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The article accounts the story of pop singer Andy Warhol and artist Edie Sedgwick. It mentions their participation at the Metropolitan Museum of Art in Manhattan, New York in April 1968 to celebrate the opening of its "Three Centuries of American Painting" exhibition. It also mentions the experience of Andy and Edie before they became companions, along with details of how they met.

The article focuses on the uprising fashion world in the U.S. for 1960s. It mentions that the creation of miniskirt was considered as the most visual, persistent and audacious element of the fashion wherein it has surged onto the campuses, into offices and out on the avenue anywhere. It also presents the spring's fashion collection in Manhattan, New York City which was previewed by designers as more wildly in the trend of the clothes wherein it features the shortest and the most revealing.

The article offers information on the cultural industry in Manhattan, New York City. It stresses that people in the city mostly live in apartments. It concludes that apartment living expresses the people's basic personality and impersonality. An overview of the history of apartment and building constructions in the city is also given.

The article reports on the Imperial Palace art collections exhibit at the Japan House Gallery in Manhattan, New York in October, 1975. It mentions that while some of the art collections of the palace were on loan to Japanese Museums, most of the representative items were never been accessible to foreigners or even the local people. However, after more than a year of negotiation, enterprising director Rand Castile sent 35 paintings, screens and objects d'art of Emperor Hirohito in the U.S. The works of several Japanese artists are also featured including the drying fish nets designs by Kaiho Yusho, an exquisite passage from the Tale of Genji by the 17th century calligrapher Konoe Nobutada and a scroll by Yokoyama Taikan.

The article looks at the eight large-scale examples of stark black sculptures by Tony Smith displayed at a small Bryant Park behind the Public Library in Manhattan, New York City. The exhibition of the examples of Smith's architectonic art was requested by the New York's Parks Commissioner Thomas Hoving. Smith is considered as one of the most significant sculptors and will be succeeded by August Heckscher, the director of the Twentieth Century Fund.

The article offers information on the show of Martha Jackson Gallery in Manhattan, New York City. It notes that the gallery has not thought for the title of its show. Moreover, it invites the press to name the art form for the show. It states that much of the art form was a bewildering jumble of horrors with features including tortured junk and bric-a-brac, flattened tin cans and old clothes, or simply an old chair with its innards ripped out.

Focuses on the art works of Giovanni Bucchi in Manhattan, New York City. Wood statue of Archangel Michael; Conservation projects of Bucchi; Steps of water gilding.