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The article reviews the exhibition "Folding Paper: The Infinite Possibilities of Origami" by art curator Meher McArthur and advisor Robert Lang at the Japanese American National Museum in Los Angeles, California in March 2012, which featured paintings by artists Michael LaFosse and Joel Cooper.

The article reviews the exhibition "RRRIPP!! Paper Fashion" at the Benaki Museum, Piraeus St. Annex, Athens, Greece, March 1-April 15, 2007.

I Everyday Movies i is a gamechanger in film and media studies in the way it moves the scholarly gaze away from film and cinema towards a focus on the portable projector. At the same time, the chapter considers the importance of the portable projector to the military, beyond the screening of "morale" films: 'Some 75 percent of film and photography use was strictly of a strategic nature. As Wasson argues, the rapid growth of the portable film projector by the 1950s forces us, 'to radically reframe how we understand "cinema" as an infrastructure, an apparatus, and a cultural activity' (p. 153), with the portable film projector, and its "small cinema", serving, 'as the most common, accessible, and majoritarian mode for film viewing' (p. 154). [Extracted from the article]

The article reviews the book "China on Paper: European and Chinese Works from the Late Sixteenth to the Early Nineteenth Century," by Marcia Reed and Paola Demattè.

Here, a distinction between the two subjects of anthropology and archaeology can be seen, and in modern-day India, anthropologists mostly stick to the studies of the tribal lifeways, whereas archaeologists are contained in studying the past. The influence of colonial legacy on the scholarly work of the European Mesolithic has been represented in this paper by Elliot and Warren. Elliot and Warren dive into the previously unknown deep waters of Mesolithic archaeology in the European scenario and weigh the consequences of the colonial thought process in Mesolithic archaeology globally. [Extracted from the article]

The article reviews 2 exhibitions on the topic of death including works by Damien Hirst at the Tate Modern, London held from 4 April-9 September 2012 and Leonardo da Vinci: Anatomist at the Queen's Gallery, Buckingham Palace, London held from 4 May-7 October 2012.

The article reviews the exhibition "Have Nothing in Your Houses That You Do Not Know to Be Useful, or Believe to Be Beautiful" at the Leo Kamen Gallery in Toronto, Ontario from February 21-March 21, 2009.

The article reviews the book "León Ferrari and Mira Schendel: Tangled Alphabets," by Luis Enrique Pérez-Oramas.

The article reviews the exhibition "Gabriel de Saint-Aubin (1724-1780) Study Day" at the Frick Collection in New York City on January 22, 2008.

The article reviews the textiles exhibitions "Katagami Style," held at the Mitsubishi Ichigokan Museum in Tokyo, Japan from April 6 through May 27, 2012, and one entitled "'The Stuff that Matters:' Textiles collected by Seth Siegelaub for the Centre for Social Research on Old Textiles" held in London, England March 1 through May 6, 2012.

The article reviews the art exhibition "DRAWINGS: Chandraguptha Thenuwara and Jagath Weerasinghe," which was held at the Saskia Fernando Gallery in Colombo, Sri Lanka, from October 2-30, 2012, and at the Breese Little gallery in London, England, from September 20th through November 10, 2012.

Thomas Barry, author of The Dream of the Earths, suggests that our civilization is moving into an ecozoic, rather than an ecological era. While ecology merely refers to an understanding of our life systems and their integral relations, the term ecozoic (zoic bering derived from the Greek zoe meaning life) also conveys the feeling of an immediate, biological reality. This paper puts EXOTE (2011), the latest creation of Flemish theatre maker and visual artist Kris Verdonck, within the context of ecozoic art. EXOTE is an indoor garden that has been planted on the first floor of the Z33 House for Contemporary Art in Hasselt. It houses species that have been defined by the European Union as ‘invasive alien species’; they thrive outside their natural distribution area, threaten biological diversity and hence have a devastating impact on ecology. Verdonck selected a number of these species and brought them together in one big luminous garden. The garden of Eden that turns ‘sick’ in the end – putting together invasive species in a confined space is an experiment of biological wars and battles of survival – is a metaphor for sick contemporary humanity. Intense worldwide trade has introduced several species into new habitats, allowing them to invade the local fauna. In this sense, this interactive installation and the performative walking of its visitors allude to the malaise of overproduction and consumption. Verdonck's garden is in that sense a hortus contemplationis: a garden that triggers a reflexive response to utilitarianism and resource exploitation, communicating an ecological consciousness, by means of conveying an immediate, biological reality. [ABSTRACT FROM AUTHOR]

The article reviews the exhibition "History from Coins" at the Wisbech & Fenland Museum in Great Britain on January 14, 1995.

The article reviews the exhibition "Richard Diebenkorn: The Ocean Park Series" at the Modern Art Museum of Forth Worth in Texas, Orange County Museum of Art (OCMA) in Newport Beach, California and Corcoran Gallery of Art in Washington D.C.

The article reviews the book "The Sight of Silence: John Cage's Complete Watercolors," by Ray Kass.

The article reviews the performance art of Singapore artist Lee Wen entitled "Connection/Location," which included a video projection of a performance by Josef Ng, that was held at the October Gallery in London, England during June 1998.

Reviews the book 'The Year 1200: A Symposium.'

The article reviews the exhibition "Bridges Enschede 2013 Exhibition of Mathematical Art" at Hogeschool of Saxion University in Enschede, the Netherlands in 2013, which featured three dimensional (3D) works in geometric shapes, a welded sculpture of iron tube and a sphere of laser-cut sheets.

The article reviews the exhibition "Blue Jeans Jungle Greens: Revisiting the Sixties and Seventies," at the History Trust of South Australia Exhibition Gallery from February 2008 through August 2009.

The article reviews the book "On Display: A Design Grammar for Museum Exhibitions," by Margaret Hall.

The article reviews the exhibition "The art of the Picture Frame" at the National Portrait Gallery in London, England held from November 15, 1996 to February 8, 1997.

The article reviews the exhibition "Federico Barocci: Renaissance Master of Color and Line" at the Saint Louis Art Museum in Saint Louis, Missouri from October 21, 2012 to January 20, 2013, and at the National Gallery in London, England from February 27 to May 19, 2013.

The article reviews the exhibition "William Kentridge: Five Themes" in several museums from March 14, 2009 to October 2, 2011.

The article reviews the exhibition "SubUrban: Tam Van Tran" at the Knoxville Museum of Art in Knoxville, Tennessee from April 22-August 7, 2005.

In recent years, the issue of consent in relation to sexual offences on the island of Ireland has been brought to the foreground of international debate. I wanted to do something to prove how unnecessary these victim-blaming-type questions are'.[22] As such, the aim of both Maxwell's and Cambareri's exhibitions are closely aligned- to challenge rape myths surrounding clothing and consent. Across Ireland, protests erupted at this suggestion, but the focus of this review has been to explore the I Not Consent i exhibition and how this exhibition creatively challenges prejudicial attitudes towards clothing as consent. [Extracted from the article]

The article reviews the exhibition "Art in the Street," to be held at the Museum of Contemporary Art, Los Angeles, California from April 17 to August 8, 2011.

The article reviews the exhibition "Raphael: Cartoons and Tapestries for the Sistine Chapel" at the Victoria and Albert Museum in London, England on September 8 to October 24, 2010.

The article reviews the exhibition "Spontaneous Schooling" held June 18 through July 4, 2010 at the Nous Gallery in London, England, as part of the London Festival of Architecture.

The article reviews several exhibitions, including "Palladio, el Arquitecto, 1508-1580" at the Caixa Forum in Madrid, Spain from October 6, 2009 to January 17, 2010 and "Palladio and His Legacy: A Transatlantic Journey," at the Morgan Library and Museum, New York, New York from April 2 to August 1, 2010.

The article reviews the exhibitions "National Treasures From Australia's Great Libraries," at the National Library in Canberra, Australian Capital Territory, from December 2005 to February 2006, and "Captivating and Curious," at the National Museum of Australia, from December 14, 2005 to March 20, 2006.

The article reviews the exhibition "Past in Reverse: Contemporary Art of East Asia," at the San Diego Museum of Art in San Diego, California from November 6, 2004 to March 6, 2005.

The article reviews the exhibition "Dutch and Flemish Drawings from the National Gallery of Canada" at the National Gallery of Canada in Ottawa, Ontario from May 23-September 1, 2003, Arthur M. Sackler Museum in Cambridge, Massachusetts from July 24 -October 17, 2004 and at Beaverbrook Art Gallery Fredericton, New Brunswick from November 21, 2004-February 20, 2005.

Overall this book provides a history of books that shows the trends and evolution of books through time with technology. The four chapters of B I The Book i b are titled, B the book as object; the book as content; the book as idea b ; and B the book as interface b . Chapter 1, B introduction b , introduces the chapters to come in this book about the variety of ways to research newsreels. B I How to Play Video Games i b edited by Matthew Thomas Payne and Nina B. Huntemann (New York, NY: New York University Press, 2019 - $30.00, paperback, ISBN: 9781479827985, 363 pp., 4 sections, 40 chapters, Foreword, Introduction, Acknowledgements, Appendix, Contributors, Index) Contrary to its title, this book is not an instructional book that teaches you how to play video games. Chapter 1, B meeting movie monsters b , introduces the reader to variety of movie monsters that have been in film and introduces the chapters to come. [Extracted from the article]

The article reviews the art exhibition featuring various textile art by William Morris at the Victoria and Albert Museum in London, England from May-September 1996.

Basevich ably demonstrates the centrality of I Black Reconstruction i to Du Bois's importance today, as she does with the wide range of Du Bois's writings on which she draws. The focus of Elvira Basevich's engaging and insightful book, I W. E. B. Du Bois: The Lost and the Found i , is on describing Du Bois's political philosophy and vividly showing the ways in which it can be applied to contemporary issues. "Dr. Du Bois was not only an intellectual giant exploring the frontiers of knowledge", said Martin Luther King Jr. in 1968, "he was in the first place a teacher. [Extracted from the article]

The article reviews the exhibition "Design of a Modern City: William Lindley in Hamburg and Europe 1808-1900" at the Hamburg Museum in Germany from October 3-4, 2008.

The article reviews the exhibition "Miss Australia: A Nation's Quest" at the Melbourne Museum in Victoria from October 11, 2007 to April 6, 2008.

The article reviews the exhibition "Memory of a Nation" at the National Archives of Australia.

The article reviews the exhibition "Facing Percy Grainger," at the National Library of Australia from July to October 2006.

The article reviews the exhibition "Getting In," at the Immigration Museum in Melbourne, Victoria.

The article reviews the exhibition "Montien Boonma: Temple of the Mind" held at various venues such as Asia Society Museum in New York on February 4 to May 11, 2003, Asian Art Museum of San Francisco on February 25 to May 23, 2004, and National Gallery of Australia in Canberra, Australia on July 23 to October 10, 2004.

Reviews a book and an exhibition `Tony Smith: Architect, Painter, Sculptor,' by Robert Storr, John Keenen and Joan Pachner; `Tony Smith in the City,' viewed at the Museum of Modern Art from July 1 to September 22, 1998.

The article reviews the exhibition "ICOM'89 International Museum Trade Exhibition" in the Hague, Netherlands.

The article reviews the exhibition "Chinese Paintings of the Ch'ing Dynasty" (1644-1912) at the Smithsonian's Freer Gallery of Art from June 15 to October 1, 1979.