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1. THE PHASE PROJECT : HAPTIC AND VISUAL INTERACTION FOR MUSIC EXPLORATION

2. THE PHASE PROJECT : HAPTIC AND VISUAL INTERACTION FOR MUSIC EXPLORATION

3. Improving score to audio alignment: Percussion alignment and Precise Onset Estimation

4. Detection and modeling of fast attack transients

5. Physical Models of Trumpet-like Instruments, Detailed Behavior and Model Improvements

6. Xspect: A New X/Motif Signal Visualization and Editing Program

7. Macintosh Graphical Interface and Improvements to Generalized Diphone Control and Synthesis

8. Stability/Instability of Periodic Solutions and Chaos in Physical Modles of Musical Instruments

9. Flexible Yet Controllable Physical Models: A Nonlinear Dynamics Approach

10. Fundamental Frequency Estimation Using a New Harmonic Matching Method

11. Automatic Timbral Morphing Of Musical Instruments Sounds By High-Level Descriptors

12. Automatic Timbral Morphing Of Musical Instruments Sounds By High-Level Descriptors

13. Evolutionary Spectral Envelope Morphing by Spectral Shape Descriptors

14. Evolutionary Spectral Envelope Morphing by Spectral Shape Descriptors

15. COMPUTER-AIDED ORCHESTRATION BASED ON PROBABILISTIC INSTRUMENTS MODELS AND GENETIC EXPLORATION

16. COMPUTER-AIDED ORCHESTRATION BASED ON PROBABILISTIC INSTRUMENTS MODELS AND GENETIC EXPLORATION

17. Panel: Standards from the Computer Music Community

18. Panel: Standards from the Computer Music Community

19. Instrument Recognition Beyond Separate Notes - Indexing Continuous Recordings

20. Sound Analysis and Processing with AudioSculpt 2

21. Signal decomposition by means of classification of spectral peaks

22. Studies and Improvements in Automatic Classification of Musical Sound Samples

23. Discrete Cepstrum Coefficients as Perceptual Features

24. Signal-based Music Structure Discovery for Music Audio Summary Generation

25. Automatic Estimation of Control Parameters: An Instance-Based Learning Approach

26. Trumpet and Trumpet Player: Model and Simulation in a Musical Context

27. Gestural Control at IRCAM

28. Synthesizing a choir in real-time using Pitch Synchronous Overlap Add (PSOLA)

29. On the Choice of Transducer Technologies for Specific Musical Functions

30. SINOLA: A New Analysis/Synthesis Method using Spectrum Peak Shape Distortion, Phase and Reassigned Spectrum

31. Friction and Application to Real-time Physical Modeling of a Violin

32. Gestural Control of a Real-Time Physical Model of a Bowed String Instrument

33. Spectral Envelope Estimation and Representation for Sound Analysis-Synthesis

34. Timbre Recognition with Combined Stationary and Temporal Features

35. New Applications of the Sound Description Interchange Format

36. Statistical Modeling of Sound Aperiodicities

37. Sound Signals Decomposition Using a High Resolution Matching Pursuit

38. Defining Spectral Surfaces

39. Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes

40. Efficient Fourier Synthesis of Nonstationary Sinusoids

41. A Virtual Castrato (!?)

42. State Space Models for Wind-Instrument Synthesis

43. UDI: A Unified DSP Interface for Sound Signal Analysis and Synthesis

44. An Improved Cepstral Method for Deconvolution of Source-Filter Systems with Discrete Spectra: Application to Musical Sound Signals

45. High Quality Synthesis-by-Rule of Consonants

46. Dynamic Patches: Implementation and Control in the SUN-Mercury Workstation

47. The use of Prony's Method for the Analysis of Musical Sounds. Application to Percussive Sounds

48. Sound Synthesis by Physical Models: Application to Strings

49. A Sun-Mercury Music Workstation

50. Physical Models of Instruments: A Modular Approach, Application to Strings

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