Yet the literature on Internet addiction fails to establish the agent of this presumptive malady, Friedman points out, as well as what it is that users are actually doing or desiring that constitutes an addiction. In her new book, I Internet Addiction: A Critical Psychology of Users i (Routledge, 2021), Emaline Friedman takes on an enormous and weighty task. [Extracted from the article]
Interactivity as performance allows Nash to draw attention to affect and emotion, considering the different forms that interactive documentary engages with embodied performances such as augmented and virtual reality documentary and gaming. Nash acknowledges the fragility of the interactive documentary because of its experimental approach adopting software platforms that are still in development limiting the audience reach, but she remains hopeful throughout the book that the future for the interactive documentary lies ahead, and we have perhaps only scratched the surface. This book shows how interactive documentary appropriates digital technologies in order to find new methods of engaging with realities that often confront contemporary social concerns and the intricacies of truth. [Extracted from the article]