Search

This paper considers the film Frozen River (2008) for the purpose of considering how the US-Canadian border is dramatised within the context of two women caught up in a illicit trading of migrants via a Native American Reservation. Re-calibrating more mainstream Hollywood's fascination with the United States' southern border, Frozen River usefully focuses attention on two areas that deserve further reflection namely the materiality of borders and border crossings and biopolitics. The paper concludes with some reflections on how borders, biopolitics, dispossession and sovereignty need further theorization by political geographers and other scholars. [ABSTRACT FROM AUTHOR]

Recent Canada–US ‘Beyond the Border’ negotiations have been accompanied by a highlighting of the issue of unauthorised crossings at the Canada–US border. In this paper, I offer some grounded contextualisation of this current politicisation by drawing upon press reports and interviews to document Canadian border-resident and press constructions of unauthorised crossings in one Canada–US border region in the late 1990s to mid-2000s. The evidence suggests that there is widespread local awareness of these crossings, including the dangers and sometimes death faced by would-be migrants. The analysis explores why this knowledge has not served to challenge still-dominant constructions of a ‘benign’ Canada–US border and/or ongoing projects of border securitisation. [ABSTRACT FROM AUTHOR]