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The article reviews the exhibition "Paper Cities" at the Strang Print Room at University College in London in London, England

The article reviews the exhibition featuring the art works of Gemma Holt at Limoncello gallery in London, England.

The article reviews the exhibition "Blood on Paper: The Art of the Book," at the Victoria and Albert Museum in London, England from April 15 to June 29, 2008.

The article reviews the exhibition "Works on Paper" at the Faggionato Fine Art in London, England.

The article reviews the photography exhibition "Impressed by Light: British Photographs from Paper Negatives, 1840-1860" at the Metropolitan Museum of Art in New York City from September 25-December 31, 2007.

The article reviews the exhibition "New Grounds," by Dionne Swift at the Bankfield Museum in Halifax from January 16 to March 7, 2010, The Ropewalk in Barton upon Humber from March 27 to May 23, 2010 and Myles Meehan Gallery in Darlington from July 30 to September 18, 2010 in England.

Reviews the exhibition titled 'Journeys on Paper,' by Chris Drury, shown at the Stephen Lacey Gallery in London, England until July 7, 2000.

The article reviews the performance art of Singapore artist Lee Wen entitled "Connection/Location," which included a video projection of a performance by Josef Ng, that was held at the October Gallery in London, England during June 1998.

This paper reviews David Hockney RA, A Bigger Picture, an exhibition held at the Royal Academy in London, the Guggenheim Museum in Bilbao and the Museum Ludwig in Cologne in 2012-3, and the associated catalogue and DVD. Geographical and historical questions, of region and space, movement and dwelling, are evident in Hockney's work in a variety of genres, in portraiture and theatre design as well as more recent excursions into landscape. Particular attention is paid to Hockney's paintings of the Yorkshire Wolds. [ABSTRACT FROM AUTHOR]

The article presents a drawing exhibition entitled "Drawn Encounters," at Wimbledon College of Art in London, England on September 5 to October 17, 2008.

The article reviews the exhibition "The art of the Picture Frame" at the National Portrait Gallery in London, England held from November 15, 1996 to February 8, 1997.

A review is presented of an exhibition of work by artist Daniel Von Sturmer at the Karsten Schubert gallery in London, England.

The article reviews the film exhibition of Rosalind Nashashibi at the Counter gallery in London, England titled "Eyeballing."

Reviews the exhibition "Constructed Worlds" at the fa projects art gallery in London, England from March 18 to April 23, 2005.

The article reviews the art exhibition "Human Coral" held at Rich Mix, East London, England on June 6-30, 2013.

The article reviews the art exhibition featuring various textile art by William Morris at the Victoria and Albert Museum in London, England from May-September 1996.

The article reviews the art exhibition "Deal," featuring work by Mayling To and Susan Pui San Lok, at the 198 Gallery in Brixton, London, England, from June 30-August 15, 1998.

Reviews the abstract painting exhibition by Sybille Berger at the Newlyn Art Gallery in Penzance, England.

Reviews the exhibition "Waste Material: Curated by David Musgrave" at the Drawing Room in London, England from February 3 to March 20, 2005.

The spring and summer exhibitions in London, England have been as unprofitable as any. They equal or surpass the Academy in dullness, though they include those of the New English Art Club, the International Society, and the Allied Artists' Association, the three societies supposed to stand for all that is youngest, gayest, and most alive in art. The exhibition is a vivid impression of a crowd in the open air, full of movement and color, and far more accurate than the Englishman's painting as a record of character and costume and date. Of course this is no new discovery, but it is one useful to make anew at this moment when contemporary artists in England offer little at all to think about.

This article presents information about the escape of the Royal academy, London, England from conducting winter art exhibition. The excuse is the recent death of four Academicians and one Associate, to a representative exhibition of whose work the winter exhibition is devoted. The Academicians are W.P. Frith, who now seems to belong to so remote a past that, though he died only the other day, he has become something of an old master himself, if a very little one; Sir W.Q. Orchardson, for whose pictures one has long had the habit, in current Academy exhibitions, of turning for relief from the prevailing vulgarity and commonplace; John M. Swan, the fine draughtsman and sympathetic student or animals; and Robert W. Macbeth, who, of the four, seems the most curiously old-fashioned, as the painter ever must who in his time relies upon methods and manners that are but a passing fashion.

The article presents information on several events relating to art. An interesting exhibition of modern work has opened in an art gallery in London, England. The Portrait Painter is the third large exhibition held at this season. The gallery has played an important part in the art history of London during twenty years and more. It is one of the best lighted and best arranged in London. Every member of the Portrait Painters' has the right to exhibit and some members have not enough merit to justify their exhibiting anywhere; so that the show is a curious medley.

This article reports on the art exhibition at the Royal Academy in London, England. The sculptor in England has one advantage over the painter: He has more chances of large and important commissions, though he does not fare so well as his fellow-artists in France or Americans. However, even in England buildings are decorated with, sculpture, the public man must have his monument. Through the medium of the exhibition in the Royal Academy , an effort is made to narrow the difference between the sculptures of England and France.

The article reviews the exhibition "Flatland" at the Laura Bartlett Gallery in London, England.

The article reviews the art exhibition "Assembling Bodies: Art, Science and Imagination," at the Museum of Archaeology and Anthropology in Cambridge, England until November 2010.

The article reviews two exhibitions including "L'Oeil gourmand-A Journey through Neapolitan Still Life of the 17th Century," at the Galerie Canesso in Paris, France and "Cotswold Craftsmen 1874 to the Present Day," at the Simon Chorley Arts & Antiques in Prinknash Abbey Park in Gloucestershire, England on October 13 to 21, 2007.

The article reviews an art exhibition by Lucian Freud at the Chatsworth Gallery in Derbyshire, England.

The article reviews the art exhibition "Out of Beirut" at Modern Art Oxford gallery in Oxford, England.

Reviews the self-titled exhibition of Joel Croxson at Dicksmith in London, England.

The article reviews several exhibitions on Scandinavian art in London, England, including "Border Crossing: 14 Scandinavian Artists," at the Barbican Art Gallery from November 7, 1992 until February 7, 1993, "Frans Widerberg," at the Barbican Concourse Gallery from November 11, 1992 until December 15, 1992, and "Art From Above: Exhibition of Icelandic Contemporary Art," at the Shad Thames Galleries from November 12, 1992 until December 7, 1992.

The article reviews the exhibition "Ellen Cooper: Recent Paintings," at the Benjamin Rhodes Gallery, London in England from October 17 to November 17, 1990 which features the charcoal and colorful drawings of Cooper.

The article reviews the exhibitions "Art of Change: New Directions from China" at the Hayward Gallery in London, England on September 7 to December 9, 2012 and "Transformation: A View on Chinese Contemporary Art" at the Istanbul Modern Art Museum on September 21 to November 25, 2012.

The article reviews the exhibition "Art of Change: New Directions," on view at the Long March Gallery and the Hayward Gallery in London, England until December 9, 2012.

The article reviews the exhibition at the Images of Nature Gallery at Natural History Museum in London, England from January 21, 2011.

The article reviews the exhibition "Pearblossom Hwy., 11-18th April 1986, No. 2" by David Hockney at the Annely Juda Fine Art in London, England.

The article reviews the Superflex's Flooded McDonald exhibition that has taken place at South London Gallery in London, England.

The article reviews the Endless Dreams and Water Between exhibition by Renée Green which has taken place at the National Maritime Museum, London, England.

The article reviews the exhibition "Art Exhibition" by Hans-Peter Feldmann at Simon Lee in London, England.

The article reviews a painting exhibition by Charline Von Heyl at the WestLondonProjects in London, England.

The article reviews the exhibition featuring the paintings of Roger Hilton at Kettle's Yard in Cambridge, England.

The article reviews the exhibition featuring the art works of Clare Woods at the Modern Art Gallery in London, England.

The article reviews the exhibition featuring the art works of Donald Rodney at the Rivington Place in London, England, which will run until November 29, 2008.

The article reviews the exhibition "Psycho Buildings" at the Hayward Gallery in London from May 28-August 25, 2008.

The article reviews the exhibition "Blood on Paper: The Art of the Book," at Victoria and Albert Museum in London, England from April 15 to June 29, 2008.

The article offers information on several international art exhibits and competitions from June 2012 to January 2013, including the exhibition "Arthur Meehan--The Muse" in London, England, the art fair "United Art Fair" in New Delhi, India, and the "Photomonth East London" international photography festival.