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Abstract: Abstract This tome is both a “solar” dissertation and a “lunar” grimoire that performs its own argument. Adepts of Modernism argues that the infamous “little magazines” of modernism conjured their own enlightened, reading “counter-publics” by exploiting the same strategies and tactics of initiation and exclusion mobilized in occult circles. Figures from the literary and occult spheres from the Fin de Siècle and through the Great War converge in a network of adeptship. The magazines in this network disseminate knowledge from the occult “wisdom tradition” and share a common adept attitude that sets them apart from the public and the exoteric, mainstream media they consume. Chapter 1 analyzes The Little Review and shows how Margaret Anderson and Jane Heap’s editorial posture of insouciance reflects their initial commitment to both anarchism and esotericism, culminating in a thwarted mystical anarchism. A comparison of memoirs by Huntly Carter and Algernon Blackwood reveals how, for this magazine, poetry and spirituality go hand in hand. Chapter 2 focuses on co-editors of The Egoist, Dora Marsden and Harriet Shaw Weaver, along with Leonard A. Compton-Rickett, Richard Aldington, H. D., and Ezra Pound. These figures have a complex, ambivalent relationship with mysticism, but their common investment in individualism and an elitist, exclusive, classical modernism holds them together. Olivia Shakespear’s translation of the occult story, Le Comte de Gabalis, embodies these investments. Chapter 3 considers the distinct “presentative” style of The New Age magazine in relation to editor A. R. Orage’s mystical socialism. A series of articles by Florence Farr provides a feminist corrective to Orage’s masculinist “brilliant common sense.” This idiosyncratic, “Luciferian” socialism appeals to an audience of modernists, Fabians, and occultists alike, and its threads lead back to the great French magus, Eliphas Lévi. Chapter 4 examines Aleister Crowley’s Equinox in the context of modernist periodical culture. The Equinox is most committed to occult subjects and offers readers a course of study and a method of self-initiation. Esoteric literature, in the form of a magical diary and a short story, “The Dream Circean,” complements Crowley’s formal program of initiation and blurs the boundaries between objective and subjective ‘reality.’ Chapter 5 shows how Lucifer magazine, edited by H. P. Blavatsky and Mabel Collins, utilizes the same techniques of occult initiation replicated in the modernist little magazines that followed, thus revealing a continuity of esoteric editorial practice from the Fin de Siècle through the Great War. Blavatsky’s controversial “Luciferian” editorials and Collins’s serialized esoteric novella, “The Blossom and the Fruit,” exemplify the adept attitude that inspired subsequent generations of adept writers. Adepts of Modernism concludes with a personal reflection on occult pedagogy before outlining the legacy of these magical magazines and gesturing towards some new directions for future research.

I have used the imaginative process of Ideokinesis, as an embodied and performed methodology, where my work is in direct dialogue with a unique system of movement and postural training developed by Mabel Todd, Barbara Clark, and Lulu Sweigard. Its functioning is not with ‘actual’ movement but with virtual and imagined movement – it thus calls on memory and imagining. These processes have resulted in two outcomes: a sequence of narratives arranged as Acts of remembering – a saturation in words, images, and imaginings – and the creation of a theatrical performance, which engages with what language and ideas actually feel like. How they feel and how they look depend not only upon the nature of my own embodied experience but on the remanent embodied experiences of those who view the artefact.