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With Barbara Briner-Jones, piano, David Blakley, violin, Gregory Dixon, violin, Sean Diller, viola, and Arthur Hill, cello., Series LVIII, Number 51., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Barbara Briner-Jones, piano, David Blakley, violin, Gregory Dixon, violin, Sean Diller, viola, and Arthur Hill, cello., Series LVIII, Number 51., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Angiosperms, http://name.umdl.umich.edu/IC-HERB00IC-X-1654721%5DMICH-V-1654721, https://quod.lib.umich.edu/cgi/i/image/api/thumb/herb00ic/1654721/MICH-V-1654721/!250,250, The University of Michigan Library provides access to these materials for educational and research purposes. Some materials may be protected by copyright. If you decide to use any of these materials, you are responsible for making your own legal assessment and securing any necessary permission. If you have questions about the collection, please contact the Herbarium professional staff: herb-dlps-help@umich.edu. If you have concerns about the inclusion of an item in this collection, please contact Library Information Technology: libraryit-info@umich.edu., https://www.lib.umich.edu/about-us/policies/copyright-policy

Angiosperms, http://name.umdl.umich.edu/IC-HERB00IC-X-1562369%5DMICH-V-1562369, https://quod.lib.umich.edu/cgi/i/image/api/thumb/herb00ic/1562369/MICH-V-1562369/!250,250, The University of Michigan Library provides access to these materials for educational and research purposes. Some materials may be protected by copyright. If you decide to use any of these materials, you are responsible for making your own legal assessment and securing any necessary permission. If you have questions about the collection, please contact the Herbarium professional staff: herb-dlps-help@umich.edu. If you have concerns about the inclusion of an item in this collection, please contact Library Information Technology: libraryit-info@umich.edu., https://www.lib.umich.edu/about-us/policies/copyright-policy

Angiosperms, http://name.umdl.umich.edu/IC-HERB00IC-X-1654721%5DMICH-V-1654721, https://quod.lib.umich.edu/cgi/i/image/api/thumb/herb00ic/1654721/MICH-V-1654721/!250,250, The University of Michigan Library provides access to these materials for educational and research purposes. Some materials may be protected by copyright. If you decide to use any of these materials, you are responsible for making your own legal assessment and securing any necessary permission. If you have questions about the collection, please contact the Herbarium professional staff: herb-dlps-help@umich.edu. If you have concerns about the inclusion of an item in this collection, please contact Library Information Technology: libraryit-info@umich.edu., https://www.lib.umich.edu/about-us/policies/copyright-policy

Reading, late at night; A Modest Proposal: Swift's Persona as Absentee; If I Am Spider; Peter Bell: A Key to Its Narrative Structure; Cheshire Moon; Gestural Evil: Techniques of Characterization in Dickens' Early Work; Blindfolded Woman Carrying A Torch: The Nature of Conrad's Female Characters; Of Dubliners and Ohioans: A Comparative Study of Two Works; Spatial Relations in Joyce's Portrait; The Ubicubist Joyce; America in Joyce's Dubliners; The Narrator as Artist and the Artist as Narrator: A Study of E. E. Cummings' The Enormous Room; The Realist; Bin Oder Die Reise Nach Peking: A Structural Study; A Severed Head from Novel to Play: Coarsening as the Essence of Adaptation; One Slow Fat Fly; Chance and Choice in Lucky Jim; Morgana, This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Reading, late at night; A Modest Proposal: Swift's Persona as Absentee; If I Am Spider; Peter Bell: A Key to Its Narrative Structure; Cheshire Moon; Gestural Evil: Techniques of Characterization in Dickens' Early Work; Blindfolded Woman Carrying A Torch: The Nature of Conrad's Female Characters; Of Dubliners and Ohioans: A Comparative Study of Two Works; Spatial Relations in Joyce's Portrait; The Ubicubist Joyce; America in Joyce's Dubliners; The Narrator as Artist and the Artist as Narrator: A Study of E. E. Cummings' The Enormous Room; The Realist; Bin Oder Die Reise Nach Peking: A Structural Study; A Severed Head from Novel to Play: Coarsening as the Essence of Adaptation; One Slow Fat Fly; Chance and Choice in Lucky Jim; Morgana, This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

A print of the Union Civil War fleet of ironclads under the command of Rear Admiral David.D.Porter. The names of the ships are printed below the image: Brooklyn; Ironsides; Juniata; Tacony; Malvern; Canonicus - Lieut.Comdr.Geo. E. Belknap; Mahopac - Lieut.Comdr. E.E. Potter; Saugus - Commander E.R. Colhoun; Monadnock - Commander E.G. Parrott. Print is dedicated to G.V. Fox, Assistant Secretary of the Navy by the publishers. Title continues: Forming part of the fleet of Rear Admiral D.D. Porter, U.S.N., riding out of a gale wind at anchor off Fort Fisher, Coast of North Carolina, Dec.21, 1864.

The bombardment of Fort Fisher by the U.S. Naval Forces "under command of Rear Admiral D.D. Porter just previous to the assault of the military and naval forces under command of Major Gen. A.H. Terry." The mound battery from which the Confederate troops defended themselves with cannon from the attacking Federal fleet lined up in the port is shown in the foreground. Wounded men are being carried from the mound while others lie wounded. A Confederate flag flies over the mound. From a drawing by J.M. Alden. The print is dedicated by the publishers "to the gallant officers and men whose valor and skill secured the victory." The Federal army captured Fort Fisher with the cooperation of the navy during this engagement which effectively closed the port to blockade runners.

Letter written in black ink on off-white lined paper.