390 results on '"Grossman, Julie A."'
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2. Dreadful Noir, Adaptation, and City of Angels: 'Monsters, All, Are We Not?'
3. Introduction
4. Introduction
5. Plagues of Silence: Adaptation and Agency in Colm Tóibín’s and John Crowley’s Brooklyns
6. 'It Just Does Not Work': Parents’ Views About Distance Learning for Young Children with Special Needs
7. Fargos
8. Radical Antegrade Modular Pancreato-splenectomy (RAMPS)
9. Adapting Time and Place: Avant-Garde Storytelling and Immersive Theater
10. Time Will Tell: Adaptation Going Forward and Film at the Art Museum (Christian Marclay’s The Clock)
11. Epilogue
12. Cape Fear, The Simpsons, and Anne Washburn’s Post-Apocalyptic Mr. Burns, A Post-Electric Play
13. Musical Theater and Independent Film
14. Imitations of Life and Art
15. The Quiet Presence of 'The Yellow Wallpaper' in Todd Haynes’s Film [Safe]
16. Hideous Fraternities: The Coen Brothers Hit the Road
17. 'It’s Alive!': The Monster and the Automaton as Film and Filmmakers
18. Lightening Up: Reappearing Hearts of Darkness
19. Introduction
20. Looking Forward: Deconstructing The 'Femme Fatale'
21. Introduction 'No One Mourns the Wicked'
22. Looking Back—Victorinoir: Modern Women and the Fatal(e) Progeny of Victorian Representations
23. Film Noir’s 'Femmes Fatales': Moving Beyond Gender Fantasies
24. 'Well, aren’t we ambitious': Desire, Domesticity, and the 'Femme Fatale,' or 'You’ve made up your mind I’m guilty': The Long Reach of Misreadings of Woman as Wicked in American Film Noir
25. Psychological Disorders and 'Wiretapping the Unconscious': Film Noir Listens to Women
26. ‘Well, Aren’t We Ambitious’, or ‘You’ve Made up Your Mind I’m Guilty’: Reading Women as Wicked in American Film Noir
27. Ida Lupino, Director : Her Art and Resilience in Times of Transition
28. Kara Murat, Dracula, and Ali Baba: Adapting Turkish Historical Adventure Comics to the Big Screen
29. A Fluid-Text Approach to Adaptation Studies: A Case in Orhan Pamuk’s The Secret Face
30. Navigating Intermedial Adaptation Through Translation: Dear Shameless Death Dirmit
31. A Discussion on Yeşilçam’s Adaptive Strategies with Cem Kaya
32. Cem Yılmaz, Telecinematic Genre Revival and Ideology of the Turkish Film Remakes
33. The Bard Sings in Turkish: Music Adaptations of Shakespeare’s Sonnet 66 in Türkiye
34. Documentary Theater as a Countermemory Practice on the Turkish Stage: Adaptation of History in Bilgesu Erenus’s Çağrı and Genco Erkal’s Sivas’93
35. Relational Geometries in Our Grand Despair (2011) and Jules et Jim (1962)
36. Appropriating, Modernizing, or Localizing? Adaptations of Pride and Prejudice on Turkish TV
37. Literary Adaptation on Turkish Television: The Interplay of Commerciality, Nationality, and Culture in Adapting Canonical Texts
38. Introduction: Adaptation in the East-West Bridge
39. The Domestic Transformations of Bram Stoker’s Dracula in the Formative Years of the Turkish Republic
40. Early Turkish Cinema: A Hi/story of Localization, Turkification, and Adaptation
41. Conclusion
42. Literary Writers and Early Sound Film: Experimental Writing
43. Copyright Law, Authorial Ownership, and Adaptation Between Novels and Plays in Nineteenth-Century Britain
44. Literary Writers and Filmmaking Practices in Silent Cinema
45. Introduction
46. Changes in Writer Stratifications across Media in Nineteenth-Century Britain
47. Adaptation, Ownership and the Emergence of Narrative Film
48. This Is Amerika: Dreaming of Kafka in FX’s Atlanta
49. The Dialectic of Transnational Adaptation: Questioning the Web Adaptation of A Suitable Boy
50. An Afterword: Adapting the Television of Television Studies
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