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The article reviews the exhibition "Electroacoustic Music Studies Network 2008: Musique concrète: 60 Years Later," held at Paris, France from June 3 to 7, 2008.

Nanotechnology art exhibitions provide more than a portal through which to enter the future world of nanotechnology. They also represent the state of nanotechnology in society today. This paper compares three exhibition forums that serve as representations of three of the most common genres of nanotechnology art (nanoart). These exhibition forums and their creators demonstrate distinct perspectives about what counts as engagement and how best to achieve it; they all attempt to persuade their publics that art can serve as a conduit for the creation of alternative nanofutures. [ABSTRACT FROM AUTHOR]

Reviews the art exhibition "Hugo Boss Prize 2006," by Tacita Dean at the Solomon R. Guggenheim Museum on February 23-June 6, 2007 in New York City.

Reviews the African art exhibition 'ExitCongoMuseum: A Century of Art With/Without Papers,' featured at the Mus é e Royal de l'Afrique Centrale in Tervuren, Belgium from November 24, 2000 to June 24, 2001.

The article reviews the artwork "hanahanahana," which was created by Yasuaki Kakehi, Motoshi Chikamori, and Kyoko Kunoh, and is an interactive art installation.

The article reviews the exhibition "Toronto Electroacoustic Symposium," held at Toronto, Ontario from August 7 to 9, 2008.

The article offers a review of the exhibition "Building the Revolution: Soviet Art and Architecture, 1915-1935," on view from October 29, 2011 until January 22, 2012 at the Royal Academy of Arts in London, England.

The article reviews the Fluxus movement exhibits at The Museum of Modern Art (MoMA) in New York City, "Thing/Thought: Fluxus Editions, 1962–1978" which was hosted September 21, 2011 through January 16, 2012 and "Fluxus Weekend" which took place November 11 to 13, 2011.

The article reviews the exhibition "Grandma Moses and the Primitive Tradition," featuring the work of artist Anna Mary Robertson Moses, better known as Grandma Moses, on display at the Bennington Museum in Bennington, Vermont from June 11, 2011 to October 30, 2011.

The article reviews the art exhibit "On the Political Imaginary," by Tania Bruguera at the Neuberger Museum of Art in Purchase, New York from January 28 to Aprill 11, 2010.

The article reviews the traveling art exhibit "William Kentridge: Five Themes" at the Museum of Modern Art in New York from February 24 to May 17, 2010.

The author considers Gerhard Richter's work on nanotechnology, highlighting how these pieces continue the artist's ontology on photographic blur and, as such, raise questions about truth and reality with respect to the mass media's visual presentation of nanotechnology. The four works discussed include: Erster Blick (2000) and Graphit (2005), the mural Strontium (2004) and the suite of sheets numbered 737 to 754 in the continuous image installation Atlas. Examining these works, the author notes Richter's general skepticism about the benefits of technology, shown through his allusions to war and terrorism, and contrasts Richter's artworks with utopian visions of nanoscience in the mass media. [ABSTRACT FROM AUTHOR]

The article reviews the Brazilian art exhibition "Hélio Oiticica: The Body of Color," at the Museum of Fine Arts in Houston, Texas from December 10, 2006 until April 1, 2007.

Reviews the art exhibition "Superficial Engagement," by Thomas Hirschhorn, at the Gladstone Galley in New York City on January 2006.

The article reviews the exhibition "The Early Show: Video From 1969 to 1979," at the Bertha and Karl Leubsdorf Gallery, Hunter College of the City University of New York on March 16 to May 6, 2006.

Reviews the painting exhibition 'The Responsive Eye,' by Bridget Riley.

Reviews music exhibitions. `Dust,' by Robert Ashley; `Introjection: Tony Oursler Mid-Career Survey, 1976-1999'; `Rapture,' by Shirin Nesat.

Reviews the art exhibitions by George Lapas at the Lehmann Maupin Gallery and `Dusted,' by Peter Sarkisian at the I-20 Gallery both in New York City.

Reviews the art exhibition `Mimi Smith: A 30-Year Survey,' which was displayed at the Anna Kustera Gallery in New York.

Reviews several electronic music events. 1998 Home Theater and Specialty Audio Show on June 9-14 in Los Angeles, California; Annual national conference of the Society for ElectroAcoustic Music in the United States on April 16-18, 1998 in New Hampshire; Annual outdoor digital music concert at the Center for Computer Research in Music and Acoustics at Stanford University on April 23, 1998.

The article reviews the exhibition "Apichatpong Weerasethakul: Primitive," featuring a video installation by Thai filmmaker Apichatpong Weerasethakul, held at the New Museum in New York City from May 19 to July 3, 2011.

Reviews the exhibition "The Aegina Academy, A Forum for Art and Science: Light/Image/Illusion," in Aegina, Greece from May 14-22, 2005.

Reviews the exhibit `Leading The Simple Life: The Arts and Crafts Movement in Britain, 1880-1910,' curated by Wendy Kaplan.

Reviews the exhibition `Women, Surrealism and Self-representation at the San Francisco Museum of Modern Art, San Francisco, California.

The article reviews the East Bay Open Studios Preview Exhibition, featuring studios of artists including Marty McCutcheon, Maryly Snow, and Benny Alba, held at the Pro Arts Gallery in Oakland, California from May 3 to June 12, 2011 and East Bay Open Studios in June 2011.

The article reviews the exhibition "My Sunshine" by Nikola Uzunovski at the Federico Langer Gallery in Milan, Italy in January 2010.