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Manchadikkari is a region in central Kerala occupied primarily by Dalit Christian communities. The majority of the people in the area are agricultural daily wage workers who have been economically and culturally marginalized. Caste discrimination and exploitation mark their past and present. The people in Manchadikkari articulate powerful anti-caste politics through their creative cultural productions like songs, stories, and plays that take shape in their community groups. The remembrance and reiteration of caste experiences in these community groups keep alive the history of caste exploitation and transmit these memories to the next generation. This paper analyses the play Azhakante Kutil ('Azhakan's Hut'), authored by Thankamma Titus from Manchadikkari in 2021 and performed by a group of women who are members of the community group 'Sanjeevani.' This study considers the processes of conceptualization, production, and performance of the play to show how these processes embody anti-caste politics. The play dwells on the community's caste history to show that caste is not an anachronism of the feudal era but actively determines the present cultural and material conditions. When contextualized in the community, the play exists as a moving narrative of the community's cultural activism. [ABSTRACT FROM AUTHOR]