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The article focuses on recent theories of faciality and the role of the face in contemporary media culture, particularly in the context of digital technologies and their impact on subjectivity, relationality, affect, and politics.

This article analyzes the differences and overlaps between the dynamics of coloniality and inter-imperiality that have shaped Transylvania since the sixteenth century vis-à-vis neighboring European peripheries and shifting cores, zooming in on how the tensions between different modes of colonial and imperial rule play out in rural settings. We foreground the vantage point of the rural by focusing on a Transylvanian village in 1920 as a global countryside.