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Recent unrest and the 2014 elections have corroborated the impression of Bosnia as a failing state, one that is constantly being undermined by the three-way impasse between constituent ethnic groups of Bosniaks, Croats, and Serbs. Major history museums in Bosnia, however, provide a more complex picture. This paper analyzes museums and exhibitions on twentieth-century history in Sarajevo, Banja Luka, and Jajce, with regard to their narrative strategies, their aesthetic appearance, and the commemorative practices in their respective locations. From this perspective, the use of history in building group identity in Bosnia is far from coherent. Although museums are one means to assert firmly entrenched national identities both old and new, they compete at the same time with nostalgic commemorations of socialist Yugoslavia and with equally nostalgic references to the Austrian occupation. Various civic groups struggle to assert their visions of belonging, mostly with rather modest financial means. Based on these findings, this paper will explore not only the underlying assumptions of what history and, in particular, museums are all about, but also how visions of the future of Bosnia and Herzegovina are inscribed in these uses of history – if indeed they are. [ABSTRACT FROM PUBLISHER]

During the 1992–1995 war in Bosnia and Herzegovina, the built physical landscape and places of cultural heritage were deliberately targeted and destroyed as part of the strategy of ethnic cleansing. The 1995 Dayton Peace Agreement recognized the potential for cultural heritage to contribute to postwar reconciliation and rebuilding; Annex 8 established a commission to preserve national monuments. This paper examines the politics of cultural heritage in post-Dayton Bosnia and the ways in which it has been (ab)used to propagate a narrow, exclusivist identity. It focuses on the struggles to control the Commission to Preserve National Monuments as well as the fates of two monuments in particular—Vraca Memorial Park and the Partisans' Memorial Cemetery—whose abandonment signifies the wider struggles over memory and identity in Bosnia and Herzegovina. [ABSTRACT FROM AUTHOR]

This article examines how territory, the built environment, and the entropy of material things through time transmit and modulate legacies of ethno-national and global conflicts. Taking the Greek Civil War as a 'critical event', framed by its antecedents and its sequelae, I consider how overlapping histories of war at the international tri-state border of northwest Greek Macedonia and in post-war Bosnia-Herzegovina shape dwelling, the control of space, and historical memory. The analysis explores how catastrophic events become materially embedded, how events age in place, and what role changing infrastructure plays in the commutation or preservation of injuries suffered in violent, especially internecine, conflict. [ABSTRACT FROM AUTHOR]