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Les Correspondances d'Eastman, a literary festival held in the Estrie region of Quebec, offers a varied program that includes public readings, author interviews, literary performances, and writing workshops. The festival specifically aims to offer visitors the opportunity to write letters in writing gardens laid out by the citizens of Eastman village. On the one hand, by encouraging all visitors to write, the festival encourages the democratization of literature and creative writing. On the other hand, the festival supports the professionalization of recognized writers by compensating them for their participation in activities and offering them a platform to promote their works and increase their visibility. Based on the tensions underlying these two aspects of the festival, this article aims to explore the roles festivalgoers play in Les Correspondances d'Eastman and to compare them with those of professional writers. The analysis will focus primarily on the interactions between visitors and professional writers, which constantly oscillate between proximity, intimacy, and distance. [ABSTRACT FROM AUTHOR]

This note focuses on the exhibition A Queer Century 1869-1969, which was on display from June 1st 2019 to September 11th, 2019 at University of British Columbia's Rare Books and Special Collections. The note describes the details of the exhibition, going through cases, notable and rare literary works, and discussions with the co-curators of the exhibition, Dr. Kyle Frackman and Dr. Gregory Mackie. [ABSTRACT FROM AUTHOR]