26 results
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2. Move Over, Humble Doily: Paper Does a Star Turn.
- Author
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Rosenberg, Karen
- Subjects
- *
EXHIBITIONS , *ART exhibitions , *PAPER arts , *PAPER - Abstract
Is paper passe? Your answer will most likely depend on whether you're reading this sentence on newsprint or on a screen. But it's safe to say that artists and designers aren't ready to quit the stuff, at least by the measure of the latest show at the Museum of Arts and Design. They are, however, willing to pierce, shred, carve and slice it. ''Slash: Paper Under the Knife,'' the third show in the museum's Materials and Process series, explores the sometimes violent, always intricate art of paper cutting. (It follows ''Radical Lace and Subversive Knitting'' and ''Pricked: Extreme Embroidery'' in 2007 and 2008.) [ABSTRACT FROM PUBLISHER]
- Published
- 2009
3. 'Works on Paper.'.
- Author
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Glueck, Grace
- Subjects
- *
ART exhibitions , *EXHIBITIONS - Abstract
Reviews the art exhibition 'Works on Paper,' at the Seventh Regiment Armory in New York City.
- Published
- 2002
4. The Clues Left Behind in Works on Paper.
- Author
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Rosenberg, Karen
- Subjects
- *
EXHIBITIONS , *ART exhibitions - Abstract
The brevity of Ree Morton's art career had little to do with the usual reasons for the disappearance of talented women. Morton had married and started a family before she became a full-time artist in the late 1960s, taking just a decade to get up to speed with all the major ''isms.'' She had a show at the Whitney Museum of American Art and an installation at the South Street Seaport and was the subject of an Artforum essay by the influential critic Lucy Lippard. Then in 1977 -- just shy of her 41st birthday -- Morton died in a car accident. Her death, coming not long after those of Eva Hesse in 1970 and Robert Smithson in 1973, dealt another cruel blow to postminimal sculpture. The art world recognized her achievements with a Morton retrospective at the New Museum in 1980. [ABSTRACT FROM PUBLISHER]
- Published
- 2009
5. Douglas Florian: 'Letting in the Light'.
- Author
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Smith, Roberta
- Subjects
- *
ART exhibitions , *EXHIBITIONS - Abstract
The artist and poet Douglas Florian is best known for writing and illustrating award-winning children's books that are wittily educational, especially about animals. Working in gouache with collage, he depicts just about anything with an impressive combination of accuracy and improvisation and is similarly free with language. Mr. Florian, who always works on paper bags, has shown in art galleries since 1985, presenting work that is generally more abstract if no less playful than his illustrations. Here his excellent eye for color shines, and an organic multiculturalism is given full expression. Tantra, Elizabeth Murray, maps, free-range calligraphy, Marimekko handmade wrapping paper and Gerhard Richter all come to mind in this show of 33 small paintings, most done this year. [ABSTRACT FROM PUBLISHER]
- Published
- 2010
6. Crayons and Legos: A Designer's Tools.
- Author
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Wadler, Joyce
- Subjects
- *
ART exhibitions , *EXHIBITIONS - Abstract
THURSDAY night is gallery trolling night in Chelsea, so it was not surprising last week to find a crowd upstairs at the Max Lang gallery, examining the early works of the interior designer Scott Sanders. Under the proud eye of the curator, Shirley Sanders, the crowd examined drawings like ''Self-Portrait With Rosy Cheeks,'' a crayon on paper, from 1969, which showed a grinning little boy in dark glasses who looked eerily like the 47-year-old Mr. Sanders looks today; ''Colonial Home,'' a ballpoint pen on paper, from 1977; and ''Mega Mansion,'' a marker-pen drawing on paper, from 1975, of a great house set on a hilly landscape. [ABSTRACT FROM PUBLISHER]
- Published
- 2010
7. Finding Stimulation Along the Edges.
- Author
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COTTER, HOLLAND
- Subjects
- *
ART exhibitions , *ART museums , *ARTISTS , *EXHIBITIONS - Abstract
The article focuses on the trends and activities of various art institutions in the U.S. in 2012. It says that Metropolitan Museum of Art (MoMA) remains silent over its plans for the Whitney's Breuer Building. It discusses various art shows in 2012 including shows featuring the works of Richard Artschwager and Yayoi Kusama at the Whitney Museum, the "Joseph Albers in America: Painting on Paper" exhibition at the Morgan Library & Museum, and the "Tokyo 1955-1970: A New Avant-Garde" show at MoMA.
- Published
- 2012
8. Highlighting Influence of Asia Behind Artwork.
- Author
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Vogel, Carol
- Subjects
- *
ART exhibitions , *ARTISTS , *CHINESE painting , *EXHIBITIONS ,PARK Avenue (New York, N.Y.) - Abstract
Exhibitions at Asia Society often reveal an unfamiliar dimension to an artist's work. When the society presented a show about the Japanese neo-Pop artist Yoshitomo Nara last year, for example, it examined how his passion for music influenced his art. A new exhibition by the installation artist Sarah Sze will explore her process and her interest in traditional Chinese painting. ''Sarah Sze: Infinite Line,'' which runs Dec. 13 to March 25, will focus specifically on the artist's works on paper. And for the first time, Asia Society's large window facing Park Avenue, by 70th Street, will be uncovered so that passers-by will be able to see a site-specific installation Ms. Sze (pronounced ZEE) has created for the space. [ABSTRACT FROM AUTHOR]
- Published
- 2011
9. Sample Sale.
- Author
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Viladas, Pilar
- Subjects
- *
ART exhibitions , *ART museums , *WALLPAPER , *EXHIBITIONS - Abstract
The article presents information related to the "Multiple Choice: From Sample to Product," exhibition, which is scheduled to take place on November 9, 2007 at the Smithsonian's Cooper-Hewitt National Design Museum in New York. The exhibition is reported to show instances from the museum's collection of wallpaper and fabric sample books, sample ceramic plates and other items. Lucy Commoner, the museum's head of conservation, talked about the beauty and modernity of objects to be exhibited.
- Published
- 2007
10. Galleries: SoHo.
- Subjects
- *
ART exhibitions , *ART previews , *EXHIBITIONS , *ARTISTS - Abstract
Presents several art exhibitions in New York. "Two Sculptures for a Room by Palermo," by Gerhard Richter; Works of artists Richard Artschwager and Ed Ruscha; "Works on Paper, 1957-1964," by Robert Ryman.
- Published
- 2004
11. How Noguchi shed light on light itself.
- Author
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Muschamp, Herbert
- Subjects
- *
ART exhibitions , *INTERIOR decoration , *EXHIBITIONS - Abstract
Profiles Isamu Noguchi and discusses his famous Akari lamps in the `Quiet Light' exhibition at the Gallery at Takashimaya in New York City. Paper and silk lamps; Their variety, simplicity, translucence and craft.
- Published
- 1994
12. Mechanics and Grace Found in Small Tasks.
- Author
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LA ROCCO, CLAUDIA
- Subjects
- *
EXHIBITIONS , *ART exhibitions - Abstract
There are so many ways to talk about the cultural differences between the performance and visual art worlds (and curators seem at pains to do so, emphasizing which ''context'' an artist should be seen in, so we poor huddled masses might better direct our gazes). Comparing and contrasting the consumer mores of each world is one of the more enjoyable methods for framing the conversation. Which group tends to be titillated by nudity and which bored, for example, or which will spend lots of time to see something but not lots of money, and vice versa? When the French choreographer Marie Cool cycled through ''Untitled (Prayers) 1996-2007,'' her collaboration with the artist Fabio Balducci during Performa 07, the sizable crowd at the Clocktower Gallery hustled for the best viewing positions, getting as close to the action as possible. Audience members only gradually siphoned off as the repetitive, reductive evening wore on. (The diminutive Ms. Cool does not so much perform as mechanically enact whimsical little tasks: sliding pieces of paper together into peaks on a tabletop or deftly pushing white string into fluid patterns.) [ABSTRACT FROM PUBLISHER]
- Published
- 2011
13. Exhibition Of Haitian Art.
- Author
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Taylor, Kate
- Subjects
- *
ART exhibitions , *EXHIBITIONS , *HAITIAN art - Abstract
An exhibition of Haitian painting, sculpture and works on paper -- including Salnave Philippe-Auguste's ''Birds and Flowers,'' a detail of which is shown above -- will be on view at Affirmation Arts at 523 West 37th Street in Manhattan from Oct. 1 to Nov. 24, the gallery said on Tuesday. The exhibition, ''Saving Grace: A Celebration of Haitian Art,'' is being organized by a historian of Haitian art, Gerald Alexis, and will feature works from the Nader Gallery in Port-au-Prince, as well as others being lent by artists and private collectors in Haiti, Canada and the United States. Many of the best-known artists of the Haitian Renaissance, including Hector Hyppolite, Celestin Faustin, Wilson Bigaud and Prefete Duffaut, will be represented. The Nader Gallery survived the earthquake that devastated Haiti in January, but a private museum owned by the same family, and which housed some 12,000 works of art, was destroyed. Two paintings included in the exhibition, Hyppolite's ''Pot de Fleurs'' and Faustin's ''Beau Reve,'' were pulled from the wreckage and restored by art conservators working in a lab set up in Port-au-Prince by the Smithsonian Institution. [ABSTRACT FROM PUBLISHER]
- Published
- 2010
14. Summer.
- Author
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KIEFER, ANSELM
- Subjects
- *
EXHIBITIONS , *ART exhibitions - Abstract
Anselm Kiefer, ''Sommer in Barjac -- Die beruhmten Orden der Nacht'' 2010, gouache on photographic paper. Courtesy Gagosian Gallery, New York. Translation of text on the work: ''Summer in Barjac -- the renowned orders of the night.'' [ABSTRACT FROM PUBLISHER]
- Published
- 2010
15. Shedding New Light on Old Friends.
- Author
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Smith, Roberta
- Subjects
- *
ART exhibitions , *EXHIBITIONS , *SCULPTURE exhibitions - Abstract
Alexander Calder and Yves Tanguy -- old friends, drinking buddies and Connecticut neighbors -- are together again. Or rather, their art is, in a delightful, immersive exercise in mutual illumination at L&M Arts on the Upper East Side. Surprisingly, this has never happened before. The L&M exhibition, ''Tanguy/Calder: Between Surrealism and Abstraction,'' brings together 46 works from 1934 to 1956. There are 25 sculptures by Calder, including marvelously ethereal, levitating stabiles and mobiles; some of the wood-and-wire constellations; and three uncharacteristic bronze sculptures. Quite a few of these might almost have walked out of one or more of the 19 paintings and works on paper by Tanguy, some of which even include startlingly Calderesque wire structures, and nearly all of which depict oddly shaped, water-worn stones in amalgams that suggest human involvement, albeit long past. Stonehenge for pebble lovers. These formations, in varying densities, occupy vast plains that recede in increasingly atmospheric, horizon-free gradations of land, mist and sky. The colors often have a warm sunset glow -- if not a lurid afterglow. [ABSTRACT FROM PUBLISHER]
- Published
- 2010
16. Spare Times: MAD Family Day.
- Author
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Graeber, Laurel
- Subjects
- *
EXHIBITIONS , *ART exhibitions - Abstract
Cutting, shredding, slashing and burning are usually processes associated with destruction. But on Saturday the Museum of Arts and Design will show children 5 and older how all that clipping and ripping can also play a role in creation. That's the message of Mad Family Day, which will center on the exhibition ''Slash: Paper Under the Knife.'' While the museum offers children's workshops in its Studio Sunday series (this week the theme is pop-up cards), Saturday will be its first family day since it relocated to Columbus Circle. The idea is: Hey kids, meet the new kid. [ABSTRACT FROM PUBLISHER]
- Published
- 2010
17. Fairy Tales, But Strictly Adults-Only.
- Author
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Kino, Carol
- Subjects
- *
ART exhibitions , *EXHIBITIONS , *PAINTING - Abstract
THINK of the artist Paul McCarthy, and it's hard not to imagine him the way he has appeared in countless videos and performances through the years -- stuffing a bunch of mayonnaise-and-ketchup-slathered hot dogs in his mouth, as he did, say, in ''Hot Dog'' (1974), or wearing a clown's nose and muttering maniacally while sloshing paint on canvas (''Painter,'' 1995), or running amok with a gang of elves in a filthy, chocolate-smeared Santa suit (''Santa Chocolate Shop,'' 1996-97). Or else doing other things in projects over the years -- things involving Barbie dolls, sausages, Vaseline and his own and other people's bodily orifices -- that cannot be described here. But during a recent interview at the Hauser & Wirth gallery in New York, the day before the opening of his new show of works on paper there, ''White Snow'' (through Dec. 24), Mr. McCarthy presented a strikingly different persona. [ABSTRACT FROM PUBLISHER]
- Published
- 2009
18. Multilayered and Multicultural, Creative Views of the Muslim Head Scarf.
- Author
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Rosenberg, Karen
- Subjects
- *
ART exhibitions , *EXHIBITIONS , *MUSLIMS , *FRENCH people - Abstract
The hijab, or Muslim head scarf, is supposed to deflect attention. So what should we make of the model wearing a leopard-print version and an eye patch? She's the creation of Princess Hijab, an anonymous Parisian street artist, who adorns women in advertisements with impromptu black-marker ''veils'' and papers public spaces with her own hipsterish ''Hijab Ads.'' The princess is the Shepard Fairey of the French Muslim world or maybe the Naomi Klein. Is she a ''hijabist''? Or even a Muslim? We don't know. But you can see some of her work in ''The Seen and the Hidden: [Dis]covering the Veil,'' at the Austrian Cultural Forum in Midtown Manhattan. The exhibition, which includes artists from Europe and the Middle East as well as American artists of diverse backgrounds, reminds New Yorkers that debates about the veil are heating up in many communities overseas. [ABSTRACT FROM PUBLISHER]
- Published
- 2009
19. Varied Female Archetypes, One Main Fixation.
- Author
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Rosenberg, Karen
- Subjects
- *
EXHIBITIONS , *ART exhibitions - Abstract
Let's get one thing straight: John Currin can draw, but he's no draftsman. His material attraction to paint -- whether in the glowing flesh of his Cranach-inspired nudes or the crude impasto complexions of more modern subjects -- is undeniable. And life drawing has a limited role in his practice, despite his oft-professed interest in the old masters and his self-consciousness about being a figurative painter. So a certain degree of skepticism may accompany a visit to ''John Currin: Works on Paper -- A Fifteen Year Survey of Women,'' at the Andrea Rosen Gallery. What can these 77 drawings, most from the 1990s, tell us about this much-dissected artist or his way of seeing the world that we don't already know, in richer and more compelling detail, from his paintings? [ABSTRACT FROM PUBLISHER]
- Published
- 2009
20. Wide World Of Abstract Expressionism.
- Author
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ROBERTA SMITH
- Subjects
- *
ART exhibitions , *EXHIBITIONS - Abstract
''Beyond the Canon: Small Scale American Abstraction, 1945-1965'' has a portentous, this-will-change-everything title. The show itself, at the Robert Miller Gallery in Chelsea through Saturday, is a big grab bag. Capricious, uneven and at times overly homogenous, it mixes together unknown gems, golden oldies and undistinguished work. But while it may ultimately reinforce as much as shake up the canon it takes to task, its relatively unfiltered view of art history is a wonderful thing to sort through. The spacious Miller gallery is lined with a thoughtfully installed parade of more than 90 small paintings, paintings on paper and drawings by nearly 70 artists whose reputations run the gamut from unknown to world famous. Most of the works were made in New York in the late 1940s and '50s. But a handful of them fall outside the show's 1945-to-1965 time slot, confusingly broadening its span to 1930-78. [ABSTRACT FROM PUBLISHER]
- Published
- 2008
21. LUIS CAMNITZER.
- Author
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Cotter, Holland
- Subjects
- *
EXHIBITIONS , *ART exhibitions - Abstract
LUIS CAMNITZER This pioneering Conceptual artist, who exhibits infrequently in New York City, has something new and something old in this concise solo. The new piece, ''Last Words,'' right, is a series of six large posterlike sheets of paper with a stream of printed text made up of hundreds of short, direct-address sentences: ''Tell Mom I love her. I love you all. Goodbye to my family. Don't forget me. I love all of you.'' And so on. The valedictory words suggest dire situations: I thought of cellphone calls made from the World Trade Center on 9/11. In fact all the phrases are from final statements made by death row prisoners, which Mr. Camnitzer found on the official Web site of the Texas Department of Criminal Justice. The sentiments subtly change in tone as the series progresses, shifting from loving farewells to giving thanks to helpful friends, including lawyers, to verbal displays of bravura. The final sentences in the piece are: ''I am ready. Tell the guys on Death Row that I'm not wearing a diaper. I can't think of anything else.'' [ABSTRACT FROM PUBLISHER]
- Published
- 2008
22. Wallpaper LAB.
- Author
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Smith, Roberta
- Subjects
- *
EXHIBITIONS , *ART exhibitions , *WALLPAPER - Abstract
The article reviews the exhibition "Wallpaper LAB," in Chelsea, New York City, which will run through October 14, 2006.
- Published
- 2006
23. Ken Price.
- Author
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Glueck, Grace
- Subjects
- *
ART exhibitions , *ART museums , *EXHIBITIONS - Abstract
The article reviews the art exhibition "Early Cups and Related Works on Paper," by Ken Price at the Franklin Parrasch Gallery in New York City through June 10, 2006.
- Published
- 2006
24. Saluting a Pure Form of Abstraction, Long May It Wave.
- Author
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Smith, Roberta
- Subjects
- *
ART exhibitions , *EXHIBITIONS - Abstract
Reviews two art exhibitions in New York City in 2000. `Bridget Riley: Reconnaissance' at Dia Center for the Arts; `Bridget Riley: Paintings 1982-2000 and Early Works on Paper' at PaceWildenstein.
- Published
- 2000
25. Art in Review.
- Author
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Johnson, Ken
- Subjects
- *
DRAWING exhibitions , *EXHIBITIONS , *ART exhibitions - Abstract
Reviews the `Works on Paper,' an art exhibition which was held in New York, New York.
- Published
- 1999
26. Art in Review.
- Author
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Glueck, Grace
- Subjects
- *
ART exhibitions , *SCULPTURE exhibitions , *EXHIBITIONS - Abstract
Reviews the exhibition `Recent Work: Marble, Bronze, Plaster and Paper,' by Manuel Neri, at the Charles Cowles Gallery in New York City, through January 9, 1999.
- Published
- 1999
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