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This research responds to calls to further our understanding of exhibitions in the library context by exploring the significance of a commemorative exhibition staged in a public library. Employing a qualitative methodology, it centers on the 'Goodbye Dublin: The War of Independence in the City' commemorative exhibition, staged by Dublin City Pearse Street Library, between August 14th and October 31st, 2019. The findings show that the commemorative nature of the exhibition appealed to a variety of new, lapsed and frequent library users, connecting with Irish and non-Irish residents, as well as tourists visiting the city. In this regard, the exhibition was effective in its objective of appealing to a new and wide-ranging audience, however, the findings underline the need for more diverse and varied marketing, if this aim is to be entirely successful. The staging of the exhibition as an active authoring and articulation of the past by the library is highlighted, and the use of multimedia is seen to transform the library into an emotionally charged, dynamic, and multisensory space. This facilitates an immersive encounter, involving interplays between the exhibition narratives and visitors' personal memories and interests. This offers different ways for visitors to engage with the library, inspiring them to find new meanings, explore issues of personal, collective and national identities, and to reassess contemporary events. Overall, the research makes an important contribution by highlighting the complexity and importance of commemorative exhibitions in the context of public libraries. [ABSTRACT FROM AUTHOR]

The study reported here investigates the role that planned social gatherings play in shaping social connections, forging group identity and re-affirming connections with significant 'home' places within families where relationships extend across space. Empirically, it draws on a study of the Gathering, a 2013 national tourism initiative that encouraged people in Ireland to organise 'gatherings' to attract 'home' family members scattered across the globe. It reports data generated using mixed methods administered in two Irish counties. The findings demonstrate the profound meanings that the gatherings had for participating family members. The events served to strengthen existing family ties and to create new ones both between family members separated by geographic distance and spread across family generations. They further served to renew and revitalise connections with the family 'home' place, to enhance a sense of belonging for the family units studied and to strengthen family identity. [ABSTRACT FROM AUTHOR]

This research seeks to furthering understandings of how Tour Guides interpret memories at heritage sites when the memories at issue are difficult yet subtle and not always apparent to tourists. Specifically, it explores how Dublin Castle, formerly the seat of British rule in Ireland, is captured in narratives presented to tourists that often include Britons. Representing the site is made challenging because some visitors have little knowledge of the site's history, while others are well informed and hold strong political views. The findings show that Guides select largely depoliticized narratives, strongly influenced by their personal interests and experiences. Some hint at underlying tensions that only tourists alert to the complexities of the site might capture. Dominant narratives can be challenged by tourists with an interest in, or allegiance to, particular historical or political beliefs, leading to emotional engagements. Some tourists, unaware of the complexities of the site, can encounter a more multi-layered and complex experience than perhaps envisaged. The study affirms the co-production evident in Tour Guiding narratives and points to the need for further research into how the variously empowered agencies of both the Guide and the tourist produce a constant shifting and re-working of memory. [ABSTRACT FROM PUBLISHER]