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The article discusses Florence Converse's novel "Long Will: A Romance" (1903), which brings to life fourteenth-century English poets Chaucer, Gower, Langland, and the Gawain poet. The novel is structured around Langland's influence on the Peasants' Revolt of 1381, with a focus on Langland's daughter Calote. Converse's work explores the relationships between the poets, their literary contributions, and their interactions with historical events, offering a unique perspective on Ricardian poetry. The novel anticipates later scholarly discussions on the four poets, providing a detailed and independent-minded portrayal of vernacular verse culture in late fourteenth-century England. [Extracted from the article]

The Editors' Note in Early American Literature reflects on the challenges and lessons learned in running the journal, highlighting the complexities of early American studies. The note discusses the importance of respecting Indigenous languages by not italicizing them in the text, as well as reevaluating traditional practices of authorship attribution. The editors aim to make the journal more inclusive and relevant by engaging in conversations about representation and diversity in early American literature. [Extracted from the article]

In this paper, I discuss the myriad ways that gender roles are interrogated within The Left hand of Darkness and "When It Changed." I first examine gender as science in §1, outlining the ways Le Guin and Russ consider and critique essentialist perspectives holding that gender roles are 'natural' phenomena driven by rigid biological differences between men and women. Then, in §2, I explore gender as fiction, analyzing how each text presents gender roles as discursively constructed and malleable. In §3, I explicate these observations within a hybrid conceptualization of gender as science fiction and argue that this suitably describes the gender portrayals Le Guin and Russ make in their texts. [ABSTRACT FROM AUTHOR]

AbstractMany Filipina care workers are subrogated to the position of mothers in the more affluent states of Asia. As a consequence, they oftentimes play as the unofficial teachers of the children. In this article, I analyse the process of global subrogation, which often end in what I call an inverted odyssey of the Filipina domestic helper. Using the concept of invertedness in commodity fetishism, this article reads Jose Dalisay’s Soledad’s Sister as an inverted odyssey which views the migration of Filipina care workers as an adventure but without the heroic homecoming. The novel represents the adventure as a dialectic of systems of carelessness and selfcare that is symbolically resolved within the narrative through the recurring image of the ‘woman in the box’. Thus, the article argues that unlike Odysseus’ triumphant nostos (homecoming), the heroine of this inverted odyssey falls victim to her own erotic drives, drowns in a far-flung kingdom, returns home in a box, and drowns again in the hands of thieves. The novel weaves a counter-narrative on the Filipina care worker that challenges prevailing Philippine state discourses on its overseas work force, thereby problematizing both the limitations of the heroine’s selfcare and the systemic carelessness of the states that make the subrogation possible. Ultimately, the inverted Odyssey as symbolized by the novel’s central image of ‘the woman in the box’ shatters appearances and unveils the tragic position of the unrecognized ‘teachers’ in the global feminization and commodification of care work. [ABSTRACT FROM AUTHOR]

This article examines the variation and reconstruction of Chinese translations of Jonathan Swift's "Gulliver's Travels" from 1872 to 1948. The translations underwent changes to make the story more familiar and understandable to Chinese readers, including renaming, converting measurements, and altering the concept of time. The translators also incorporated traditional Chinese literary devices and techniques to make the text more appealing to the local audience. The article highlights the significance of variation and reconstruction in cross-cultural mediation and the impact of cultural and socio-political factors on literary translation. [Extracted from the article]

The article is devoted to the study of genre specificity, means of artistic modeling of the image of the main character, and the problemthematic section of Yu. Shcherbak's "The Time" trilogy as important poetic features of the contemporary antiutopia. The analysis was carried out using general scientific (analysis, synthesis, description) and special literary methods (biographical, genetic, imagological and hermeneutic). The research emphasizes the antiutopian dominant of "The Time" trilogy, which is combined with certain features of a political novel, cautionary novel, fiction (elements of science fiction), adventure novel, detective story, etc. It was found out that in his antiutopias Yu. Shcherbak creates his own model of the character of the future, whose leadership qualities, life experience and orientation to traditional Ukrainian values enabled spiritual renewal, contributed to finding one's place in the world and helped to become a winner in the eternal conflict "man-system". It was determined that the problem-thematic level of the novels is understood through the disclosure of the inner world of the main character with the help of monologues, dialogues, reflections, etc. In the trilogy, the "eternal" philosophical and topical problems of today are actualized. [ABSTRACT FROM AUTHOR]

Theatre can be a powerful tool for exploring social justice issues, but it can also reproduce whiteness, ableism, and other systemic oppressions. As theatre educators--constrained by many competing demands on our time, resources, and energy--we want to know: how can we leverage our teaching artistry to authentically explore social justice issues with the young people and adults in our communities? Speaking from our experiences at a nonprofit theatre in a majoritywhite, upper-middle-class community, we offer creative drama as a model for integrating this kind of social justice education into youth musical theatre production camps. We explore the tools that creative drama offers for supporting youth and teaching artists in exploring issues related to inclusion, diversity, equity, and accessibility; understanding our relationships with oppressive systems; and taking action to transform them. Then, we demonstrate how this can look in practice. We outline a process through which we developed two creative drama adventures and share stories of how these dramas unfolded. Finally, we surface some lingering tensions about our and our students' identities and how they inform our ongoing work. In sharing these stories and tensions, we invite you to consider how creative drama might support you and your communities. [ABSTRACT FROM AUTHOR]

Bonnie Effros's book, "Incidental Archaeologists: French Officers and the Rediscovery of Roman North Africa," provides a detailed history of French colonial obsession with Roman remains in Algeria and Tunisia. Effros explores the careers and writings of French officer-archaeologists, the violence and displacement caused by their excavations, and their influence on the development of archaeology in France. The book highlights how the search for historical justification was integral to the colonial project and examines the multivalent discourse on the classical past, which held different meanings for various groups, including foreign legionnaires, political prisoners, and North Africans themselves. Effros also acknowledges the complexity and nuance of the colonial situation, with evidence suggesting a range of choices, negotiations, and resistance exhibited by both Europeans and North Africans. [Extracted from the article]

The article focuses on analyzing William Goldman's multifaceted career, encompassing his contributions to crime fiction, speculative fiction, and adventure fiction, while also exploring the themes and influences present in his work. It discusses Goldman's varied literary and cinematic output, highlighting potential areas for further research and critical examination.

Despite paying concerted attention to evolutionary mechanisms, literary scholars have rarely focused on forms of "directed evolution" like orthogenesis (evolution along a linear track) and phylogeronty—the parallel between the lifespan of an animal group and the lifespan of an aging individual—analogical concepts reflecting a paleontological manifestation of a wider interest in human decadence. This essay analyzes how these concepts are explored in three areas: popular adventure fiction, social reform novels by Marie Stopes and H. G. Wells, and writings by paleontologists. Across these texts, the essay argues that directed evolution offered a recognizable trajectory with which to render the complexity and strangeness of prehistoric and modern life alike into a familiar linear shape by reading certain extinct animals as moral exemplars of evolutionary failure. While reformers hoped that humans could escape the orthogenetic grooves confining nonhuman animals to extinction, this optimism was shadowed both with fears that humans might inevitably face decadence and with a sense that survival meant mediocrity. [ABSTRACT FROM AUTHOR]

This article takes the distinctive publishing history of William Williams's Robinsonade novel Mr. Penrose as a prompt to challenge conventional assumptions about the temporal logic of textual recovery. Scholars typically make a case for the value of forgotten or neglected texts by emphasizing forms of "creative anachronism" in which an author is said to be ahead of their time in ways only recognizable by posterity. Mr. Penrose , written in America in 1776, published in a heavily redacted version in Britain in 1815, and finally published in full in 1969, offers a means of apprehending the far less familiar dynamics of "pathetic anachronism," wherein a text repeatedly fails to connect with the successive historical moments of its appearance and remains uncanonized. This stalled trajectory of Williams's novel helps to illuminate the limitations of conventional discourses of textual recovery by tracing them back to tropes of the "found manuscript" and transatlantic shifts in genre popularity in the eighteenth century, as well as Romantic theories of temporal disjunction and the emergence of the historical novel in the nineteenth century and models of textual editing and debates over "the first American novel" in the twentieth century. These three versions of Williams's novel... help us to see how various intellectual, aesthetic, generic, and material factors can mitigate against a text fitting into the mechanisms critics typically deploy to advance the positive qualities of anachronism. [ABSTRACT FROM AUTHOR]

This article analyses Lydia Syson's Mr Peacock's Possessions as a neo-Victorian Robinsonade. In order to assess the contemporary pertinence of the format, I organize my discussion around the notion of un/settlement, a concept which applies to both the frustrated process of colonial domestication of the island depicted in the novel and to the author's project of writing back to the narrative and ideological codes of the Victorian Robinsonade. The term "un/settlement" is also useful to explore the novel's engagement with the violent colonial history of the region, which resurfaces in the present forcing the characters (and the author) to recover and narrate those stories and thus settle their debt with that past. The article starts by contextualizing Syson's novel in relation to a long tradition of castaway narratives, and then moves on to discuss the novel in the light of neo-Victorian and postcolonial preoccupations with the possibilities and limitations of historical revision and reparation. [ABSTRACT FROM AUTHOR]

Jarret Keene's novel "Hammer of the Dogs" follows the protagonist Lash in a postapocalyptic Las Vegas, where technology, religion, and capitalism intersect. The story explores themes of survival, secularism, and the human experience in a world ravaged by cataclysmic events. Through a blend of popular culture references and complex character dynamics, Keene presents a nuanced vision of a society in transition, striving to create something new and unforeseen. Las Vegas itself serves as a backdrop for this exploration, offering a space for restoration and the possibility of a freer future. [Extracted from the article]

The aim of this study is to present the basic context of literary research on popular literature in Slovakia, following studies by Věra Brožová (2008) and Jiří Hrabal (2022), looking specifically at the forms of 19th century Robinsonades, including Czech Robinsonades reprinted in Slovakia from the late 18th century through the 19th century. With the exception of a single edition of Pavel Šulc's adaptation, we know of no adaptations of Defoe's Robinson Crusoe in the Czech context to have been published in Slovak editions; this is surprising considering the popularity of the theme and rich history of Czech adaptations, and we believe that further investigation is required. This study therefore distinguishes between the 'Robinsonade' and 'folk Robinsonade', with respect to the different motivations for adapting Defoe's work in the context of Slovakian popular literature: that is, between the Robinsonade as a line started by the Czech translation of J. Campe's German adaptation Robinson der Jüngere (and subsequent adaptations by V. Kramerius's and others; the 'Czech Story' follows, for example, the aforementioned study by Hrabal), and various other works that draw instead on the success of Defoe's novel to create adventure stories based on the Robinson theme. The heroes of these stories -- Berthold, Ildegert, Spelhofen, and Engelbrecht -- are known from both Czech and Slovak editions. The results of this comparison, together with an examination of the factors that may have caused these changes at all investigated levels, are formulated as manifestations of specific forms of inter-literary reception, namely 'retellings' with omission and expansion (Robinson der Jüngere), and -- as examples of the 'folk Robinsonade' -- adaptation (Berthold), plagiarism (Ildegert), interliterary allusion (Spelhofen), and allusion (Engelbrecht). Changes in form are found to be directly proportional to the degree of application of the poetics of popular literature. [ABSTRACT FROM AUTHOR]

Copyright of Revista Chilena de Antropologia is the property of Universidad de Chile and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Studii de Ştiintă şi Cultură is the property of Studii de Stiinta si Cultura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article investigates the politics of travel by focusing on the composite and overarching genre of adventure within Indian children's literature. Conventionally seen as a boyhood genre, adventure fiction is characterized by home-away-home pattern, where the movement away from home takes the male protagonist away from accustomed safety toward unusual sights, challenges, and experiences. However, using the lens of feminist narratology, this article looks at how Indian texts with feminist orientation in Gujarati and English languages subvert the notion of travel. They do so by replacing the idea of quest with enjoyment, reversing the quest objective, undoing the female/passive plot position, re-defining obstacles as aids, and undoing the gendered opposition between quester and quest object positions. The conclusions advocate harnessing the potential of children's literature as a resource to inculcate newer ways of traveling and un-gendering. [ABSTRACT FROM AUTHOR]

This article examines a forgotten nineteenth-century boys' adventure novel, Peter the Whaler (1851), written by William Henry Giles Kingston. After briefly introducing the author and his changing fortune, the article focuses on two specific aspects of Peter the Whaler, namely, its generic complexity and its thought-provoking representation of Inuit characters. A first aspect taken into account is the remarkable generic hybridity of Kingston's novel, which sheds light on the complex narrative experimentation conducted by Victorian writers and, especially, on their development and commercialisation of popular forms, such as the juvenile adventure novel. Besides merging realism with romance, Kingston makes an interesting use of gothic paraphernalia, and he combines elements of adventure fiction with a religious discourse that marks the distinction of his whole oeuvre. Worthy of attention are also the novel's pictures of Inuit people and culture. These pictures contrast with the racial assumptions endorsed by Victorian anthropologists and writers, including Charles Dickens, who famously disparaged Inuit testimonies in his 1854 articles to defend John Franklin and his men from allegations of cannibalism. The comparison between Kingston and Dickens offered in the article confirms the innovativeness of the ethnocultural encounters narrated in Peter the Whaler, suggesting further reasons why this novel deserves to be rediscovered and reinterpreted in our age. [ABSTRACT FROM AUTHOR]

Despite the absurdly demonstrated actions and events of Dastan narratives, there is a dialectical relationship between reality and imagination or between history and fantasy. The ongoing conflict between the enigmatic and mythical characters of Hoshruba and the historically real figures creates a compelling narrative in Dastan. This epic story depicts the adventures of Amir Hamza and his commanders across various locations of Indo-Islamic civilization. Amir Hamza and his allies wage war against the entirely fictional characters of Hoshruba, a realm filled with powerful magic and mesmerizing enchantments. As a result, the dynamic relationship between these opposing forces leads to a series of exciting actions and events. Amid the brutal battles, there is also a captivating love story between the brave heroes of Amir Hamza's camp and the alluring princesses of Hoshruba. These romances are fostered through seduction, cunning tricks, and clever traps. The research aims to examine how the interplay of imagination contributes to the Hoshruba narrative discourse and influences the course of events in the overall structure of Dastan, Hoshruba, the Land and Tilism. [ABSTRACT FROM AUTHOR]

This case study focuses on the changes that took place between the magazine and the book editions of Václav Kubec's novel. For the book edition, the author updated and significantly changed the text in line with the new political situation in 1938. This textual strategy disrupts the commonly established understanding of popular literature, whereby a certain textual apathy on the part of the authors is highlighted as one of the typical elements. This study points to the transformations in the text as well as to the transformations in the genre segment typical of the period (adventure novels in an aviation setting). [ABSTRACT FROM AUTHOR]

This paper seeks to study select adventures of Feluda (Pradosh C. Mitter), Satyajit Ray's private detective created in 1965. For over two centuries, since the 1890 s, the popular literature of Bengal (India) has been featuring detectives in the detective story called "Goenda Kahini" in Bangla. An acclaimed Bengali litterateur and one of the world's greatest filmmakers, Ray penned 35 adventures on his detective between 1965 and 1990. Initially created for a children's magazine "Sandesh," these adventures along with the magazine's transformation gradually followed a more serious tone. Written in postcolonial India, the time frame of the stories is the 1960s and the 70 s. The texts that this paper proposes to study reflect the social milieu in the aftermath of India's independence – the latent conflicts dealing with stark reality embedded in the narratives that apparently appear innocently fictitious to the readers now. The paper attempts to study beyond the Whodunit crime-inquest-discovery pattern. It looks into aspects of the adventures that go beyond the genre of detective fiction per se. The stories are not merely about crime and criminals; they are excellent travelogues, adventure stories, a source of interesting information about a diverse range of things – history, places, nature, literature, society and culture. The paper argues that these adventures of crime draw to a large extent from the realm of truth – social stigmas and the dark underworld of dons, narcotic mafias and smugglers of the times. Further, the stories based on the actual crises of the fast-fading old-world gentility of the educated Bengali middle-class of the 1960s and the 70 s; the picture of old Calcutta, make the crime narratives of Feluda, an overwhelming metamorphic presentation of fact to fiction. [ABSTRACT FROM AUTHOR]

Copyright of South African Journal of Cultural History is the property of South African Society for Cultural History and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The dystopian character of Joca Reiners Terron's A morte e o meteoro (2019) is indissociable from its critique of colonialism. But while the novel makes frequent references to the violent methods of exploitation that characterized American colonization, it mostly relies on allusions to different literary traditions--including gothic fiction, the adventure novel, and science fiction--in its depiction of colonialism. The dialogue with Heart of Darkness plays a significant role in A morte e o meteoro, which to a large extent is a critical rereading of Conrad's novella. This article examines how this appropriation of textual and cultural paradigms shapes the dystopian outlook of the novel, while also offering alternatives to the hopelessness that defines its fictional world. [ABSTRACT FROM AUTHOR]

The mysterious and unspoken secrets of life can be a source of fascination for young people. The bildungsroman quest for identity is often coupled with a protagonist's attempts to decode a range of secrets. Jamaica Kincaid's work of fiction, Annie John (1985), illustrates this journey. In this novel, the female protagonist's maturity and character development become possible only through her persistent efforts to decode the secrets of life. This paper discusses how, in a series of adventures, those secrets are embedded into Annie's story and how her coming-of-age mystery is ultimately resolved. [ABSTRACT FROM AUTHOR]

In divan literature, long-term stories such as the adventures of two heroes who fall in love with each other, the difficulties they face, and their struggles to be reunited are written in the form of masnavi nazim. Although the main subject in these masnavis is love, the poet spares a place for himself in his work to convey his thoughts and worldview on various subjects to the reader. The poet's own thoughts are often included in the introduction and conclusion sections of the masnavis. In addition to these sections, the poets convey their thoughts on some occasions in the section where the main subject is explained. Through the heroes in the love story told, they express their opinions on issues such as the characteristics of a good ruler, the abilities that a good vizier should have, the responsibilities of women to their families and children, and they try to guide the reader on these issues. Sometimes they do this by talking about the existing features of the hero whose story he started to tell, and sometimes they do this by giving advice to him about a new feature that a hero should have. In our study, five different love masnavis written by different poets in the 16th century was examined. In Fuzûlî's Leylâ and Mecnûn, Taşlıcalı Yahyâ's Yûsuf and Zelîhâ, Celîlî's Hüsrev and Şîrîn, Lamiî's Vâmık and Azrâ and Hamîdî's Hurşîd and Hâver the heroines get advice from an elder who is also a hero of the story when they fell in love or separated from their lovers. These advices are remarkable in terms of reflecting both the view of the poet who wrote the work and perception of women at the time the work was written. In this paper, it will be focused on how the poets of the 16th century expect the female protagonists of the aforementioned masnavis Leylâ, Zelîhâ, Şîrîn, Azrâ and Hurşîd to behave as a young woman falling in love or preparing to marry. [ABSTRACT FROM AUTHOR]

The beginning and the development course of the novel genre in Turkish literature has been with an external influence. It is possible to talk about the continuation of the foreign influence in the emergence of original works after this first stage, which is described as translation, imitation and copyright. With the reflection of the idea of nationalization that started with the period of national literature and accelerated in the Republic period, the people of Anatolia and Anatolia started to enter the novel as a subject and place. However, despite all these movements of nationalization, various opinions regarding the insufficient presence of Islamic elements in the novels are also an opinion expressed. Based on this point, our work will be about Ahmet Gunbay Yildiz, who is evaluated within the framework of the concepts of an Islamic novel, A Hidayat novel, and a popular novel. He also states that Yildiz has entered the path of becoming the representative of Islamic literature in the field of novels with his adventure of transition from poetry to novel. Yıldız is in the first ring with Hekimoğlu Ismail and Şule Yüksel Şenler among the Hidayet novelists. Our study included discussions on the concept of Islamic literature, thoughts on the Hidayat novel and the classification of popular novels, and assessments of Ahmed Gunbay Yildiz's place in these classifications. As a result of these evaluations, it was determined that the author's works contained elements of the Hidayat novel and popular novel. Thus, it was concluded that Yıldız wrote his novels in the popular Islamic novel category without paying much attention to the literary and aesthetic features. [ABSTRACT FROM AUTHOR]

The International Geological Congress has yet formally to adopt the Anthropocene. It is still, to that extent, an imagined epoch. The term 'Anthropocene' refers us to the deep time of geological epochs, but alternate terms for what we can expect to experience have a more specifically anthropological focus: the Capitalocene, Chthulucene and Misanthropocene. Only Entropocene breaks with the humanistic tradition. Comparing Tsui Hark's 2014 The Taking of Tiger Mountain (Zhiqu weihu shan), the second adaptation of Qu Bo's adventure novel of the People's Liberation Army, with the 1970 film of the Peking Opera version directed by Xie Tieli, demonstrates the stakes in imaginations of mountains separated by 45 years. This paper argues that the later film evolves from the failure of the Cultural Revolution's imagination to encompass the landscape of its setting. The increased incoherence of the later film derives from its increased engagement in technical mediations, which in turn enable a complex interaction between utopian Revolution and dystopian Anthropocene imaginaries. [ABSTRACT FROM AUTHOR]

"The Rise and Fall of the Victorian Three-Volume Novel" by Troy J. Bassett is a comprehensive study that challenges existing knowledge about multivolume fiction in the Victorian era. Bassett's research database, At the Circulating Library (ATCL), provides extensive bibliographic data on Victorian fiction, including information on novels, authors, and publishers. The book analyzes publishing data on 7,272 multivolume works of fiction published between 1837 and 1898, revealing a gradual increase in the number of novels published in this format until its decline in the late 19th century. The study also explores the economic structures and publishing systems that made multivolume fiction profitable for publishers, libraries, and authors. Overall, this book offers valuable insights into the Victorian novel and its relationship to publishing structures and formats. [Extracted from the article]

The writer Petru Popescu (born 1944) entered Romanian literature in the late 1960s and almost immediately gained the interest of critics and readers. His novels were innovative not only in terms of bold themes but also of narrative strategies. This article focuses on Petru Popescu's work written in exile in English, i.e., from the late 1970s until 2009. His texts vary significantly, as Popescu tried his hand at several literary genres, from popular novels (Before and after Edith, In Hot Blood), travelogues (Amazon Beaming), adventure novels (Almost Adam), and adolescents' literature (Footprints in Time) to his memoir (The Return) and the more stylized memoir about his parents-in-law (The Oasis: A memoir of Love and Survival in a Concentration Camp). [ABSTRACT FROM AUTHOR]

The essay proposes treating the critical category of retro as an interpretative key for Maryla Szymiczkowa’s ‘Kraków series.’ Stories about the adventures of Zofia Szczupaczyńska make us aware of the possibility of perceiving the past not only from the perspective of nostalgia, but also allowing to maintain a reflective distance to the presented world, modeled on 19th-century realities, historically attested. The confrontation of fictional reality and its historical prototype also allows to expose the phantasmatic character of visions of the past functioning in the collective imagination. Efforts aimed at beautifying history are replaced in retro by a critical, disillusioning look at the past times by focusing the artists’ attention on what in the collective imagination has so far been replaced as casting a shadow on the idyll of the ‘good old days’ (in Szymiczkowa’s cycle it is primarily a question of the emancipation of women, objectified in patriarchal culture). By ‘disenchanting’ taboos, retro-critical issues can fulfill a culturally and socially significant function as Geertz’s ‘confused species,’ allowing for articulation and understanding of social mechanisms regulating visions of this past. What draws attention is drawn to the multi-faceted nature of the deconstruction of socially functioning visions of the past: from axiology, inscribed in the presented world, through the poetics of stories imitating the 19th-century realistic novel, to the specificity of the communicative situation. [ABSTRACT FROM AUTHOR]

The Artemis Fowl series (2001-2012) is described by its Irish author Eoin Colfer as "Die Hard with Fairies". Artemis Fowl is an-eight book series of adventures and supernatural actions. The starring character, Artemis Fowl, is a twelve-year-old criminal mastermind. His primary goal is to pursue money, which makes him kidnap the fairy leader. This results in a continuing fight between two worlds: Artemis's and the fairies'. The Fowl adventures present many themes, of which gendered discourses and actor representation inspire this research. This paper examines the eight-series child books via Corpus Linguistics apparatus. AntConc is a corpus analysis software utilized to generate wordlists of each book so that words with higher frequency may be investigated in their context of utterance via the concordance toolkit. The next step aims to detect the occurrence of search terms pertaining to gendered discourse and actor description. In this concern, the contributions presented by Tannen (1993, 1999), Edley (2001), Weatherall and Gallois (2003), Sunderland (2004), and Wetherell and Edley (2014) are considered in the detection of gendered language. Van Leeuwen's taxonomy (1996, 2008) of social actor representation is also considered to detect actor descriptions. Accordingly, the eight-series adventure novels are linguistically analyzed so that the main themes, gender identity markers and actor representation may be uncovered. The study supports the discursive psychologists' belief that gender is created and enhanced via discourse. The study is original in incorporating corpus linguistic toolkits, discursive psychology and discourse analysis to child Irish fantasy literature to expose the gendered-identities negotiated and the features representing social actors. [ABSTRACT FROM AUTHOR]

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Copyright of Nasleđe is the property of University of Kragujevac, Faculty of Philology & Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article is a study of contemporary audio fiction for children in Sweden, what is sometimes also called audio originals or born-audio books. Audio fiction is defined in the article as literature written to be recorded for audio and consumed through listening. It is a genre related to, and overlapping with, audiobooks, radio, and podcasts but obviously also with literature in printed books. While audio fiction has risen in production and popularity it is not a new phenomenon as such, but rather a kind of literature that has developed over time. The article gives historical examples of children's audio fiction and situates the contemporary production in a larger context of a changing media world and the book market for children's literature. The main examples used to understand the phenomenon are IJustWantToBeCool's Sommarjobbarna (The Summer Workers, 2020-2022) and Camilla Brinck's series on the mice Musse & Helium (2017-). These are the most popular audiobooks for children in the last years and both series as well as authors are linked to other media such as Youtube, podcast, print, and music. The theoretical conjectures derive from book history and sociology of literature, arguing that changing media for literature has direct implications for literary form, function, and dissemination. Methodologically the article is a genre study using Alastair Fowler's concept of genre as aggregated features. Thus, a comparison is made between the two examples and other formats such as children's print books, audiobooks, and radio drama as well as literary genres such as adventure fiction, melodrama, and slapstick. Furthermore, narrative aspects of the two audio literature examples are analyzed in terms of metafiction, voice, and sound effects. [ABSTRACT FROM AUTHOR]

Astrid Lindgren's Genre Equilibristics The paper examines genre strategies in a number of children's books by the well-known Swedish author, Astrid Lindgren. Drawing on the reception theories of Hans Robert Jauss, Aidan Chambers and Reinbert Tabbert, the paper demonstrates that the stormy reception of Pippi Longstocking (1945), prompted by a review by Professor John Landquist, had principally genrerelated grounds. The book made readers feel a sense of provocation because it challenged their archetextual horizon of expectations by evoking certain traditional genres and simultaneously twisting them in almost anarchic ways. In later books Astrid Lindgren makes a more elaborate use of classic genre structures. She generally chooses one well-known archetext as the generic dominant and allows it to interact with a set of other genres, thus calling forth the main aesthetic effect of the book from the archetextual dialogue between the dominant and the accompanying genres. The paper specifically investigates this polyphonic method in three of Lindgren's most popular books. In All about the Bullerby children (1947-52) the generic dominant is idyll and the subordinated archetexts satire, parody, burlesque, farce, fairy tale and ballad. Mio, my son (1954) can be considered as an artistic fairy tale (Kunstmärchen), this dominant genre correlating with some other interwoven archetexts: apocryphal gospel, myth, legend, heroic tale and idyll. Finally, the generic dominant of Ronia, the robber's daughter (1981) - a novel about the adventures of a band of robbers (Räuberroman) - finds its archetextual counterparts in folktale, popular legend, myth, burlesque, fantasy and Bildungsroman, among others. [ABSTRACT FROM AUTHOR]

Cosmopolitan cities share similarities with historical frontiers, including potential opportunities for economic success, high social mobility, weakened traditional conventions, and adventure and novel experiences. Individuals with high independence typically prefer to settle in cosmopolitan cities. However, previous research testing this cosmopolitan settlement hypothesis did not consider the influence of relational mobility and residential mobility. Moreover, the mechanisms that drive people to prefer cosmopolitan cities remain unclear. This study examines the relationships among independence, relational mobility, residential mobility, and preference for cosmopolitan cities among 296 Chinese senior undergraduates. The results indicate that: (1) independence remains a positive predictor of the preference for cosmopolitan cities above and beyond relational mobility, residential mobility (i.e., history, state, and intention), and other covariates; (2) intention of residential mobility also positively predicts preference for cosmopolitan cities when controlling for related covariates; and (3) relational mobility indirectly predicts perceived preference for cosmopolitan cities through dependence. This research underscores the importance of identifying the factors and mechanisms affecting cosmopolitan settlement. [ABSTRACT FROM AUTHOR]

Copyright of Aura. Revista de Historia y Teoría del Arte is the property of Aura Revista de Historia y Teoria del Arte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of International Journal of Language Academy is the property of Rota Kariyer and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article describes the life and work of the German writer Karl May. May was known for his adventure novels, which were particularly popular among older generations. Although his works are less read today, Karl May films and open-air festivals still contribute to the author's fame. The Karl May Society was founded in 1969 and is dedicated to the scientific exploration of May's life and work. The book by Viennese legal historian Wilhelm Brauneder shows that despite intensive research, there is still room for interpretation and discussion. May is often referred to as a "poet," although this does not correspond to the common perception. The book also provides insights into the social and economic conditions of literature in the 19th century and May's personal development. May had a difficult childhood and was convicted several times for minor offenses before becoming a successful writer. Another study by Thomas Vormbaum deals with the life and work of the author Karl May. It describes how May achieved his literary breakthrough through contacts with reputable publishers, especially the youth magazine "Der gute Kamerad" of the Spemann Verlag. His works were published by the Freiburger Verlag Fehsenfeld as a series of "collected travel novels," which led to his popularity and wealth. The book also addresses May's travels and his involvement in various civil lawsuits. Another focus is on the analysis of the first-person characters in May's works and the "Old Shatterhand legend." The study offers new perspectives for connoisseurs of May's work and provides outsiders with a current overview of the author's life and work. [Extracted from the article]

Copyright of Journal der Juristischen Zeitgeschichte is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Henry Rider Haggard, the famed author of adventure romances, wrote the novel Dr. Therne (1898) in response to weakening compulsory smallpox vaccination laws, thus entering one of the most heated debates of the late nineteenth century. With Dr. Therne, Haggard aimed to intervene in the lives of the many working-class anti-vaccinationists who, from the 1850s onwards, mobilised to evade what they perceived as a gross – and targeted – extension of state power at the expense of individual rights. Recovering the novel, which has not yet received scholarly attention from historians of medicine, reveals the way fiction was called upon to change minds during a crucial period of Victorian medicine, one that witnessed a climactic shift in public health intervention. This article will examine the reception of Dr. Therne in various print media – middle-class London papers, medical journals and working-class, anti-vaccinationist publications – to consider some new dynamics of the debate which the disagreement over Haggard's polemic exposes, including the perceived power of fiction (when properly priced and distributed) to change minds, and the contested role of the evangelical press. Additionally, a discussion of the different iterations of Dr. Therne , and a look at an exceptional anti-vaccinationist response in the form of a competing novel, illustrates that pro- and anti-vaccinationists alike contributed to a moment in late Victorian society when the role of fiction was considered a worthy contender in a debate ostensibly about fact. [ABSTRACT FROM AUTHOR]

This article looks at the characters and types of narration in Michał Czajkowski's Dziwne życia Polaków i Polek [Strange Lives of Poles and Polish Women]. Published in 1865, the book is a collection of biographical essays recounting in vivid detail the real-life stories of Polish noblemen from the Ukraine caught in the power games of the Ottoman and the Russian Empire in the early 19th-century. Czajkowski makes no direct references to Cervantes, but at one point calls his bunch knight errants, insisting that Poland produced more of them than any country in the world. Elsewhere he counterpoints earthy realism and (mock)epic decorum, fact and literary invention ('dzieje bajeczne') because they both make up the life of Antoni Iliński vel Iskender Pasha. Inspired by Joachim Lelewel's 1820 comparative study Historyczna paralela Hiszpanii z Polską w wieku XVI, XVII, XVIII [A Historical Parallel between Spain and Poland in the 16th, 17th, and 18th Century] the article tries to trace such covert links or echoes of Cervantes in Czajkowski's handling of his maverick heroes. [ABSTRACT FROM AUTHOR]