Search

Reviewing the academic literature about the "culture war" debate in the United States, this paper shows that there is no consensus among experts of American politics regarding the thesis that there is a "culture war" under way in the United States and that the American society is polarized on social and moral issues such as abortion, gun control or gay rights. The paper then explains why the arguments debunking the "myth of a polarized America" are relatively absent in the U.S. and Qudbec media coverage of American politics. The last part of the paper argues that the reproduction of this myth has negative consequences for both U.S. and Qudbec societies, but also for Qudbec-U.S. relations. [ABSTRACT FROM AUTHOR]

The Living Histories Theatre Ensemble (LHTE) is a socially-engaged improvisational theatre collective exploring the intersections of oral history and performance within a community-university research alliance entitled, 'Life Stories of Montrealers Displaced by Genocide, War, and other Human Rights Violations.' This paper explores the LHTE's adaptations of Playback Theatre, and specifically the evolution of a technique called the 'Bridge', towards more fully reflecting values espoused within the Montreal Life Stories project. [ABSTRACT FROM AUTHOR]

The Ligue Nationale d'Improvisation (LNI), an improvisational theatre group that came into being in the late 1970s in Montreal and whose popularity spread quickly, mainly in the francophone world, has imported the structure and rules of hockey and adapted them to a format in which teams of actor-improvisers compete. This paper examines the ways in which the game of hockey has infused theatre improvisation with energy and vitality and why, in a Canadian and more particularly Québécois setting, the transposition of a sport like hockey is particularly loaded with cultural resonance. [ABSTRACT FROM AUTHOR]