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Este libro cuenta la historia de vida de un gran líder espiritual, el Misionero David Miranda. Va desde su infancia humilde en el campo, su conversión al Evangelio, la fundación de la Iglesia Pentecostal Dios es Amor, y también la realización de un gran sueño, la construcción de uno de los templos evangélicos más grandes del mundo,'El Templo de la Gloria de Dios', en la capital de São Paulo. Muchas de sus historias provocarán risas, otras provocarán lágrimas a quienes lean los detalles de cada logro y lecciones de vida en los momentos de dificultad y lucha que vivió. Las experiencias y grandes desafíos aquí descritos forjaron a uno de los más grandes evangelistas de la historia de nuestro país.

Este livro conta a trajetória de vida de um grande líder espiritual, Missionário David Miranda. Vai desde sua infância humilde no interior, sua conversão ao Evangelho, fundação da Igreja Pentecostal Deus é Amor, e também a realização de um grande sonho, a construção de um dos maiores templos evangélicos do mundo,'O Templo da Glória de Deus', na capital de São Paulo. Muitas de suas histórias trarão risos,outras que causarão lágrimas aos que lerem os detalhes de cada realização e lições de vida em momentos de dificuldade e luta por ele vividas. As experiências e os grandes desafios aqui descritos, forjaram um dos grandes evangelistas da historia de nosso país.

The chapters included in this volume examine a number of modern and contemporary travel and mobility narratives produced in the different languages of Iberia, whether they offer accounts of Iberia itself or portray other geographical or human contexts. Illustrating the diversity of forms characteristic of travel writing, the texts discussed in the book feature representations of travel and mobility as presented in novels, films and other literary and cultural manifestations such as comics, plays and journalistic chronicles. Additionally, the volume incorporates a section of creative responses to the tropes of travel and mobility by contemporary Iberian authors in English translation. Thus, the book provides critical accounts of and creative insights into a tradition that has produced canonical texts, but also unorthodox, complex and challenging narratives, particularly in more recent times.

Evidence Found: An Approach to Crime Scene Investigation is not another analysis of forensic errors using an'After the Fact'or'Lessons Learned'approach but a'Before the Fact'guide that examines the thought processes that can lead to those mistakes. Plus a few extras tips and tricks from the author's experience of over 25 years. Many high-profile crime scene investigations (and routine ones, for that matter) have suffered errors that have had negative impact on the investigation result and in the courtroom. Typically, we examine what happened and develop a useful list of what to do and what not to do, fixing the symptoms but potentially leaving ourselves open to the same error type on the next scene. The reason? Many crime scene mistakes are the result of systemic issues that are repeated due to a failure to include an evaluation of the decision-making process, including our own foundations of knowledge. Through case study and logical argument, this book attempts to provide a framework to recognize, evaluate, and alter negative decision-making patterns, including evaluating our own experience, before they negatively impact an investigation or the overall operation of a forensic unit. - Enhances the base concepts of evidence search and sequential processing for error avoidance - Examines the systemic areas/practices of a crime scene investigation where errors can occur - Includes a Evidence Matrix - a crime scene evaluation tool that aids in sequential processing decisions - Contains tips on overcoming common crime scene issues, inlcuding night time searches - Provides courtroom Testimony - communicating comparison findings to a jury

In the early decades of the twentieth century, New York caught the attention of Spanish writers. Many of them visited the city and returned to tell their experience in the form of a literary text. That is the case of Pruebas de Nueva York (1927) by Jose Moreno Villa (1887-1955), El crisol de las razas (1929) by Teresa de Escoriaza (1891-1968), Anticipolis (1931) by Luis de Oteyza (1883-1961) and La ciudad automatica (1932) by Julio Camba (1882-1962). In tune with similar representations in other European works, the image of New York given in these texts reflects the tensions and anxieties generated by the modernisation embodied by the United States. These authors project onto New York their concerns and expectations about issues of class, gender and ethnicity that were debated at the time, in the context of the crisis of Spanish national identity triggered by the end of the empire in 1898.