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The article profiles artist Francis Di Fronzo, of San Francisco, California. Fronzo is a dedicated realist painter, but not in the traditional sense. He does not use brushes-at least not ones from the art-supply store. Instead, he invents all the painting implements depending on the needs of the piece, relying for the most part on a comb consisting of 60 or 70 individual hairs adhered to a thin, flat piece of wood.

Profiles artist Kota Ezawa in San Francisco, California. Description of Ezawa of his work as a form of "video archaeology"; Interest of Ezawa in a digital approximation of paper-cutout animation; Academic background; Growth in the popularity of Ezawa of his animated video.