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In his literary response to the articles recently featured in the special issue of the Papers of the Bibliographical Society of Canada, "OEuvrer ensemble. Les rouages collectifs dans la chaîne du livre,"? Nicholas Giguère addresses the myth of the lone genius bearing sole responsibility for the production of their literary works" a myth that has persisted but is now considered untenable among book historians. On the contrary, Giguère suggests that the "I"? always writes in collaboration with other literary agents. [ABSTRACT FROM AUTHOR]

In their introduction to a special issue of the Papers of the Bibliographical Society of Canada, co-editors Rebecka Taves Sheffield and Nicholas Giguère provide a brief historical overview of the emergence of an LGBTQ+ press in Canada, and describe how the history of LGBTQ+ print culture in Canada is inextricably intertwined with the country's history of media censorship, which has been often used to exclude LGBTQ+ people from public spaces. Sheffield and Giguère then summarize the articles, note, and review essay included in the special journal issue and describe how, on a whole, the contributors' research sheds new light on the relationship between LGBTQ+ print media and the communities that it has both served and helped to create, despite persistent censorship. [ABSTRACT FROM AUTHOR]

In this article, the author analyzes the periodical Le Berdache (1979- 82), the official journal of the Association pour les droits des gai(e)s du Québec (ADGQ), an organization that fought for the legal and social recognition of homosexuals. While gay journals multiplied in Quebec after the publication of Le Tiers (1971-72), none enjoyed as much success and popularity as Le Berdache. The latter became a space for reflection and a tool to claim a gay identity, both individually and collectively. The journal was heavily politicized and attracted renowned collaborators such as Jean Basile, Jeanne d'Arc Jutras, and Pierre Vallières. This article reviews the ephemeral existence of Le Berdache, Le Petit Berdache (1983-86), and the bulletin À Propos (1986-87), as well as the causes that led to their disappearance. Following a short explanation of the context that led to the foundation of Le Berdache, and by examining its in-depth articles and editorials, the author throws into relief the central role played by the journal in the evolution of the gay liberation movement in Quebec. He then demonstrates that the withdrawal of the ADGQ from the printed press can be attributed to three important factors: first, its inability to represent homosexuals in rural areas, which led to its indictment as too Montreal-centred; second, the steady decline of activism at the beginning of the 1980s and the generational gap that heralded a younger generation of gays who were less concerned with political action; finally, the internal strife among the members of Le Berdache, who were divided between the production of an activist journal and the idea of a more commercial journal, one that would advocate gay lifestyles and contain articles that appealed to a wider public. In fact, the analysis of Le Berdache is the gateway to a theoretical reflection on the nature and problematic uses of the activist press, often torn between militant content and economic imperatives. [ABSTRACT FROM AUTHOR]

The article discusses the history of "Les Poètes du Jour," a French-Canadian literary periodical from Québec that started in 1960. Contributors published articles on topics including social reform, social promotion and national identity. Topics further discussed by the article include the social and political implications of poetry, authors published, and the growth of the journal.