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Over the last two decades, China has become increasingly influential in Africa, and the US policy pivoting to confront domestic challenges and withdrawing from its role in international fora has raised many concerns. Based on this global context, this paper examines the US-China soft power competition through foreign aid. It takes a relational lens to analyze their aid to the African countries. It first looks at how foreign aid could be transformed into soft power assets, and then innovatively puts the two countries side by side and examines the relational powers of their foreign aid and the impacts on the other's national image. The paper uses ordered (Ordinary Least Squares) OLS, ordered logit, and IV regression to analyze aid data and opinion poll data. The results show that foreign aid can promote the African perceptions of both countries. It also finds that Chinese aid has a negative impact on the image of the US in Africa, while American aid has no significant effect on African perception of China. This conclusion aligns with the competitive nature of the US–China relationship. China's model of aid may be preferred by Africans, while the US may need to revisit its approaches in Africa in order to turn this situation around. [ABSTRACT FROM AUTHOR]

This paper examines depictions of Africans in China during the period when China moved to establish diplomatic relations across the African continent – the foundation of what would become Africa–China relations today. Chinese posters were early forms of mass visual interaction with (the image of) foreign nationals. They reflect how Chinese society viewed itself in relation to others as it developed a global awareness through domestic mobilization. This study investigates how Africa and Africans are depicted in Chinese posters and how they shaped and/or reflected discourses of the period. It also examines motivations behind the inclusion of Africans in Chinese posters, arguing that this largely had a domestic rationale. By historicizing the meaning-making process of the image of Africa in 20th-century Chinese posters, this paper demonstrates that Chinese posters informed public opinion by defining friend and foe, focused more on China and her Cold War entanglements than on Africa, and simultaneously challenged and reinforced some widely held stereotypes about the continent. [ABSTRACT FROM AUTHOR]