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Some key concepts of Greek political life find their first mention in the Homeric poems, albeit applied to realities very different from those that characterised the polis. These are the contexts in which we see the army united in assembly, referred to as the agora, or the Trojan elders facing Priam, or the description of Achilles' shield forged by Hephaestus. Gradually, democratía, which appears as a value in Herodotus' thought, takes on a different content and is emptied of its original meaning to become a regime that asserts the right of the strongest. Finally, if it is true that Greek historicalpolitical reflection provides the fundamental lexicon, it is also true that the meaning of the words, that is, the political profile they describe, evolves profoundly and arrives at radically different contents in the modern and contemporary world. [ABSTRACT FROM AUTHOR]

The paper presents the study of the process of decodification of Francesco Petrarca's Canzoniere by a third-grade class of the Convitto nazionale Pietro Longone’s high school, in Milan. The school is attended by the ballet pupils of the Accademia la Scala. The proposal took place in an ideal context, favored by the participation in the competition “Quando i ragazzi ci insegnano”, organized by the Italian Ministries of Culture, Education and Foreign Affairs. The class's confrontation with the poetic text arose from an element common to dance and poetry: technique. In the contribution, it is hypothesized how familiarity with technique, present in the strenuous daily practice of ballet pupils, can foster in students an immediate understanding of its function in the work of layering poetic communication. [ABSTRACT FROM AUTHOR]

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Barbara Kruger’s works are composed of recovered images to which the artist adds short texts that alter their meaning. With these works, which resemble real "manifestos", Barbara Kruger intends to provoke a reflection on some social issues and on the most widespread clichés of modern society, always finding a synthesis halfway between the initial smug smile and the final inexorable awareness. Thanks to the collection of information on the American artist, it is possible for students to experiment with a relationship between words and images that is functional to the expression of a personal elaboration, creating contrasting and incisive combinations to reflect on stereotypes related to the female world. [ABSTRACT FROM AUTHOR]

The article traces the critical success of Manzoni's early sonnet Autoritratto, comparing it with the illustrious precedents of Alfieri and Foscolo, whose similarities and divergences are examined. A poetic personality emerges certainly immature, but original and determined to reject hypocrisy, moral rectitude, the search for truth and poetic glory, elements that will return to the foreground in the most mature and famous verses In morte di Carlo Imbonati. [ABSTRACT FROM AUTHOR]

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper presents objectives and contents of a teaching unit carried out with a 5th grade class at "Carlo Alberto" Classical and Linguistic High School in Novara, in the second semester of the school year 2021-2022. [ABSTRACT FROM AUTHOR]

This work aims to analyse the relationship between adolescents and the sea in Sandro Penna’s educational narrative and poetry, with the theoretical support of developmental pedagogy and of outdoor education. [ABSTRACT FROM AUTHOR]

Many experiences in the social, cultural and educational fields show the benefits that the Fahrenheit 451 Project (book people) can bring to citizens. It is time to implement this project in a systematic and simple way in public libraries and offer the Book People Friendly Libraries Network. It is a web tool that makes it easier for people working in libraries to share this project with their community, to establish contact with other libraries and communities, and to find ways to organize different sections in their library, such as: book women, book young people, book families, story book people, poetry book people, Machado book people, etc. [ABSTRACT FROM AUTHOR]

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ausa is the property of Patronat d'Estudis Osonencs and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article proposes to identify the mystical elements and motifs related to wine and its symbolism in the film Sayat Nova. The colour of pomegranates(Paradjanov, 1969) through the analysis of the poetic work –in this case written in Armenian–of the Armenian troubadour Sayat Nova, around whom the film revolves. We also proceed to the analysis of the motifs of different mystical texts of reference from mystical doctrines (Orthodox Christianity and Sufism) of the time and the poet's environment –which appear, firstly, on the poetic plane, and later, on the cinematographic plane. The symbols of mysticism reviewed are linked with aspects of the ethnographic tradition of the South Caucasus area (Armenia, Georgia, Azerbaijan), so that the iconographic codes of folklore and myths coexist in the cinematographic medium with those of the mystical universe, where wine is equivalent to the joy of the spirit and knowledge. [ABSTRACT FROM AUTHOR]

Reading is an utmost creation activity that connects the reader and the culture, with an inner world that uplifts and delights. Reading makes us change and evolve; reading makes us grow. We can teach how to decipher codes but the most important thing is to build and increase the culture and the textual significance so that the model reader can apply this knowledge to their opportunities as a social being. Thus, an ecocritical approach to reading stands for the idea of a textual sense that develops the reader's view and also raises awareness. [ABSTRACT FROM AUTHOR]

POETAS2030 is a cultural initiative intended to combine the United Nations 2030 Agenda for Sustainable Development Goals with the expressive ability of art and culture through one of their numerous expressions: the word. The project is aimed at children between the ages of 6 and 12. It comprises two tools that are adapted to the age of the participants (participatory workshops from 6 to 12 years old, and children's tales from 8 to 12 years old). They serve to introduce children to the 17 Sustainable Development Goals in an entertaining and enjoyable way. This project aims at the empowerment of children in their role as reality storytellers. To that end, it facilitates children's connection with their own resources to express their relation with their surroundings, based on a sense of membership where all of us are relevant actors. [ABSTRACT FROM AUTHOR]

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ausa is the property of Patronat d'Estudis Osonencs and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Atenea (07180462) is the property of Universidad de Concepcion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Cirlot's poetry is set at the intersection of avant-garde writing with an archaeological feeling. In his work, the myth, the word, the story, are like the remains of a forgotten text that had been exhumed from a past time, a dead text. This text may be shaped as an archaeological ruin, a text that becomes full in autonomy and meaning, clashing with the alive and broken consciousness of the contemporary man. The figure of a woman goes through his writings, a Goddess connected to several key topics: the closed room, the loss, the sea, the sacrifice. As the work of Cirlot grows, the presence of the Goddess comes in a crescendo weighing the reader down, while thematic issues linked to her intertwine themselves again and again. The outcome consists of inaccessible poems that fascinate because of their formal construction and the complexity of the symbolic construction of their images and their language. [ABSTRACT FROM AUTHOR]

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article analyses the notion of cities "of water" created by poet Raúl Zurita in the book "Las ciudades de agua" in which urban landscapes are poeticized in a completely original manner.

Copyright of Ausa is the property of Patronat d'Estudis Osonencs and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ausa is the property of Patronat d'Estudis Osonencs and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ausa is the property of Patronat d'Estudis Osonencs and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Visión de Enfermería Actualizada is the property of Asociacion de Clinicas, Sanatorios & Hospitales Privados de la Republica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ausa is the property of Patronat d'Estudis Osonencs and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ausa is the property of Patronat d'Estudis Osonencs and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article is reprinted from the September 1943 issue of the journal. It discusses the musicality of poetry, citing the importance of meter and poetic structure. The author also comments on the relationship between poetry and conversation. The use of colloquial language in poetry and the versification of poetic works are also analyzed.

Copyright of Anales de la Literatura Española Contemporánea is the property of Temple University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)