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In recent years, several studies have attempted to trace the evolution of the fashion system in a globalised context and pluralized societies. This paper follows in the footsteps of similar research, focusing in particular on Afro-Italian fashion, i.e. on garments created by designers of African descent who have chosen Made in Italy - its rules, structures and conventions - as a tangible and symbolic place to give form to their creativity. Through qualitative research, the paper discusses the storytelling of Afro-Italian fashion within the Made in Italy imaginary; it focuses on communication practices put in place by the actors involved and by the networks they activate. Specific interest is dedicated to self-defining strategies in terms of values and images proposed as narratives that are both authentic and not other-directed. In doing so, the study highlights how Afro-descendant creatives promote a new model of Italian-ness, and critically nurture a new Made in Italy by being relevant social and economic actors within and beyond the African diaspora on the national territory.

lf A is an U.F.D., the $\tau \ '_m$ closure of A in its quotient field K is a subring A’ of K such that: $A\subseteq \ A'\subseteq \ A_m$ where $A_m$ is the ring of quotients of A formed with respect to $S = {a \varepsilon \ A: M.C.D. (a,m) = 1}$. If A is a principal ideal domain, the $\tau \ '_m$ closure of A in K is $A_m$.

lf A is an U.F.D., the $\tau \ '_m$ closure of A in its quotient field K is a subring A’ of K such that: $A\subseteq \ A'\subseteq \ A_m$ where $A_m$ is the ring of quotients of A formed with respect to $S = {a \varepsilon \ A: M.C.D. (a,m) = 1}$. If A is a principal ideal domain, the $\tau \ '_m$ closure of A in K is $A_m$.