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Considerable attention has been given recently to the perplexing problem of the relationship between attitudes and behavior (Ehrlich, 1969; Deutscher, 1969; Warner and DeFleur, 1969; Ajzen et al., 1970; Lastrucci, 1970; Tarter, 1970). Methodological issues have been debated, the lack of congruence between attitudes and behavior has been examined, and a variety of solutions have been offered. We are told, for example, that the continuing poor correlation between measured attitudes and overt behavior requires us to search for the intervening variable or variables which apparently obtain (Ehrlich, 1969); or to employ the "direct observation" of the phenomenon under investigation rather than try to extrapolate from paper-and-pencil tests to behavior (Deutscher, 1969); or to develop theories that, in turn, enable us to find indicators that are more valid than the paper-and-pencil type (Lastrueci, 1970); or to simply admit that attitudes as "presently conceptualized play no real role in behavior" (Tarter, 1970). A number of important aspects of attitude research, however, have been obscured or omitted in these discussions. For the surprising aspect of the situation is not, as has often been implied, the lack of congruence between attitudes and behavior, but the persistent use of research designs that are inappropriate for the complexity of the subject under investigation. Further, it is surprising that researchers have failed to draw out other important implications of their research. That is, the fact that an attitude does not lead directly to a behavior does not justify the assertion that attitudes play no role in behavior, or that attitude research lacks significant implications for social life. The basis for this latter statement will be shown below in a discussion of the values of attitude research. It may be that inadequate research designs, valued for their simplicity rather than their appropriateness, are a manifestation of the "publish or perish" syndrome. In any ease, this paper attempts to outline the problems and the values of attitude research, and to demonstrate thereby that such research is of great significance for the understanding of social phenomena. If that significance seems minimized by those studies that have found poor correlation between attitudes and behavior, the fault lies both in the failure to create research designs that reflect the complexity of the problem and in the tendency to exalt the importance of the proximate causes of overt behavior. [ABSTRACT FROM AUTHOR]

Researchers have long been aware that when they become part of the system they are investigating, their own behavior may a.fleet the behavior they wish to study. Little data has been collected on the effect of respondents on the researcher and the consequences of this on tho research process. The problem is described and analyzed in this paper. We contend that respondents who have special qualities may intrude upon the researcher's role and make it difficult for him to collect necessary data. An illustration is presented from the authors' study of stripteasers. [ABSTRACT FROM AUTHOR]

One of the ubiquitous trends in social behavior is the formation of comprehensive systems of interaction known as communities. Everywhere in the world and throughout man's existence on earth, the formation of communities has been evident, from the primitive tribe to the contemporary nation-state. Among the exciting developments within the more complex communities of mankind, such as cities and nations, is the emergence of subcommunity forms which both complement and contest the arrangements of the larger society. Status communities and ethnic communities of many sorts belong among the contemporary sub-communities. It is instructive to apply this concept of sub-community formation to areas of behavior such as the worlds of art and jazz, when that behavior can be shown to approach closure and completeness with respect to a distinctive way of life. This paper deals with two major tasks: (1) the development of a special theory of the jazz community as an unique form of status community, and (2) a judgment as to the validity of referring to the social world of the jazz musician as a community. It should be mentioned that while this formulation is conceived in terms of the jazz subculture, it also has widespread application elsewhere in the area of social deviance. Since the concept of status group has its roots in the general theory of community, we shall briefly outline that concept. [ABSTRACT FROM AUTHOR]