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In online rock fan communities, fans regularly offer goods up for sale or trade, and sometimes give them away. These objects constitute the material culture of the fans, and reflect the values of the people in the online groups. Using data from a larger project with participant observation in two fan groups, an online questionnaire, and over one hundred interviews with members, this paper identifies the main types of material goods exchanged including imports of concert recordings, tickets to shows, apparel and accessories, and fan and band artwork. In describing how the objects are transmitted from one fan to another or the process of giving and receiving material culture, the paper highlights the increasingly permeable boundaries between offline and online interactions [ABSTRACT FROM AUTHOR]