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This dissertation focuses on the representation of Ecuadorians in Spain between 2000 and 2015 in literature, film and the press. After enduring a decade of economic, climatic, and political problems, more than 175,000 Ecuadorians emigrated to Spain in 2001 alone (Herrera 2005). This process marked the beginning of a major migratory movement which has caused Spain to become a premier destination. The response to such migration has been disparate, yet both Ecuadorian and Spanish artists as well as the Spanish press have shown the different perspectives related to a discriminatory ideology. This dissertation focuses on three cultural products and three press articles which are analyzed using the theories of Critical Discourse Analysis developed by scholars Teun Van Dijk (1998, 1999, 2007, 2009) and Antonio Bañón Hernández (2002, 2003, 2006, 2008). On one hand, the dissertation examines the novels La utopía de Madrid (2013) by Carlos Carrión and Nunca pasa nada (2007) by José Ovejero, as well as the movie Prometeo deportado (2010) by Fernando Mieles; on the other, it focuses on three articles published in 1999, 2011, and 2014 respectively by El País, La Vanguardia, and El Mundo which present the Ecuadorian population as a main character. Finally, the conclusion provides an understanding of how the creation of these products has shaped an ideology in Spaniards’ minds throughout the years and what needs to be addressed in order to obtain equal social status among native and minority groups.