "Twenty-Two Realists," at the Whitney Museum in New York City.

Reviews the painting exhibition "Twenty-Two Realists," at the Whitney Museum in New York City.