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Folio of compositions with short written introduction. Included works: Hope (album) for piano/string quartet and optional live ambient effects Where We Were for piano/classical guitar A Group of Kalutara Peasants (from 'The Glasshouse') for piano and mixed quintet J.F.W. Herschel (from 'The Glasshouse') arranged for Symphony Orchestra These works explore individual and collective experiences during the 2020 Covid pandemic and Black Summer bushfires in Victoria. The included works explore neoclassical ostinati, improvisation within classical composition, jazz harmony, suspensions, neo-impressionistic acoustic and electro-acoustic ambience.

The theme of the song Lonely Woman by Ornette Coleman and the song It’s Halloween by The Shaggs has something in common when it comes to how the different instruments relate rhythmically to each other. I would call it a musical quality that could be described as a feeling of ungraspability. I had this quality in focus during a process of listening to music, writing music and playing music. To describe the cause of this quality I felt the need to define two concepts I named 1) rubato structures; rhythmic structures that aren’t based on, nor establish a steady pulse, and 2) tempo structures; rhythmic structures that are based on and establishes a steady pulse. Throughout the project I identified the cause of the quality, to be combinations of rubato structures and tempo structures, however my understanding developed during the project to a more specific definition which was layers of rubato structures and tempo structures. In the 6 compositions that this project resulted in, I created a number of musical situations with my group, which all had these elements. When listed, these situations rather systematically go through ways of combining structures in regards to different parameters. When listened to, at least for me, several of them give rise to the feeling of ungraspability I had in focus. My attempts to describe and analyze the many inspiring examples stretching from Charles Ives to Swedish contemporary vocal folk music, helped me to develope tools for making music of my own, rather than resulting in some objective truth, or a system for describing and analyzing music that would work objectively. One thing I would consider objectively true, however, is that there are a lot of different ways of creating rhythmic complexity, where some ways are very tedious and difficult for the musicians. With rhythmic layers of rather simple structures, containing rubato structures, I can create rhythmic complexity beyond the quantifiable, just by putting the human impulses in con, Bilaga: CD

The theme of the song Lonely Woman by Ornette Coleman and the song It’s Halloween by The Shaggs has something in common when it comes to how the different instruments relate rhythmically to each other. I would call it a musical quality that could be described as a feeling of ungraspability. I had this quality in focus during a process of listening to music, writing music and playing music. To describe the cause of this quality I felt the need to define two concepts I named 1) rubato structures; rhythmic structures that aren’t based on, nor establish a steady pulse, and 2) tempo structures; rhythmic structures that are based on and establishes a steady pulse. Throughout the project I identified the cause of the quality, to be combinations of rubato structures and tempo structures, however my understanding developed during the project to a more specific definition which was layers of rubato structures and tempo structures. In the 6 compositions that this project resulted in, I created a number of musical situations with my group, which all had these elements. When listed, these situations rather systematically go through ways of combining structures in regards to different parameters. When listened to, at least for me, several of them give rise to the feeling of ungraspability I had in focus. My attempts to describe and analyze the many inspiring examples stretching from Charles Ives to Swedish contemporary vocal folk music, helped me to develope tools for making music of my own, rather than resulting in some objective truth, or a system for describing and analyzing music that would work objectively. One thing I would consider objectively true, however, is that there are a lot of different ways of creating rhythmic complexity, where some ways are very tedious and difficult for the musicians. With rhythmic layers of rather simple structures, containing rubato structures, I can create rhythmic complexity beyond the quantifiable, just by putting the human impulses in con, Bilaga: CD

The article examines Baroque references in three Trajković’s compositions: Arion, Le nuove musiche per Chitarra ed Archi op. 8 (1979), Le retour des zéphyres ou ‘Zefi ro torna’ op. 25 (2001) and solo song Renouveau from the cycle Cinq poèmes de Stéphane Mallarmé op. 29, in its version for voice, fl ute and piano (2003), all these compositions being unified by the idea of modernity and novelty, metaphorically contained also in the idea of renewal of nature, which connects music of the moderns from the beginning of the 17th century and Trajković’s search for new paths in music, opposite to ‘gothic’ tangles of the Avant-garde. Complex and multi-layered, the references to the Baroque era in Trajković’s works reflect fundamentally generic, archetextual relations. Compositions Arion and Zefi ro torna are set upon explicit references to Italian origins of the Baroque epoch, in theoretical, as well as in the creative domain (to Caccini’s collection of madrigals - Le Nuove Musiche, 1601, and Monteverdi’s madrigal Zefi ro torna, 1614, after Petrarch’s sonnet). Zefi ro torna, with a primarily French title and subtitles of the ‘scenes’ given after antique mythological sources, indicates, again, a twofold generic relation: to the Italian madrigal tradition (including another Monteverdi’s madrigal with the same title composed after Rinuccini’s sonnet, from 1632) and the French tradition of opera/ballet, additionally mediated by references to the opuses of Debussy and Ravel. Multiple literary and musical trans-historical relations can be observed in the solo song Renouveau. However, from these compositions, implicit generic relations, far more than explicit para-textual references, with the whole corpus of themes, forms, texts, discourses as well as crucial poetic concepts of the 17th-century music can be inferred., Članak je usmeren na razmatranje baroknih referenci u tri Trajkovićeve kompozicije: Arion, Le nuove musiche per Chitarra ed Archi op. 8 (1979), Le retour des zéphyres ou ‘Zefi ro torna’, op. 25 (2001) i u pesmi Renouveau iz ciklusa Cinq poèmes de Stéphane Mallarmé, op. 29 u verziji za glas, flautu u klavir (2003). Sve kompozicije su objedinjene idejom modernosti i novine, metaforički sadržanom i u ideji obnavljanja prirode, koja povezuje muziku modernih na početku XVII veka i Trajkovićevo traganje za novim putevima muzike u odnosu na ‘gotičke’ zaplete avangarde. Složene i višestruke, reference na barokno doba muzike u Trajkovićevim delima odražavaju bitno generički, arhitekstualni odnos. Kompozicije Arion i Zefi ro torna postavljene su na eksplicitnim referencama na italijansko izvorište barokne epohe, kako u teorijskom, tako u stvaralačkom domenu (na Kačinijevu /Caccini/ zbirku madrigala Le Nuove Musiche, 1601, i Monteverdijev madrigal Zefi ro torna /1614/ prema sonetu Petrarke). Zefi ro torna, s primarno francuskim naslovom i podnaslovima ‘scena’ prema antičkim mitološkim izvorima, upućuje, opet, na dvostruki generički odnos prema italijanskoj madrigalskoj tradiciji i francuskoj tradiciji opere/baleta, dodatno posredovan referencama na stvaralaštvo Debisija (Debussy) i Ravela (Ravel). Višestruke literarne i muzičke transistorijske veze ostvaruju se u pesmi Renouveau. No, u ovim kompozicijama se, mnogo više od ekspliciranih paratekstualnih referenci, ostvaruje implicitan, generički odnos s čitavim korpusom tema, formi, tekstova, diskursa, kao i bitnih koncepata muzike XVII veka.

El presente texto es una relatoría del proceso compositivo de la obra Tres ostinatos concertantes, escrita para guitarra y orquesta. Está dividido en capítulos que corresponden a los diferentes momentos creativos: el momento de concepción de la obra, las acciones preliminares o momento pre-compositivo y la composición propiamente dicha de cada uno de los tres movimientos., 56 p., partituras 92 p., Contenido parcial: Primer movimiento: Contra-tiempo – Segundo movimiento: Passacaglia -- Tercer Movimiento: Chispas.

Este artículo propone actividades lúdicas de composición a partir de pequeños ejemplos extraídos de las cantatas de J.S.Bach

Tato diplomová práce se zabývá tvorbou nestandardních datových toků, které obsahují skrytou informaci. Pro generování takových paketů je využíván nástroj Ostinato, ve kterém lze volit protokoly na jednotlivých vrstvách síťového modelu TCP/IP dle preferencí, přidávat a libovolně upravovat jednotlivé bajty dat pomocí polí HexDump. Pro skrytí dat jsou využívána různá pole na vrstvě síťové, transportní i aplikační. Vygenerované varianty paketů jsou snadno modifikovatelné a mohou sloužit například jako zadání projektů pro předměty Komunikační technologie a Pokročilé komunikační techniky vyučované na VUT. Kromě návrhu datových toků jsou také testovány limitace velikostí vkládaných dat u jednotlivých možností. Funkčnost generovaných paketů je ověřována programem Wireshark. Výsledkem je celá řada souborů formátu .ostm a .pcapng včetně textového souboru s jejich přehledným popisem., This diploma thesis is aimed at the process of generating non-standard data streams that contain hidden information. For this purpose a software called Ostinato is used. Ostinato allows to select protocols on the individual layers of the TCP/IP network model according to the needs and preferences, and moreover, data bytes can be inserted and modified arbitrarily using the HexDump fields. Various fields of the TCP/IP protocols are used to hide data on the network, transport and application layers. The generated data packets can be easily modified which enables to create several other versions of them. These can serve, for example, as a semestral project assignment for the subjects Communication Technology and Modern Communication Techniques taught at BUT. In addition, the size limits of the inserted data of the individual data packet options are tested. The functionality of the generated packets is verified by Wireshark. As a result, several .ostm and .pcapng files including a text file with their clear description are provided.

Tato diplomová práce se zabývá tvorbou nestandardních datových toků, které obsahují skrytou informaci. Pro generování takových paketů je využíván nástroj Ostinato, ve kterém lze volit protokoly na jednotlivých vrstvách síťového modelu TCP/IP dle preferencí, přidávat a libovolně upravovat jednotlivé bajty dat pomocí polí HexDump. Pro skrytí dat jsou využívána různá pole na vrstvě síťové, transportní i aplikační. Vygenerované varianty paketů jsou snadno modifikovatelné a mohou sloužit například jako zadání projektů pro předměty Komunikační technologie a Pokročilé komunikační techniky vyučované na VUT. Kromě návrhu datových toků jsou také testovány limitace velikostí vkládaných dat u jednotlivých možností. Funkčnost generovaných paketů je ověřována programem Wireshark. Výsledkem je celá řada souborů formátu .ostm a .pcapng včetně textového souboru s jejich přehledným popisem., This diploma thesis is aimed at the process of generating non-standard data streams that contain hidden information. For this purpose a software called Ostinato is used. Ostinato allows to select protocols on the individual layers of the TCP/IP network model according to the needs and preferences, and moreover, data bytes can be inserted and modified arbitrarily using the HexDump fields. Various fields of the TCP/IP protocols are used to hide data on the network, transport and application layers. The generated data packets can be easily modified which enables to create several other versions of them. These can serve, for example, as a semestral project assignment for the subjects Communication Technology and Modern Communication Techniques taught at BUT. In addition, the size limits of the inserted data of the individual data packet options are tested. The functionality of the generated packets is verified by Wireshark. As a result, several .ostm and .pcapng files including a text file with their clear description are provided.

Tato diplomová práce se zabývá tvorbou nestandardních datových toků, které obsahují skrytou informaci. Pro generování takových paketů je využíván nástroj Ostinato, ve kterém lze volit protokoly na jednotlivých vrstvách síťového modelu TCP/IP dle preferencí, přidávat a libovolně upravovat jednotlivé bajty dat pomocí polí HexDump. Pro skrytí dat jsou využívána různá pole na vrstvě síťové, transportní i aplikační. Vygenerované varianty paketů jsou snadno modifikovatelné a mohou sloužit například jako zadání projektů pro předměty Komunikační technologie a Pokročilé komunikační techniky vyučované na VUT. Kromě návrhu datových toků jsou také testovány limitace velikostí vkládaných dat u jednotlivých možností. Funkčnost generovaných paketů je ověřována programem Wireshark. Výsledkem je celá řada souborů formátu .ostm a .pcapng včetně textového souboru s jejich přehledným popisem., This diploma thesis is aimed at the process of generating non-standard data streams that contain hidden information. For this purpose a software called Ostinato is used. Ostinato allows to select protocols on the individual layers of the TCP/IP network model according to the needs and preferences, and moreover, data bytes can be inserted and modified arbitrarily using the HexDump fields. Various fields of the TCP/IP protocols are used to hide data on the network, transport and application layers. The generated data packets can be easily modified which enables to create several other versions of them. These can serve, for example, as a semestral project assignment for the subjects Communication Technology and Modern Communication Techniques taught at BUT. In addition, the size limits of the inserted data of the individual data packet options are tested. The functionality of the generated packets is verified by Wireshark. As a result, several .ostm and .pcapng files including a text file with their clear description are provided.