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Copyright of Obnovljeni zivot is the property of University of Zagreb, Society of Jesus and Faculty of Philosophy & Religious Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Croatica Christina Periodica is the property of Croatica Christiana Periodica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Medicus (1330-013X) is the property of Pliva Hrvatska d.o.o. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Croatian History / Radovi Zavoda za Hrvatsku Povijest is the property of Zavod za Hrvatsku Povijest, Filozofski Fakultet and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Up until now, extensive research has been conducted on the life and legacy of Franjo Kogoj (1894–1983) who was a prominent Croatian dermatovenereologist, full-time professor and Dean of the Zagreb School of Medicine, long-standing head of the University Department of Dermatology and Venereology, Zagreb University Hospital Centre, head of the Department of Dermatovenereology, Zagreb University School of Medicine, as well as a full member of the Yugoslav Academy of Sciences and Arts (YASA). In this paper, we shall present Kogoj’s role in YASA after he was elected its full member in 1947, especially during his mandates as the first Secretary of the Department of Medical Sciences (1950–1958) and as Vice-President of the Academy (1958–1972). We shall follow his various publishing activities, international networking, as well as his role in the establishment of important medical institutions. $e paper is based on Kogoj’s articles published in Academy’s periodicals, the documentation kept at the Academy’s Division for the History of Medical Sciences and fragments of his material heritage preserved in the Croatian Museum of Medicine and Pharmacy of the Croatian Academy of Sciences and Arts. [ABSTRACT FROM AUTHOR]

Copyright of Music in Society is the property of Musicological Society of Federation of Bosnia & Herzegovina, Academy of Music in Sarajevo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Histria Archaeologica is the property of Arheoloski Muzej Istre u Puli and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Libri & Liberi is the property of Croatian Association of Researchers in Children's Literature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Radovi Zavoda za znanstveni rad Varazdin is the property of Institute for Scientific Work in Varazdin, Croatian Academy of Sciences & Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cris is the property of Historical Society of Krizevci and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Libri & Liberi is the property of Croatian Association of Researchers in Children's Literature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Economic & Ecohistory / Ekonomska i Ekohistorija is the property of Society for Croatian Economic & Environmental History and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The legacy of the Croatian neurologist Sergije Dogan is preserved in two institutions of the Croatian Academy of Sciences and Arts, the Croatian Museum of Medicine and Pharmacy and the Division for the History of Medical Sciences. Dogan’s legacy became part of the holdings of these institutions in 2019 thanks to his daughter Branka Marinović, head of the Clinic for Dermatovenerology at the Rebro Clinical Hospital Centre in Zagreb. The donated material is a rare example of preserved material evidence of one doctor’s entire course of education, his clinical, scientific and teaching work, as well as his broader social activities. In this paper, we bring a preliminary statement on the content of the legacy, while the entire legacy will be presented in full at the exhibition due in 2021 and in the book within the publishing series Discussions and Materials for the History of Science of the Croatian Academy of Sciences and Arts. [ABSTRACT FROM AUTHOR]

The topic of this paper is to set the starting point for studying the history of Croatian emigrant journalism in Chile from the earliest period of the settlement of Croats until the end of 1914, including the dominant population group from Brač. It was primarily the economic migration, which was caused by economic changes in the society in general, and economic changes as a consequence of political movements. The immigrants had the need for organizing themselves in various societies in the new country, and they also had the awareness of their own nationality and language. The unusually rapid assimilation (already in the first generation) calls into question the viability and the need to preserve heritage. Immigrant newspapers edited and run by Brač emigrant journalists, most notably Ivan Krstulović and Luka Bonačić, with the newspaper Domovina from Punta Arenas, were in the current literature perceived almost exclusively in terms of political orientation and struggle. The aim of this paper is to show that the local newspaper Domovina reflected and recorded phenomena and events significant for the daily life of the community with the intention of preservation its identity from the perspective of social history, especially in the section From the town and surrounding areas. [ABSTRACT FROM AUTHOR]

Žiga Hirschler was a Croatian composer and music critic who worked between the Two World Wars in Zagreb, Croatia. As a composer he was a minor representative of nationalism in music and as a music critic he was a prominent representative of ideological-utilitarian music criticism. His reviews, essays and interviews were published in all the prominent newspapers and magazines in Zagreb and helped shape and document the town music culture in the 1920s and 1930s. This paper includes Hirschler's biography, an overview of music criticism in Zagreb between the Two World Wars, as well as detailed analyses of his criticism and his confrontation with Marxist music criticism representatives, Pavao Markovac and Zlatko Grgošević. This paper is the shorter version of my undergraduate thesis in Musicology at the Academy of Music of Zagreb University. It is also the first comprehensive overview of Hirschler's work in the field of music criticism ever to be published. [ABSTRACT FROM AUTHOR]

The paper presents the development and business of the chemical-pharmaceutical factory Rave PLC, founded in Zagreb in 1922. Based on archival and building documentation, professional and daily newspapers, and promotional material, the formation of the factory complex in the Zagreb industrial zone was reconstructed, its marketing strategy and its impact on the development of domestic drug production and hygiene and sanitary necessities were presented. As an important motive for its operations, the factory emphasized industrial independence, the national features of its business and the promotion of cooperation with young domestic industry. In accordance with the above-mentioned text, Rave PLC participates in the construction and development of domestic pharmaceutical production and market, encouraging the development of modern industry and struggle for more favourable conditions of its business. Its unprecedented history is an important segment of our pharmaceutical past, but also an indispensable element of knowing the industrial development of the wider region. This segment of the beginnings of pharmaceutical manufacturing is essential in knowing the origins of entrepreneurship in our region as a significant element in raising awareness of national production, development and identity [ABSTRACT FROM AUTHOR]

This paper presents the role of Eugen Viktor Feller, a pharmacist and factory owner, with an emphasis on his marketing strategy in advertising his pharmacy specialty Elsa. Various types of contemporary press and advertising leaflets and packaging were used as a starting point for analysis. The abundance of the collected material provided an insight into Feller's communication strategy of the approach to consumers, comparing advertising in different media and time spans. Following the appearance and elaboration of visual communication phenomena as part of family interest, approaches and advances in the development of advertising in the projects of Feller's sons Miroslav and Ferdinand were presented. Upgrading to the father's positive marketing experience they begin a more contemplative advertising campaign. Ferdinand Feller introduces the concept of collective pharmaceutical propaganda into pharmaceutical marketing, while Miroslav Feller becomes one of the leaders in the development of institutionalization and professionalization of commercial graphic design. Thus, marketing development was demonstrated through marketing approaches and innovative ideas of the three members of Feller family, illustrating the shift in approaches that marked the beginning of a different management within an industrial society, where advertising became an indispensable part and a promoter of market relationships. [ABSTRACT FROM AUTHOR]

Many musicians who, after leaving their birthplace, built their careers in important European music centres, started their artistic growth in Pula. Their names and working biographies, into which numerous performances on renowned international concert and opera stages were recorded, are completely unknown today to the public. This article is based on newspaper and archival materials of the first half of the 20th century and it investigates the work of three singers born in Pula: the female soprano Marija Polla-Puecher (1893-1993), the tenor Romeo Endrigo (1895-1939) and the baritone Rudolf Župan (1905-1976). They started their lives and musical paths in the times of the Austro-Hungarian government, continuing them in the inter-war period when Pula was under Italian authority, and the Anglo-American military arbitration (Župan). After leaving Pula, which was not an appropriate place for developing their careers, they continued their studies in Italy (Milan) and performed on numerous world-known opera stages. This paper reconstructs the flow-chart of performances in their town of birth and gives answers to questions about the circumstances in which the three artists were raised, about the extent to which life in the province was a stimulus to their music education and growth, whether they performed in their town of birth and under what conditions, and how they were accepted by the public and musical criticism. Their international work has not been studied as yet, although the materials testifying to their work are kept in foreign archives (for example, in Trieste), while newspapers throughout the world wrote about their numerous successful performances. [ABSTRACT FROM AUTHOR]

Copyright of Journal of the Institute of Croatian History / Radovi Zavoda za Hrvatsku Povijest is the property of Zavod za Hrvatsku Povijest, Filozofski Fakultet and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Glasnik Zastite Bilja is the property of Zadruzna Stampa D.D. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ars Adriatica is the property of Sveuciliste u Zadru (University of Zadar) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Collected Papers of the Law Faculty of the University of Rijeka / Zbornik Pravnog Fakulteta Sveučilišta u Rijeci is the property of Pravni fakultet Sveucilista u Rijeci and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)