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Content shared on social media platforms is increasingly centred on images and conversations discussing television on digital platforms are also influenced by this trend. This article examines the visual data posted by viewers while watching the 2019 edition of the Spanish and British adaptations of the international Reality Show ‘The Voice’. With the sample including images posted by viewers on Twitter during the broadcast of the episodes, the production formats, the type of content, the purpose of the images and the connection between the visual data and the text in the tweet have been analysed. The results highlight three different trends: the parallel visual narrative created by viewers on Twitter through the use of digital culture, the showcasing of their private sphere and the appropriation of images from the television episodes altering the discourse presented by the broadcasters. [ABSTRACT FROM AUTHOR]

Hacia el año 1899, Pietro Gori emprendió, junto a Juan Vucetich, un viaje de estudio a la Penitenciaría de Sierra Chica con el objetivo de estudiar al sistema carcelario de la Argentina y a la población allí recluida. Los resultados fueron publicados en Criminalogía Moderna (1898-1901), revista que Gori dirigió en su estadía en Buenos Aires, en una sección titulada Estudios Carcelarios. En el presente artículo propongo indagar en clave teórico-metodológica dicha sección; más concretamente, mi interés radica en describir de qué maneras fueron construidos los datos que refieren a las distintas características de la Penitenciaría y de los penados.

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