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Sugar Paper is Kiki Gallo Cipo's journey as she goes from A to Z, moving toward her inescapable destiny. She starts out a naïve girly girl and becomes known as “The Legend” and “The Most Standup Lady in the state of New Jersey.” Both titles are given to her by the godfather of the largest and most powerful mob family in New Jersey.This book is not for the faint of heart as it is graphic where it needs to be and gets downright raunchy when necessary.By the end of the book, the godfather gives Kiki a valuable present. Then Uncle fulfills his lifelong promise as he tells her what she has the right to know, that is, nothing has ever happened by chance in her entire life. He reveals who each of the eight main characters really are as no one is whom she thought they were and ties up every loose end.At this point, you should be left with only one question: How the heck did a woman ever write this novel in the first place?Only Kiki has the answer to that question.Fasten your seat belt, this ride is about to get bumpy.

'A profound meditation on the human need for connection with nature, as one man seeks solace beneath the bows of an ancient oak tree.'—Peter Wohlleben, author of The Hidden Life of Trees'James Canton knows so much, writes so well and understands so deeply about the true forest magic and the important place these trees have in it. Knowledge and joy.'— Sara Maitland, author of How to Be AloneJoining the ranks of The Hidden Life of Trees and H is for Hawk, an evocative memoir and ode to one of the most majestic living things on earth—the oak tree—probing the mysteries of nature and the healing role it plays in our lives.Thrown into turmoil by the end of his long-term relationship, Professor James Canton spent two years meditating [PA1]beneath the welcoming shelter of the massive 800-year-old Honywood Oak tree in North Essex, England. While considering the direction of his own life, he began to contemplate the existence of this colossus tree. Standing in England for centuries, the oak would have been a sapling when the Magna Carta was signed in 1215.In this beautiful, transportive book, Canton tells the story of this tree in its ecological, spiritual, literary, and historical contexts, using it as a prism to see his own life and human history. The Oak Papers is a reflection on change and transformation, and the role nature has played in sustaining and redeeming us. Canton examines our long-standing dependency on the oak, and how that has developed and morphed into myth and legend. We no longer need these sturdy trees to build our houses and boats, to fuel our fires, or to grind their acorns into flour in times of famine. What purpose, then, do they serve in our world today? Are these miracles of nature no longer necessary to our lives? What can they offer us? Taking inspiration from the literary world—Henry David Thoreau, Leo Tolstoy, Katherine Basford's Green Man, Thomas Hardy, William Shakespeare, and others—Canton ponders the wondrous magic of nature and the threats its faces, from human development to climate change, implores us to act as responsible stewards to conserve what is precious, and reminds us of the lessons we can learn from the world around us, if only we slow down enough to listen.

Chasing Paper is an important new collection of essays written by senior publishers from around the world who have spent their careers in Christian publishing. Here they discuss the dramatic changes witnessed by the Christian publishing industry over the last fifty years, how they and their companies responded to those changes, and what the future may hold for the Christian publishing industry, authors, and readers everywhere. Find herein a rare glimpse behind the scenes into how some of the gate keepers of Christian culture have navigated quickly shifting cultural and professional realities.

A groundbreaking history of how the US Post made the nineteenth-century American West. There were five times as many post offices in the United States in 1899 than there are McDonald's restaurants today. During an era of supposedly limited federal government, the United States operated the most expansive national postal system in the world. In this cutting-edge interpretation of the late nineteenth-century United States, Cameron Blevins argues that the US Post wove together two of the era's defining projects: western expansion and the growth of state power. Between the 1860s and the early 1900s, the western United States underwent a truly dramatic reorganization of people, land, capital, and resources. It had taken Anglo-Americans the better part of two hundred years to occupy the eastern half of the continent, yet they occupied the West within a single generation. As millions of settlers moved into the region, they relied on letters and newspapers, magazines and pamphlets, petitions and money orders to stay connected to the wider world. Paper Trails maps the spread of the US Post using a dataset of more than 100,000 post offices, revealing a new picture of the federal government in the West. The western postal network bore little resemblance to the civil service bureaucracies typically associated with government institutions. Instead, the US Post grafted public mail service onto private businesses, contracting with stagecoach companies to carry the mail and paying local merchants to distribute letters from their stores. These arrangements allowed the US Post to rapidly spin out a vast and ephemeral web of postal infrastructure to thousands of distant places. The postal network's sprawling geography and localized operations forces a reconsideration of the American state, its history, and the ways in which it exercised power.

A David and Goliath battle for truth A specialist in GM foods and pesticides, the biologist Gilles-Éric Seralini has studied their toxicity and effects on people's health for many years. In September 2012, for the first time in a major scientific journal (Food and Chemical Toxicology), he published a study showing the effect on the liver and kidneys of two of Monsanto's flagship products: Roundup weedkiller and the GM foods created to absorb it. Images from the study of tumor-ridden rats fed with GM foods and Roundup went viral. The study was a PR disaster for Monsanto. The multinational soon bounced back and did everything in its power to cover up the study—leaning on the publishers to retract the findings. Monsanto began a series of smear campaigns to discredit Seralini and fellow researchers and intimidate their supporters, while pumping out their own collection of fake research findings and testimonies. These practices were met with huge suspicion, but there was no concrete evidence until, in 2017, Monsanto was ordered to publish tens of thousands of confidential documents in a class-action lawsuit presented by thousands of individuals afflicted with serious illnesses from their use of Roundup. The'Monsanto Papers'that were produced subsequently proved the company's cynical attempts at a cover-up as well as its fraudulent practices. Gilles-Éric Seralini and Jérôme Douzelet delved into the documents and discovered how, in the pursuit of its own short term economic interests, Monsanto used sophisticated methods of deceit to bypass legislation devised to protect millions of people. Seralini and Douzelet discovered how Monsanto managed to provide phony assessments to conceal the poisons its products contain, thus deceiving the public authorities and the scientific and medical communities.

When you open the cover of your favorite book, do you ever wonder how it was made? Inside this informative title, early readers will discover how each page comes together to make a book. Leveled text and vivid photos explain the process, while fun features such as a product spotlight, process flow chart, and more, provide visual reinforcement.

It's the end of summer, 2001. Erin O'Connor has everything she's ever dreamed of: good friends, a high-powered career at a boutique Manhattan firm, and a husband she adores. They have plans for their life together: careers, children, and maybe even a house in the country. But life has other plans. Daniel works on the 101st floor of the World Trade Center.Erin is drinking margaritas on a beach in Mallorca, helping her best friend get over a breakup, when she hears a plane has crashed into Daniel's building. On a television at the smoky hotel bar, she watches his building collapse. She makes her way home with the help of a stranger named Alec, and once there, she haunts Ground Zero, nearby hospitals, and trauma centers, plastering walls and fences with missing-person flyers. But there's no trace of Daniel.After accepting Daniel's death, Erin struggles to get her life back on track but makes a series of bad decisions and begins to live her life in a self-destructive fog of booze and pills. It's not until she hits rock bottom that she realizes it's up to her to decide: Was her destiny sealed with Daniel's? Or is there life after happily ever after?

In this companion to Tornado Brain, a moving tale of loss and healing comes full circle.Tess has always understood her role in her family. She is supposed to be the'okay'one. The one no one has to worry about. But all Tess does is worry, constantly picking at her fingers every time a new worry arises. Still grieving her best friend's death, she is consumed by the fear that everything was her fault and her sadness that Colette is never coming back. Worse still, it seems like everyone else has found a way to move on, even her twin sister Frankie. When her mom decides a change of location might do her good, Tess finds herself on an airplane bound for her aunt's house in small town Wyoming and a summer vacation attending art camp.Tess thinks she might never be able to move on from losing Colette but her quirky but determined cousin Kennedy and new friend Izzy are determined to help. When Tess becomes convinced that Colette's ghost might be haunting her, Kennedy and Izzy find new ways for Tess to make peace with the past and finally let go of the grief that has been haunting her heart.

About the book:Mind is the only place where ideals and ideals generate. Generation of such ideas and ideals directly or indirectly depend upon the knowledge base of a person. Such knowledge base again resides on the segment of skills and competences that a person duly acquired while remaining active during the period of guided learning. The kind of guided learning again depends upon the combination of masterly guides and their adherence towards any culture and tradition. The ultimate root of such culture and tradition in India is the scriptures, Vedas, Upanishads and Brahmans. Some such scriptures and epics are missing due to different reasons. Some other scriptures interpreted differently by different thinkers and in gradual succession people lost their faith on the relevance of such scriptures in moderAbout the author:Author is working in the field of Science and Technology since 1995. More than 150 different titles were published through different National as well as International Publishing houses.

Paper is paper, no matter how it is folded. It can be a paper airplane. It can be a paper boat. Learn about the fun shapes that paper can be folded into with this STEAM book. Created in collaboration with Smithsonian, this book makes it easy for parents and teachers to introduce STEAM to their youngest learners. The real-world examples make STEAM topics easier to understand. It features an age-appropriate STEAM activity that is perfect for makerspaces and introduces kindergartners to the steps of the engineering design process. With a single repetitive phrase, it helps beginning readers learn to read and is ideal for kindergarten students and ages 4-6.

Working with Paper builds on a growing interest in the materials of science by exploring the gendered uses and meanings of paper tools and technologies, considering how notions of gender impacted paper practices and in turn how paper may have structured knowledge about gender. Through a series of dynamic investigations covering Europe and North America and spanning the early modern period to the twentieth century, this volume breaks new ground by examining material histories of paper and the gendered worlds that made them. Contributors explore diverse uses of paper—from healing to phrenological analysis to model making to data processing—which often occurred in highly gendered, yet seemingly divergent spaces, such as laboratories and kitchens, court rooms and boutiques, ladies'chambers and artisanal workshops, foundling houses and colonial hospitals, and college gymnasiums and state office buildings. Together, they reveal how notions of masculinity and femininity became embedded in and expressed through the materials of daily life. Working with Paper uncovers the intricate negotiations of power and difference underlying epistemic practices, forging a material history of knowledge in which quotidian and scholarly practices are intimately linked.

From the'Marie Kondo of paper'comes a simple and accessible guide to paper management.Americans are drowning in paper. We keep stacks of it on the kitchen counter, stash it in drawers, and store file cabinets full of documents that we never even look at. Studies show that fully 85 percent of the paper in our lives can be tossed--but which 85 percent? And how do we organize and manage the 15 percent that remains? With The Paper Solution, founder of Organize365 Lisa Woodruff delivers a proven, step-by-step guide for what to shred, what to save, and how to sort what's left behind. With her method, you'll learn: • What documents you must absolutely hold on to • Which papers you can dispose of today • How to ditch your bulky filing cabinets and make your vital documents accessible and portable And at the heart of it all is the Sunday Basket: a box that sits on your counter and corrals those stray bills, forms, coupons, and scraps into an easy-to-use paper-management system. The Sunday Basket will become your new weekly habit--one that leads to less paper, less stress, and more time to spend on the things (and people) that matter most.

The Federalist Papers are a collection of eighty-five articles and essays written by Alexander Hamilton, James Madison, and John Jay in favor of ratifying the United States Constitution. First appearing in 1787 as a series of letters to New York newspapers, this collective body of work is widely considered to be among the most important historical collections of all time. Although the authors of The Federalist Papers foremost intended to influence the vote in favor of ratifying the Constitution, in Federalist No. 1 Hamilton explicitly set their debate in broader political terms. “It has been frequently remarked,” he wrote, “that it seems to have been reserved to the people of this country, by their conduct and example, to decide the important question, whether societies of men are really capable or not of establishing good government from reflection and choice, or whether they are forever destined to depend for their political constitutions on accident and force.” Among the many highlights of these acclaimed essays is Federalist No. 10, in which Madison discusses the means of preventing rule by majority faction and advocates for a large, commercial republic. This is generally regarded as the most important of the eighty-five essays from a philosophical perspective, and it is complemented by Federalist No. 14, in which Madison takes the measure of the United States, declares it appropriate for an extended republic, and concludes with a memorable defense of the Constitution. In Federalist No. 70, Hamilton advocates for a one-man chief executive, and in Federalist No. 78 he persuasively lays the groundwork for the doctrine of judicial review by federal courts. Though centuries old, these timeless essays remain the benchmark of American political philosophy. As eloquently stated by famed historian Richard B. Morris, The Federalist Papers serve as an'incomparable exposition of the Constitution, a classic in political science unsurpassed in both breadth and depth by the product of any later American writer.'

Introducing the magnificent crumpled paper art by debut author Kunal Kundu, Wildlife on Paper brings to life animal species at risk from all around the world while teaching kids how cool and unique each animal is.Amazon's Best Books of the Year (Children Nonfiction, 2020)One of Society of Illustrator's Featured Artists in the Original Art 2021Winner of a 2021 Eureka! Honor Award, presented by the California Reading AssociationGold Medal Recipient of the Moonbeam Spirit Awards, 2021Winner, Next Generation Indie Book Awards (Children's Picture Book, Nonfiction, All Ages)Winner of India's Best Design Awards 2021, presented by Design IndiaFrom the Peary caribou in Northwest Canada to the Galapagos Penguin in Ecuador, the Royal Bengal Tiger in India to the Hawksbill Sea Turtle in Australia, this book celebrates the rich diversity of wildlife on almost every continent. Each of the sixteen exquisitely handcrafted paper sculptures come with interesting trivia and facts about where the animal lives and how it survives in its habitat and interacts with nature. Also included is a map of where each creature lives on the globe, plus a list of helpful resources and the author's favorite nature conservation organizations.Sure to be a favorite for kids and adults alike, Wildlife on Paper opens the world wide as you marvel at the gorgeous crumpled paper art journey through the ocean, forest, desert, and more to learn about the diversity of animals and their incredible characteristics.(Please note the artist creates his sculptures sourced from eco-friendly paper companies that plant a tree for every ream of paper sold.)

“One of my life's greatest tragedies is to have already read Pickwick Papers- I can't go back and read it for the first time.”- Fernando Pessoa “If I must choose only one Dickens then it's his first novel. It's wonderfully funny, kind and good-natured- just like dear Mr Pickwick himself.”-Edwina Currie In the picaresque series of sketches in Pickwick Papers, Charles Dickens wrote one of the masterpieces of comic fiction, and presented readers with some of the most colorful and beloved characters of all time. In Dickens'first novel, initially based on a series of illustrations, members of the eponymous club recount their various experiences and encounters as they travel around England. Without the dark themes that dominated so many of his novels, this is a refreshingly lighthearted and unabashedly fun read. Charles Dickens was 24 years old when he was asked to write the text of a series of illustrations for publication of a serial in nineteen installments. At the center of the novel are the members of The Pickwick Club; notably the head of the establishment, Mr. Samuel Pickwick; he has decided, at the outset of the book, to organize a travel society comprising of four members. At the Pickwick Club the members will be required to recount their exploits in the English countryside. As they venture out, the four men become entangled with a dizzying array of mishaps; including failed romance, debtors'prison, judicial and social injustice, and mix-ups of gargantuan heights. Warm-hearted and thoroughly entertaining, this is a wild romp through 19th Century England. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Pickwick Papers is both modern and readable. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Charles Dickens'ss first novel, “The Pickwick Papers” revolves around the novel's main character and founder of The Pickwick Club, Samuel Pickwick and his suggestion that he and other'Pickwickians'travel to locations outside of London and report their findings. A sequence of loosely related adventures set between 1827–8, it became the first real publishing phenomenon and is responsible for catapulting Dickens into international fame. A classic example of Dickens's acclaimed fiction not to be missed by fans and collectors of his seminal work. Charles John Huffam Dickens (1812–1870) was an English writer and social critic famous for having created some of the world's most well-known fictional characters. His works became unprecedentedly popular during his life, and today he is commonly regarded as the greatest Victorian-era novelist thanks to his humour, satire, and astute observations concerning society and character. This classic work is being republished now in a new edition complete with an introductory chapter from “Appreciations and Criticisms of the Works of Charles Dickens” by G. K. Chesterton.

Across the globe, states have long aimed to control the movement of people, identify their citizens, and restrict noncitizens'rights through official identification documents. Although states are now less likely to grant permanent legal status, they are increasingly issuing new temporary and provisional legal statuses to migrants. Meanwhile, the need for migrants to apply for frequent renewals subjects them to more intensive state surveillance. The contributors to Paper Trails examine how these new developments change migrants'relationship to state, local, and foreign bureaucracies. The contributors analyze, among other toics, immigration policies in the United Kingdom, the issuing of driver's licenses in Arizona and New Mexico, the Deferred Action for Childhood Arrivals program, and community know-your-rights campaigns. By demonstrating how migrants are inscribed into official bureaucratic systems through the issuance of identification documents, the contributors open up new ways to understand how states exert their power and how migrants must navigate new systems of governance.Contributors. Bridget Anderson, Deborah A. Boehm, Susan Bibler Coutin, Ruth Gomberg-Muñoz, Sarah B. Horton, Josiah Heyman, Cecilia Menjívar, Juan Thomas Ordóñez, Doris Marie Provine, Nandita Sharma, Monica Varsanyi

The sale of authors'papers to archives has become big news, with collections from James Baldwin and Arthur Miller fetching record-breaking sums in recent years. Amy Hildreth Chen offers the history of how this multimillion dollar business developed from the mid-twentieth century onward and considers what impact authors, literary agents, curators, archivists, and others have had on this burgeoning economy. The market for contemporary authors'archives began when research libraries needed to cheaply provide primary sources for the swelling number of students and faculty following World War II. Demand soon grew, and while writers and their families found new opportunities to make money, so too did book dealers and literary agents with the foresight to pivot their businesses to serve living authors. Public interest surrounding celebrity writers had exploded by the late twentieth century, and as Placing Papers illustrates, even the best funded institutions were forced to contend with the facts that acquiring contemporary literary archives had become cost prohibitive and increasingly competitive.

“A Nazi resistance story like none you've ever heard or read.” —Hampton Sides, author of Ghost Soldiers and On Desperate Ground'Every page is gripping, and the amount of new research is nothing short of mind-boggling. A brilliant book for the ages!” —Douglas Brinkley, author of American Moonshot A Stonewall Honor Book in Nonfiction Longlisted for the Carnegie Medal for Excellence in NonfictionPaper Bullets is the first book to tell the history of an audacious anti-Nazi campaign undertaken by an unlikely pair: two French women, Lucy Schwob and Suzanne Malherbe, who drew on their skills as Parisian avant-garde artists to write and distribute “paper bullets”—wicked insults against Hitler, calls to rebel, and subversive fictional dialogues designed to demoralize Nazi troops occupying their adopted home on the British Channel Island of Jersey. Devising their own PSYOPS campaign, they slipped their notes into soldier's pockets or tucked them inside newsstand magazines. Hunted by the secret field police, Lucy and Suzanne were finally betrayed in 1944, when the Germans imprisoned them, and tried them in a court martial, sentencing them to death for their actions. Ultimately they survived, but even in jail, they continued to fight the Nazis by reaching out to other prisoners and spreading a message of hope. Better remembered today by their artist names, Claude Cahun and Marcel Moore, the couple's actions were even more courageous because of who they were: lesbian partners known for cross-dressing and creating the kind of gender-bending work that the Nazis would come to call “degenerate art.” In addition, Lucy was half Jewish, and they had communist affiliations in Paris, where they attended political rallies with Surrealists and socialized with artists like Gertrude Stein.Paper Bullets is a compelling World War II story that has not been told before, about the galvanizing power of art, and of resistance.

Paper Bullets, first published in 1946, is an overview of some of the propaganda methods used by the Allied and Axis countries in World War II. This “psychological warfare,” highly effective in many cases, was used to demoralize the enemy, spread falsehoods, influence soldiers to surrender, serve as “safe-conduct” passes, provide a source of reliable news, and warn civilians of impending bombardments. Thousands of lives were likely saved by the use of leaflets, dropped from airplanes or sent over enemy lines via specially designed artillery shells. The book also examines Nazi and Japanese propaganda aimed at U.S. audiences. Included are 50 pages of propaganda examples used during the war by the Americans, Germans, and Japanese. Author Leo Margolin served in the Army's Office of War Information (OWI), Psychological Warfare Branch, established during World War II and responsible for most of the American propaganda efforts during the war.

Quan la Inés Macpherson em va proposar publicar aquest recull en homenatge al centenari del naixement de Ray Bradbury, vivíem en un món. Quan la versió digital vegi la llum, serem al bell mig d'un gran canvi. Quan arribi a les llibreries encarnat en paper, el món haurà canviat per sempre. Sembla un relat de Ray Bradbury. No ho és. M'atreveixo a dir, sense massa por a equivocar-me, que la realitat ha estat a l'altura del gran escriptor nord-americà. Enguany fa cent anys del seu naixement i sembla que la realitat s'hagi engrescat a oferir-nos una distopia curulla de trames, subtrames, girs inesperats, drames grotescos, tragicomèdies. Desenes de milers de morts; palaus de gel convertits en tanatoris; poliesportius, vaixells i trens convertits en hospitals; llars d'avis convertides en vaixells de la mort; fosses comunes a Brooklyn; militars condecorats a les rodes de premsa; països sencers tancats a casa; fronteres tancades; creuers en quarantena plens de malalts; una vida a Internet. Hi ha coses que no podem incloure en aquesta llista perquè ara mateix no ens les podem imaginar i quan tanquem aquesta edició encara no hauran passat. Poc abans d'enllestir aquest llibre he llegit un titular que deia que els Mossos d'Esquadra han irromput en una església de Sant Cugat del Vallès on s'estava celebrant una missa. Quan es va anunciar el pacte entre el PSOE i Podemos que va fer possible l'actual govern de l'Estat hi va haver qui, amb més humor que convicció, va dir que amb ells no hi hauria Setmana Santa. No n'hi ha hagut i les misses estan prohibides durant els dies en els quals el confinament és més estricte. Les llibreries estan tancades, ningú crema llibres —si més no, de moment— però quan puguin tornar a obrir potser hem de lamentar massa persianes abaixades per sempre. Les grans empreses d'Internet aprofiten per guanyar encara més avantatge i més d'un govern vol accedir a les dades de geolocalització dels nostres mòbils per assegurar-se que som on hem de ser. Aquests dies sempre som al llindar d'una nova i petita distopia, d'un nou fet que trastoca lleument allò que abans anomenàvem normalitat. Tornarem a sortir al carrer com fèiem abans però el món d'abans no tornarà. El proper Stefan Zweig que escrigui El món d'ahir escriurà una obra molt estranya. Els relats que llegireu en aquest recull us acompanyaran en les emocions i reflexions quan tot això passi, perquè hi estan estretament connectades d'una manera que costa imaginar. Hi trobareu angoixa, desconcert, por, terror, esgarrifança, tristesa, resignació i també una bona dosi d'esperança i confiança en el futur. Aquests contes, com el mateix Ray Bradbury, ens presenten mons possibles que semblen impossibles i ens confronten amb nosaltres mateixos.

Prepare yourself for dreadful revelations about Jane Austen's most beloved fictional great house, Pemberley in Derbyshire! When contemplating the storyline of Pride and Prejudice, have you ever wondered how Mr. Darcy progressed from contemptuous indifference to irrepressible passion toward Eliza Bennet? Whether Mr. Wickham was truly so wicked as he was depicted to be? Why old Mr. Darcy was so fond of his steward's son? Much is left untold in Pride and Prejudice. What cosmic influences brought Eliza Bennet and Mr. Darcy to their “final good understanding”? In The Pemberley Papers, the lives of Georgiana and Fitzwilliam Darcy and the swirling underworld of servants are brought to light. We learn in this fanciful interpretation of Pride and Prejudice how military spies, émigré French priests, midwives, music instructors, and Darcy's dog contribute to the well-known happy ending for Austen's most charming couple.

Some five years ago, I sought solace from the ways of the world by stepping into the embrace of an ancient oak tree... From the first meeting, there grew a strange sense of attachment I did not consciously recognise until I later began to realise the significance that trees, and oak trees especially, can have in our lives.'James Canton spent two years sitting with and studying the Honywood Oak. A colossus of a tree, it would have been a sapling when Magna Carta was signed. Initially visiting the tree for escape and solitude, in time he learns to study it more closely. He examines how our long-standing dependency on oak trees has developed and morphed into myth and legend. The Oak Papers is a stunning, meditative and healing book about the lessons we can learn from the natural world, if only we slow down enough to listen.

Eighty-five articles and essays by Alexander Hamilton, John Jay, and James Madison that interpret and promote the US Constitution. Three of America's Founding Fathers—Alexander Hamilton, General George Washington's chief of staff and first secretary of the treasury; John Jay, the first chief justice of the United States; and James Madison, father of the Constitution, author of the Bill of Rights, and fourth president of the United States—embarked on an anonymous public relations campaign to promote the ratification of the US Constitution. Beginning in 1787, their articles appeared in three New York newspapers: The Independent Journal, the New-York Packet, and the Daily Advertiser. Written under the pseudonym Publius, their writings were a masterful analysis and interpretation of the Constitution, explaining the principles upon which the US government was founded. To this day, the Federalist Papers remain “an authoritative resource for academics, lawyers, and judges—including Supreme Court justices—to use to interpret the Constitution and to determine its original, or historic, meaning” (National Constitution Center).

From the moment she holds her baby niece, Rose is on a mission. Terrified that her baby niece will fall victim to the sexual abuse rampant in the family, Rose tells us in her own warm, funny, down-to-earth voice, how she reluctantly agrees to join a therapy group, hoping she can find out how to prevent disaster and see that baby Jenny grows up unharmed. In the group, she meets new friends who will become like family: Josie, who “sees” the future; Tammy, with a suspicious bruise on her neck; good and steady Marg, whose father is threatening to burn down her apartment house; and sweet, grieving, spiritual Sally. Rose's own chronic problem, she confesses, is picking wrong men. Josie finds a small magazine picture of a little town in northern Ontario. She sees, with her second sight, a resort hotel to be built in this town and a sunnier life for the group. As they begin to take the first painful steps of emotional recovery, an intense fantasy about this unknown town and dream hotel becomes the secret life of the group. Deep friendships evolve as the women help one another through the roller coasters of their recovery process. Despite setbacks, they cling to their dream of moving up north and running their own hotel.

A richly imagined novel based on the life of artist Agnes Pelton, whose life tracks the early days of modernism in America. Born into a family ruined by scandal, Agnes becomes part of the lively New York art scene, finding early success in the famous Armory Show of 1913. Fame seems inevitable, but Agnes is burdened by shyness and instead retreats to a contemplative life, first to a Long Island windmill, and then to the California desert. Undefeated by her history—family ruination in the Beecher-Tilton scandal, a shrouded Brooklyn childhood, and a passionate attachment to another woman—she follows her muse to create more than a hundred luminous and deeply spiritual abstract paintings.

Minimalia ipuin, kontakizun eta istorio laburrez osatutako liburu bat da. Narraziootan, bizitza kontatzeaz gainera, kontatzen da literaturaren abentura ere. Bizitza eta idazkuntza txanpon beraren aurkia eta ifrentzua baitira, Minimalian txanponaren alde biak ageri dira bat eginda, noiz harmonia onean, noiz armonia liskartsuan, baina inoiz ez bakoitza bere aldetik bizi diren testu gisa, besteekin batera baizik, elkar osatuz eta elkarri lagunduz, liburua testuen elkarren arteko ehunduraren baten emaitza baita, hainbat narrazioz osatutako narrazio bakarra, eta ez hainbat testuren pilaketa soila.

Paper is perfect for drawing and writing, but what happens when this 2-D material is given a 3-D twist? Budding artists will love creating paper sculptures with this fun book, from crinkly trees to slithery snakes. Simple step-by-step instructions ensure readers can fly through projects, such as crafting their own pterodactyls. Photographs of each step, a materials list, and helpful hints ensure each craft is accessible and fun. Using household supplies, readers will learn confidence as they unleash their creativity. This hands-on book of activities will be at home in any library or classroom.

Create a perfect handmade holiday with sixteen papercraft projects: “Of note are the rolled Christmas tree card, the folded book angels, and the advent houses.” —BooklistCraft your own Christmas with the sixteen festive papercraft projects included in this collection, ranging from simple yet effective bunting to intricate snowflake tree decorations, bell jar Christmas trees, and an advent calendar village. Give your holiday season the homemade touch with projects from wrapping paper to tree decorations, using very few materials and innovative techniques such as printing with shaving foam and creating stunning greeting cards using gold embossing ink.“Considering variations—like luggage and bunting gift tags—as well as alternative uses (e.g., turn a paper feather tag into a garland)…there are far more than sixteen potential projects and outcomes here... good, step-by-step color photographs, which are all captioned simply.” —Booklist

The Paper Nautilus is about loss - the forms it takes, how we go on living in the face of it, and the mysterious ways that new life and new beginnings are born of brokenness. The paper nautilus provides a vivid image of this interplay of death and rebirth since, for new life to begin, the angelically beautiful but fragile shell that sustained a former life must be shattered. Michael Jackson has recourse to his ethnographic fieldwork among the Kuranko of Sierra Leone, as well as autobiography and fiction, in exploring his theme. This book crosses and blends genres most engagingly. Beginning as a series of essays, it gradually morphs into a mesmerising work of the imagination in which the boundary between author and other becomes blurred, and the line between fact and fiction erased.

This book is a useful reference for those interested in the late Georgian Navy and focusses on one of the leading Admirals of its day. Admiral Sir Philip Charles Henderson Calderwood Durham's illustrious thirty-eight-year career included being flag-officer he commanded the Leeward Islands and Portsmouth. He however survived the capsizing of the Royal George in 1882 and he was captain of a ship of the line at Trafalgar, where he had two enemy ships surrender to him. Durham was born in 1763 overlooking the Firth of Forth in Scotland. He entered the Navy in 1777, and soon had a reputation as a daring young master and commander. He was one of the most distinguished and colourful officers of the late Georgian Navy. and was widely considered to be one of its luckiest officers. Durham's record of prize-taking was extremely impressive, and correspondingly lucrative. He saw service in the North American Station and the West Indies. He died in 1845. An earlier biography published a year after his death omitted several important events and this book sets out to rectify this. This collection of his papers consists mainly of letters and despatches relating to his service in the Channel Fleet, the Mediterranean, and the Leeward Islands.

Winning the American Revolution was the first step to starting the new nation of the United States. However, without a ratified constitution, the fledgling country was not completely united. This insightful book guides readers through the eighty-five essays that make up the Federalist Papers. It explores the notions that pushed the states toward ratification and promoted a solid federal government. It takes readers through the history of why these documents were necessary and the role they played, and shares insight on how the Federalist Papers, their authors, and the U.S. Constitution itself continue to play a role in American society.

Paul Humphreys pioneered philosophical investigations into the methodological revolution begun by computer simulations. He has also made important contributions to the contemporary literature on emergence by developing the fusion account of diachronic emergence and its generalization, transformational emergence. He is the discoverer of what has come to be called `Humphreys'Paradox'in probability theory and has also made influential contributions to the literature on probabilistic causality and scientific explanation. This collection contains fourteen of his previously published papers on topics ranging from numerical experiments to the status of scientific metaphysics. There is also a previously unpublished paper on social dynamics. The volume is divided into four parts on, respectively, computational science, emergence, probability, and general philosophy of science. The first part contains the seminal 1990 paper on computer simulations, with three other papers arguing that these new methods cannot be accounted for by traditional methodological approaches. The second part contains the original presentation of fusion emergence and three companion papers arguing for diachronic approaches to the topic, rather than the then dominant synchronic accounts. The third part starts with the paper that introduced the probabilistic paradox followed by a later evaluation of attempts to solve it. A third paper argues, contra Quine, that probability theory is a purely mathematical theory. The final section includes papers on causation, explanation, metaphysics, and an agent-based model that shows how endogenous uncertainty undermines utility maximization. Each of the four parts is followed by a comprehensive postscript with retrospective assessments of each of the papers, replies to some responses, and in some cases elaborations of the original arguments. An introduction to the volume provides a general perspective on unifying themes that run through Humphreys'philosophical work.

“A deadly game of cat n'mouse... Pullar's dark mind is a force to be reckoned with.” —L.V. Hay, bestselling author of The Other TwinBizarre murders are taking place in London, the victim's cheeks and lips painted with blood, paper dolls left as a calling card. Kerri, a young journalist, happens to stumble across the body of the third victim—an accident that could make her career. Her roommate, Beatrice, wants to use the crimes as an inspiration for a novel that will put her back in the literary spotlight. Meanwhile, their other roommate, Mike, is distracted by a performance artist named Princess, his own artistic struggles, and his rapidly unraveling life. Before long, it becomes clear that the three roommates have more in common than an apartment and a driving sense of ambition. They also share a connection to the deranged Paper Doll Killer, in this chilling psychological mystery by the acclaimed author of Skeletal.

The Aspern Papers is a novella by American writer Henry James, originally published in The Atlantic Monthly in 1888, with its first book publication later in the same year. One of James's best-known and most acclaimed longer tales, The Aspern Papers is based on the letters Percy Bysshe Shelley wrote to Mary Shelley's stepsister, Claire Clairmont, who saved them until she died. Set in Venice, The Aspern Papers demonstrates James's ability to generate suspense while never neglecting the development of his characters. (Wikipedia)

This volume provides an overview of the recent advances in the field of paper microfluidics, whose innumerable research domains have stimulated considerable efforts to the development of rapid, cost-effective and simplified point-of-care diagnostic systems. The book is divided into three parts viz. theoretical background of paper microfluidics, fabrication techniques for paper-based devices, and broad applications. Each chapter of the book is self-explanatory and focuses on a specific topic and its relation to paper microfluidics and starts with a brief description of the topic's physical background, essential definitions, and a short story of the recent progress in the relevant field. The book also covers the future outlook, remaining challenges, and emerging opportunities. This book shall be a tremendous up-to-date resource for researchers working in the area globally.

Told from three distinct points of view, Paper Lions is an epic multi-generational novel about India, set in the years from the advent of the Second World War to the beginning of modern times in the 1960s. War brings opportunities and wealth to some; Independence ushers in great hope for the future; and the nation's Partition brings along horrors, during which fortunes are made and lost, homes destroyed and abandoned, people slaughtered. The years roll on, a new generation arrives. In the locality of Raikot, Punjab, the three main characters—Bikram, Basanti, and Ajit—and the people around them, including two newly arrived nomadic tribes, the Bajigars, endure hardships and despair, and find moments of joy, as they face life's challenges. Poignant, tragic, and at the same time exhilarating, Paper Lions brings historical India to itself in the lives of its characters. Through their struggles India comes of age, as they do.

Now introduced by eminent civil libertarian, constitutional scholar, and New York Times bestselling author Alan Dershowitz, The Federalist Papers are a must-have for all scholars of history and government and all Americans. Widely considered to be among the most important historical collections of all time, The Federalist Papers were intended to persuade New York at-large delegates to the Constitutional Convention to accept the newly drafted Constitution in 1787. Authored in parts by Hamilton, Madison, and Jay, together as the pseudonym of Publius, the documents have been referred to and heavily cited countless times in all aspects of American government and politics. Together, the eighty-five Federalist essays stand among the Constitution of the United States, the Declaration of Independence, Common Sense, and other work by the Founding Fathers that helped build and solidify the foundation of American democracy. With its rich history and a new introduction from Alan Dershowitz, one of the most prominent legal minds in the country, The Federalist Papers will educate you on the groundwork that shaped the greatest country in the world.

An award-winning historian shares the true story of a frayed and diasporic Sephardic Jewish family preserved in thousands of letters.One of The Economist's Best Books of 2019A New York Times Book Review Editors'ChoiceA National Jewish Book Award finalistFor centuries, the bustling port city of Salonica was home to the sprawling Levy family. As leading publishers and editors, they helped chronicle modernity as it was experienced by Sephardic Jews across the Ottoman Empire. The wars of the twentieth century, however, redrew the borders around them, in the process transforming the Levys from Ottomans to Greeks. Family members soon moved across boundaries and hemispheres, stretching the familial diaspora from Greece to Western Europe, Israel, Brazil, and India. In time, the Holocaust nearly eviscerated the clan, eradicating whole branches of the family tree.In Family Papers, the prizewinning Sephardic historian Sarah Abrevaya Stein uses the family's correspondence to tell the story of their journey across the arc of a century and the breadth of the globe. They wrote to share grief and to reveal secrets, to propose marriage and to plan for divorce, to maintain connection. They wrote because they were family. And years after they frayed, Stein discovers, what remains solid is the fragile tissue that once held them together: neither blood nor belief, but papers.With meticulous research and care, Stein uses the Levys'letters to tell not only their history, but the history of Sephardic Jews in the twentieth century.“A superb and touching book about the frailty of ties that hold together places and people.” —The New York Times Book Review“Remarkable... rigorously researched... Readers will rejoice at every miraculous story of survival, of which there are a few, and will mourn every death, of which there are many.” —Elaine Margolin, Los Angeles Review of Books

Few first novels have created as much popular excitement as The Pickwick Papers - a comic masterpiece that catapulted its twenty-four-year-old author to immediate fame. Readers were captivated by the adventures of the poet Snodgrass, the lover Tupman, the sportsman Winkle and, above all, by that quintessentially English Quixote, Mr Pickwick, and his cockney Sancho Panza, Sam Weller. From the hallowed turf of Dingley Dell Cricket Club to the unholy fracas of the Eatanswill election, via the Fleet debtors'prison, characters and incidents spring to life from Dickens's pen, to form an enduringly popular work of ebullient humour and literary invention.

‘Johannesburg – Late on Friday night, Iqbal Survé phoned Mandla Mandela, the ailing statesman's grandson: “Tell Madiba, Independent's coming home,” he said. “If there's one thing that will make him get better faster, it's this,” the younger Mandela responded.'This is how one of Independent Newspapers'titles told its readers in April 2013 that it had been bought by Iqbal Survé's Sekunjalo Independent Media Consortium for R2 billion. The journalists of South Africa's biggest newspaper firm, which counted'The Star','Cape Times'and'The Mercury'among its titles, were optimistic that new, local ownership would mark an end to the callous management of its Irish overlords of the previous two decades. But the day after Nelson Mandela died, a storm engulfed the group when Survé fired'Cape Times'editor Alide Dasnois amid accusations of disrespect towards Mandela although many pointed to a'Cape Times'story about one of his companies as the real reason for his ire. In the dramatic days that followed, Independent's newsrooms across the country were torn apart by suspicion, recriminations and what many of the journalists believed was a witch hunt to expel those not prepared to toady to Survé. Now Dasnois and Chris Whitfield, who was head of the Cape papers at the time of the ownership change, tell the inside story of the Survé reign.

ULTIMATE NERD GIFT for Peanuts fans!A one-of-a-kind celebration of America's greatest comic strip--and the life lessons it can teach us--from a stellar array of writers and artistsOver the span of fifty years, Charles M. Schulz created a comic strip that is one of the indisputable glories of American popular culture—hilarious, poignant, inimitable. Some twenty years after the last strip appeared, the characters Schulz brought to life in Peanuts continue to resonate with millions of fans, their beguiling four-panel adventures and television escapades offering lessons about happiness, friendship, disappointment, childhood, and life itself. In The Peanuts Papers, thirty-three writers and artists reflect on the deeper truths of Schulz's deceptively simple comic, its impact on their lives and art and on the broader culture. These enchanting, affecting, and often quite personal essays show just how much Peanuts means to its many admirers—and the ways it invites us to ponder, in the words of Sarah Boxer, “how to survive and still be a decent human being” in an often bewildering world. Featuring essays, memoirs, poems, and two original comic strips, here is the ultimate reader's companion for every Peanuts fan.Featuring:Jill Bialosky Lisa Birnbach Sarah Boxer Jennifer Finney Boylan Ivan Brunetti Hilary Fitzgerald Campbell Rich Cohen Gerald Early Umberto Eco Jonathan Franzen Ira Glass Adam Gopnik David Hajdu Bruce Handy David Kamp Maxine Hong Kingston Chuck Klosterman Peter D. Kramer Jonathan Lethem Rick Moody Ann Patchett Kevin Powell Joe Queenan Nicole Rudick George Saunders Elissa Schappell Seth Janice Shapiro Mona Simpson Leslie Stein Clifford Thompson David L. Ulin Chris Ware

“Take The Talented Mr. Ripley, cross it with Suspiria, add a dash of La La Land and mix... and this arty psychological stalker novel is what might result.” —The New York Times Book ReviewNamed a Best Book of the Summer by The New York Times, O Magazine, Elle, Town & Country, Tatler, and Publishers Weekly and one of “5 books not to miss” by USA TodayIn small-town Michigan, Abby Graven leads a solitary life. Once a bright student on the cusp of a promising art career, she now languishes in her childhood home, trudging to and from her job as a supermarket cashier. Each day she is taunted from the magazine racks by the success of her former best friend Elise, a rising Hollywood starlet whose life in pictures Abby obsessively scrapbooks. At night, Abby escapes through the films of her favorite director, Auguste Perren, a cult figure known for his creative institute the Rhizome. Inspired by Perren, Abby draws fantastical storyboards based on her often premonitory dreams, a visionary gift she keeps hidden. When Abby encounters Elise again at their high school reunion, she's surprised and warmed that Elise still considers her not only a friend but a brilliant storyteller and true artist. Elise's unexpected faith in Abby reignites in her a dormant hunger, and when Elise offhandedly tells Abby to look her up if she's ever in LA, Abby soon arrives on her doorstep. There, Abby discovers that while Elise is flourishing professionally, she is lonely and disillusioned behind her glossy magazine veneer. Ever the supportive friend, Abby becomes enmeshed in Elise's world, even as she guards her own dark secret and burning desire for greatness. As she edges closer to Elise, the Rhizome, and her own artistic ambitions, the dynamic shifts between the two friends—until Abby can see only one way to grasp the future that awaits her.An electrifying novel by the author of The Wonder Garden, The Paper Wasp is a knife-edge story of dark friendship and twisted ambition against the backdrop of contemporary Hollywood.“[A] page turner... a stunning portrait of a fixated woman and an addictive, modern commentary on an eternal theme of obsession... Lauren Acampora gives us a soul trip/head trip/rarefied LA trip replete with surrealism and social commentary.” —Caroline Kepnes, author of You

James Russell Lowell was born on February 22nd, 1819. He attended Harvard College at age 15 from 1834, but failed to show any talent or dedication to learning which often caused disruption. After graduating, he attempted many careers including business, the ministry, medicine, and law. The latter gained him admittance to the bar in 1842. Lowell's earliest poems were published in the Southern Literary Messenger in 1840.In December 1844 Lowell married Maria White, shortly after he had published ‘Conversations on the Old Poets', a collection of previously published essays. He co-founded the literary journal The Pioneer, hoping to enjoy a regular income. The magazine ceased after three issues leaving him $1,800 in debt. ‘A Fable for Critics'one of his most popular works, was published in 1848. It sold out quickly. The same year he published ‘The Biglow Papers'. It was cited as the most influential book of 1848. His wife, Maria, who had suffered poor health for years, died on October 27th 1853 of tuberculosis.Lowell was asked to deliver a lecture series. He accepted hoping it might bring him a sense of purpose. The first lecture, on January 9th, 1855, was on John Milton. It was a sell out.He was offered the Smith Professorship of Modern Languages at Harvard. Lowell accepted if he could have a year of study abroad first. It was noted that Lowell had no natural inclination to teach. Lowell agreed, but retained his position for twenty years. In the autumn of 1857, The Atlantic Monthly was established with Lowell as its first editor. In its first November issue he gave the magazine the stamp of high literature and of bold speech on public affairs. With the outbreak of Civil War Lowell used his position to praise Abraham Lincoln. Lowell, generally a pacifist, wrote,'If the destruction of slavery is to be a consequence of the war, shall we regret it? If it be needful to the successful prosecution of the war, shall anyone oppose it?'After Lincoln's assassination, Lowell delivered a poem at Harvard in memory of graduates killed in the war. The poem, ‘Ode Recited at the Harvard Commemoration, July 21, 1865', was the result of a 48-hour writing binge.‘Under the Willows and Other Poems'was released in 1869.Lowell resigned from his Harvard professorship in 1874, though continued to teach through 1877. He spent part of the 1880s delivering speeches. His last published works were mostly collections of essays, and a collection of his poems ‘Heartsease and Rue'in 1888. In the last few months of his life, during 1891, he struggled with gout, sciatica, and chronic nausea; by the summer doctors believed that Lowell had cancer in his kidneys, liver, and lungs, he was administered opium for the pain and was rarely fully conscious. James Russell Lowell died on August 12th, 1891, at Elmwood.

Emerging relatively unscathed from the banking crisis of 2008, China has been viewed as a model of both rampant success and fiscal stability. But beneath the surface lies a network of fissures that look likely to erupt into the next big financial crash. A bloated real-estate sector, roller-coaster stock market, and rapidly growing shadow-banking sector have all coalesced to create a perfect storm: one that is in danger of taking the rest of the world's economy with it.Walden Bello traces our recent history of financial crises – from the bursting of Japan's'bubble economy'in 1990 to Wall Street in 2008 – taking in their political and human ramifications such as rising inequality and environmental degradation. He not only predicts that China might be the site of the next crash, but that under neoliberalism this will simply keep happening. The only way that we can stop this cycle, Bello argues, is through a fundamental change in the ways that we organise: a shift to cooperative enterprise, respectful of the environment, and which fractures the twin legacies of imperialism and capitalism.Insightful, erudite and passionate, Paper Dragons is a must-read for anyone wishing to prevent the next financial meltdown.

A companion to Prison Torture in America, Prison Papers provides medical and administrative records, inmate, correspondence and legal documents as proof of those testimonies and shocking tales. As an experienced physician, Paul Singh, MD, DO, Ph.D., was stunned by the cruelty that inmates with physical and mental conditions endured. Denials for treatment, gross incompetence, deadly neglect, reckless infliction of pain and falsified medical records, produced life-threatening conditions, emotional deterioration, loss of limbs, and even death. His exposÉ reveals the shocking truth about the violations of fundamental Constitutional rights in our prison system, so egregious one might think the prisons were in countries with barbaric dictators where basic human rights do not exist.

In Paper Monsters, Samuel Fallon charts the striking rise, at the turn to the seventeenth century, of a new species of textual being: the serial, semifictional persona. When Thomas Nashe introduced his charismatic alter ego Pierce Penilesse in a 1592 text, he described the figure as a'paper monster,'not fashioned but'begotten'into something curiously like life. The next decade bore this description out, as Pierce took on a life of his own, inspiring other writers to insert him into their own works. And Pierce was hardly alone: such figures as the polemicist Martin Marprelate, the lovers Philisides and Astrophil, the shepherd-laureate Colin Clout, the prodigal wit Euphues, and, in an odd twist, the historical author Robert Greene all outgrew their fictional origins, moving from text to text and author to author, purporting to speak their own words, even surviving their creators'deaths, and installing themselves in the process as agents at large in the real world of writing, publication, and reception.In seeking to understand these'paper monsters'as a historically specific and rather short-lived phenomenon, Fallon looks to the rapid expansion of the London book trade in the years of their ascendancy. Personae were products of print, the medium that rendered them portable, free-floating figures. But they were also the central fictions of a burgeoning literary field: they embodied that field's negotiations between manuscript and print, and they forged a new form of public, textual selfhood. Sustained by the appropriative rewritings they inspired, personae came to seem like autonomous citizens of the literary public. Fallon argues that their status as collective fictions, passed among writers, publishers, and readers, positioned personae as the animating figures of what we have come to call'print culture.'