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The article reviews the exhibition "Idea as Art" at the Boise Art Museum in Boise, Idaho that will run through April 2010.

The article reviews the exhibition "O'Keeffe on Paper" at the National Gallery of Art in Washington, D.C. on July 9, 2000 and at the Georgia O'Keeffe Museum in Sante Fe, New Mexico from July 29, 2000 to October 29, 2000.

Reviews the exhibition `Kitsch to Corbusier: Wallpapers From the 1950's,' that presents designs of various types of wallpapers. Brief on some of the designs.

The article reviews the exhibition "Print, Paper, Paint," at Chiaroscuro in Scottsdale, Arizona.

Reviews the exhibition "Cy Twombly: 50 Years of Works on Paper," at the Whitney Museum of American Art through May 8, 2005.

The article reviews the exhibition "Masters of American Comics," at the Newark Museum in Washington D.C. from September 15, 2006-January 28, 2007.

The article reviews the annual Hazelhurst Art Award exhibition at Hazelhurst Regional Gallery and Arts Centre in Sydney, New South Wales.

The article reviews the exhibition "Paper Shredders" at the Dolphin art gallery in Kansas City, Missouri from February 13 to March 21, 2009.

The article reviews several art exhibitions in New York City including "Zarina: Paper Like Skin," at the Guggenheim Museum, 1071 Fifth Avenue, 89th Street, "Drawing Surrealism," at the Morgan Library and Museum, 225 Madison Avenue, 36th Street, and "Projects 99: Meiro Koizumi," at the Museum of Modern Art.

This article presents the author's views regarding the extensive retrospective exhibition of the work of Robert Morris at the Guggenheim Museum, uptown and downtown, have titled the exhibition "The Mind/Body Problem," probably because a certain number of Morris's works are animated by the old philosophical conundrum. A work of visual art-paint and canvas, ink and paper, metal or stone-yields nothing in point of grossness to the fleshy matter of which the arm is framed. So when one tries to perform a Wittgensteinian subtraction and ask what remains of the work of art when one take away its "body" viz., whatever has weight and takes up space and is subject to chemical action. One answer might be, nothing.

The article reviews the exhibition "As I Only Can ... Belong" at the Metropolitan in St. Louis, Missouri in 2009.

Reviews the exhibition of Bruce Helander at Don O'Melveny museum in Los Angeles, California.

Reviews the exhibition of We Mills as Richard Levy in Albuquerque, New Hampshire.

Reviews the exhibition of Jane South at the Spencer Brownstone gallery in New York.

Reviews the exhibition of Lynda Benglis at the Cheim & Read in New York City.

The article reviews the art exhibition "Vincent van Gogh: The Drawings," at the Metropolitan Museum of Art in New York.

Reviews the exhibition of Jorge Pardo at the Friedrich Petzel gallery in New York.

The article reviews the exhibition "History from Coins" at the Wisbech & Fenland Museum in Great Britain on January 14, 1995.

The article reviews the exhibition "Chinese Flower Paintings" at the Smithsonian Institution's Freer Gallery in Washington, D.C. from March 18 through August 31, 1983.

The article discusses performing arts. The recent exhibition of pure water colors and of drawings current at the art museum reveals two very successful transplantations: those of a young artist and an artistic movement. The successfully transplanted young artist is Georges Schreiber, the well-known contributor to New York periodicals and news- papers. The successfully transplanted artistic movement is the New Objectivism of such leading German moderns as Otto Dix and George Grosz. In the general spirit of the movement, Schreiber has taken as his subject life in the raw.

The article reviews the art exhibition "Cyclical Redundance," by Daniel Zeller at Pierogi Gallery in New York.

Reviews the exhibition of Kerry Tribe at the Los Angeles Contemporary Editions in Los Angeles, California.

Reviews the exhibition of Howardena Pindell gallery in New York.

Reviews the exhibition "The Complete Marbles" at Mary Boone gallery in New York.

The article reviews several African American art exhibits which took place in 2009 including the exhibition "No Place: A Ritual of Empathics" at the Studio Museum of Harlem in New York, "The Contemporary Frank Stewart: Painted Sounds" at Essie Green Galleries in New York City and "Black on White: 12 Works on Paper" at the Bill Hodges Gallery in New York City.

The article reviews several exhibitions including "Muraqqa': Imperial Mughal Albums from the Chester Beatty Library Dublin," at Arthur M. Sackler Gallery from May 3-August 3, 2008, "Into the Woods: Crafting Early American Furniture," at the Historic Deerfield in Massachusetts on May 4, 2008 and "Art Collections and Botanical Gardens," at the Huntington Library in California on May 28, 2008.

The article reviews the exhibition "Tobias Putrih: Quasi-Random," by Tobias Putrih at the Neuberger Museum of Art in Westchester County, New York.

The article reviews several exhibitions including "Rococo Exotic: French Mounted Porcelains and the Allure of the East," at the Frick Collection in New York City through June 10, 2007, "The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle," at the Fogg Art Museums in Cambridge, Massachusetts from April 7 to July 8, 2007, and the "Acquired Tastes: 200 Years of Collecting for the Boston Athenaeum," at the Athenaeum in Boston, Massachusetts through July 12, 2007.

Reviews the exhibition "Cy Twombly: 50 Years of Works on Paper," at the Whitney Museum of American Art in New York City on May 27 to September 4, 2005.

The article reviews three New York City exhibitions including Whitney Museum's Biennial, "Artists: Emergent Americans," at the Guggenheim and "New Works on Paper," at the Museum of Modern Art in February 1981.

The article reviews the exhibition of the lithographs, oils and original drawings by Don Freeman dealing with his subjects for "Newsstand" at the Associated American Artists Gallery starting February 12, 1940.

This article presents a list of museum art exhibits in New York City, New York. "Raphael at the Metropolitan: The Colonna Altarpiece" will be on display at the Metropolitan Museum through August 27, 2006. "Dada," which displays pieces from the anti-art movement, will be on display at the Museum of Modern Art through September 11, 2006. "No Limits, Just Edges: Jackson Pollock Paintings on Paper," will be on display at the Guggenheim Museum through September 29, 2006.

The article reviews the art exhibition by Greg Mencoff at Bernard Toale Gallery in New York.

The article reviews the art exhibition "Nocturne," by Roland Flexner at Caren Golden Gallery in New York.

Reviews the exhibition "Constructed Worlds" at the fa projects art gallery in London, England from March 18 to April 23, 2005.

A review of an exhibition of traditional Pacific textiles, "Pacific Textiles Project," on display at Queensland Art Gallery's Gallery of Modern Art, in Australia.

The article presents an evaluation of the works of the artist Kara Walker.

The article interprets the symbol of death in the creations of Damein Hirst, the celebrated hooligan genius of British Art. Hirst uses death as a way of expressing thoughts about death. His most celebrated work, according to a press release, has never shied away from the terrible beauty that lies in death and the inevitable decay contained in beauty. The theme of death, at least as expressed through animals and animal parts, is muted in "Theories, Models, Methods, Approaches, Assumptions, Results, and Find," as Hirst has titled the Gagosian show.

Reviews the art exhibition "The Arts of Hon'ami Koetsu," at the Philadelphia Museum of Art in Pennsylvania.

The article presents the author's comments on the painting by Joan Mitchell, which is on view at the Museum of Modern Art in the exhibition "American Art: 1940-1970." Mitchell was one of the strongest painters in the second generation of abstract expressionists, and she painted "Ladybug," as it is titled, in 1957, the year after abstract painter Jackson Pollock was killed. The author says that the internal drama of Mitchell's painting derives from the way she uses paint's propensity to drip to her own advantage by taming it with over-strokes of pigment through which she displays her own discipline and power.

The article reviews several exhibitions including one by Paul Davies at the Tim Olsen Gallery in Sydney, New South Wales on February 22-March 11, 2012, "The Touring Blake" exhibition in Ashfield, New South Wales on January 30-February 27, 2012, and the "Secrets (and Lies)" exhibition at The Gallery @ Bayside Arts & Cultural Centre in Victoria on January 11-February 26, 2012.

The article reviews the Tris Vonna-Michell exhibition at the X Initiative art gallery in Chelsea, New York.

The article reviews the exhibition "Yard," by Allan Kaprow at the Hauser & Wirth in New York City on September 23 to October 31, 2009.

The article reviews the artworks of Korean artist Lee Ufan at Thaddeus Ropac Galley on September 3 to October 2, 2009 in Paris, France.

The article reviews the exhibition "Dark Fair" at the Swiss Institute Contemporary Art New York in New York City.

The article reviews art exhibitions by Kara Walker in New York City, including "After the Deluge," at the Metropolitan Museum of Art and another at the Sikkema Jenkins Gallery.

The article reviews the art exhibition "Erased de Kooning Drawings," by Mike Bidlo at Francis M. Naumann Fine Art in New York.

Reviews the painting exhibition featuring the works of European painter Jean-Baptiste-Camille Corot at the Metropolitan Museum of Art in New York City ending on January 19, 1997.