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The article focuses on the evolution and characteristics of the sharksploitation genre, which has transformed the shark from a natural predator into a multifaceted monster, appearing in a variety of outlandish and horror-infused scenarios. It traces the genre's origins from the classic Jaws, exploring how the shark has been portrayed as everything from a zombie and extraterrestrial being to a reanimated creature, reflecting a blend of horror and comedy.

A personal narrative is presented which explores the authors experience of reading classic haiku literature, numerous essays, anthologies, and journals, eventually leading to the publication of two haiku collections.

Many reasons exist for the popularity of the Cactaceae. At our botanic garden, we witness how visitors get fascinated by their robust and harmonious beauty, bright-colored flowers, and remarkable adaptations to rough environments. We have used poetry to raise awareness of the threatened Cactaceae species, with a temporary exhibition of Haikus. They are written, naturally, in Spanish. [ABSTRACT FROM AUTHOR]

This article from Quilting Arts Magazine explores the concept of fabric haiku, which are small quilts inspired by the traditional Japanese poetry form. The author discusses how the structure and limitations of haiku can be applied to art quilting, emphasizing the importance of play and experimentation. The article provides step-by-step instructions for creating fabric haiku, including selecting fabrics, creating backgrounds and middle grounds, and adding focal points. The author also highlights the impact of fabric haiku on larger works and the benefits of observing nature for inspiration. [Extracted from the article]

This article explores the use of haiku poetry as a teaching technique in the School of Advanced Military Studies (SAMS) at the U.S. Army's Command and General Staff College. The instructors at SAMS utilized haiku poetry to foster intellectual creativity among students in analyzing and resolving issues in military campaign planning. The students were tasked with creating visual models and writing haiku poems that conveyed the meaning of their classmates' models. The use of haiku aimed to promote simplicity and effective communication of complex concepts. The feedback from students was largely positive, with many recognizing the exercise as a way to cultivate creativity and interdisciplinary thought. The article emphasizes the versatility of haiku poetry as a tool for education and training purposes. [Extracted from the article]

robert lowesHAIKU vine, you’ve climbed to the top of the trellis — now bloom 140 december L O W E S 141 sunlit trail a falling leaf meets its shadow a bench on the trail with a plaque, a name… the bluebells she saw 142 december L O W E S 143 celebrating itself… a red and white traffic cone [Extracted from the article]

The article provides an overview of the traditional Maltese music genre called ghana, which combines influences from both European and Islamic cultures. Ghana has recently gained recognition and has been added to UNESCO's intangible cultural heritage list. The music is characterized by high-pitched vocals and poetic lyrics, and it has been modernized to suit the digital age. The article also mentions efforts to revive and expand the audience for ghana through events like the Ritmu Roots Festival, which takes place annually in May. Additionally, the article highlights a song called "Lament" by Etnika, which is featured on a current compilation. [Extracted from the article]

This article discusses Rody Gorman's new book, "Sweeney: An Intertonguing," which is a retelling of the medieval Irish tale, Buile Shuibhne or The Frenzy of Suibhne. The author explores why another version of this story is necessary and why Gorman's approach is unique. Gorman incorporates multiple languages, including Irish, Gaelic, and English, and introduces his own invention called Sweeneese. The article praises Gorman's linguistic dexterity and poetic mastery, highlighting the richness and depth of his retelling. [Extracted from the article]

Mathematics and poetry have more in common than one might think, according to Peter Rowlett. While mathematics is often seen as logical and separate from creative pursuits, it actually requires a great deal of creativity. Poetry, like math, follows rules and constraints that enhance its creativity. For example, rhyme schemes in poetry can be counted using Bell numbers, which count the ways of dividing up a set of objects. Additionally, Sanskrit poetry uses different syllable weights, which correspond to Fibonacci numbers. Not all poetry rhymes, and there are various ways to constrain writing, such as the haiku. Some mathematicians have even created a π-ku, a three-line poem based on the approximation of pi as 3.14. [Extracted from the article]

The article discusses the life and work of Raymond Roseliep, a Catholic priest and highly regarded haiku poet born in Farley, Iowa, in 1917. It explores Roseliep's unconventional approach to haiku, his spiritual connection to poetry, and his later years as a chaplain to retired Franciscan sisters after a nervous breakdown. Topics include Roseliep's unique style within the haiku genre, his challenges in adhering to traditional rules, and his eventual shift from long-form poetry to the concise.

This article discusses the importance of creating a meditation space, regardless of one's living situation. The author shares personal experiences of encountering meditation spaces in various locations, including their own apartment. They provide suggestions for setting up a meditation space, such as selecting a quiet area, incorporating nature, personalizing the space, and keeping it clean. The article also addresses the challenges faced by people dealing with homelessness and confinement, offering suggestions for creating a meditation space in those situations. The author emphasizes that mindfulness and meditation can be practiced anywhere, and finding moments of peace and centeredness can be beneficial even in confined spaces. [Extracted from the article]

Certainly Jill, the woman who was the inspiration for Dorothy, she said she wasn't going to stay in the back. Jill, the Dorothy character, she was, "To hell with this!" Creating STRUCTURE When I reach novelist and poet Luis Alberto Urrea, he and his wife and research partner Cindy are fresh off another Zoom call with his book marketing team in New York, working out the plan for his newest novel, Good Night, Irene. Yet the story also remains firmly in Urrea's wheelhouse of writing about his family history - Irene is based on his mother who was a "Donut Dolly.". [Extracted from the article]

The article focuses on the significance of haiku poetry and its ability to capture solitude and loneliness, explores the origins of haiku in renga, the importance of silence and absence in haiku, and the transformative power of haiku when combined with other forms of poetry.

The article in Quilting Arts Magazine features responses from readers who were asked to share their work and experiences related to the changing season into fall. One reader created a wall hanging featuring Oriental poppies to enjoy throughout the fall and winter. Another reader expressed gratitude for an article on haiku Japanese poetry and even wrote a poem inspired by it. The article also presents a prompt for readers to share their thoughts on quilt giving and includes instructions for submitting their responses and photos. The magazine encourages readers to share their current projects, how Quilting Arts has inspired them, and the techniques they are exploring. [Extracted from the article]

This article, titled "To Wind," is a poem written by Jack Aronian, a 14-year-old from Connecticut. The poem expresses gratitude towards the wind for its presence during the spring season. Aronian reflects on how the wind cools them down and appreciates its ability to make trees sway. The author also mentions their interest in nature and their background working on farms. The poem highlights the importance of small details in the outdoors and the impact of weather on nature and humanity. [Extracted from the article]

I wake up and seeRain hitting my windowRepelled by the treesWind blowingLeaves quiveringSpiraling through the airAs though caught by an invisible whirlpoolThe constant rapOf thunder re-echoingIn the breezeThe white flash andClap of lightningThe joy of splashing throughDense muddy puddlesThe clouds releasingAll their stored anger and beauty [Extracted from the article]

short for sometall for othersdue to seasonschanging its colorssmell the greenknow its feelperceive the texturelaps your heelbillions of bladesborn every daydouble that amountmowed down anywaykindergartenersor gradesone through fiveconstantly ripand tear them alivewatch them flythrough the skystill carrying clumps of their housesway up highreproduced in plasticand rubber dirtcutter-mobilesconstantly alertall aroundnone appreciatewithout theminevitable fateOwl in Scope by Jack Aronian [Extracted from the article]

The article discusses magician Benjamin Rucker's writing journey including the time of COVID-19 pandemic when he became more aware of nature while writing in the backyard and also started writing haiku and learnt more about haiku from reading Richard Wright's work.