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This book, first published in 1987, was the first major survey of the links between the visual arts and pop music over the last thirty years. It brings to light the ideas, styles and people who have influenced both the look of pop and the shape of art. It examines how pop uses art movements like Dada, Futurism and Surrealism in everything from the design of album covers to the creation of a group's look, stage act and video; how art uses pop, as a subject for painting, sculpture and design; the vital role of the British art school connection; and collaborations and cross-overs – between the visual arts and groups, musicians and movements.

This book grew out of a nine-month course first given during 1976-77 in the Division of Engineering Mechanics, University of Texas (Austin), and repeated during 1977-78 in the Department of Engineering Sciences and Applied Mathematics, Northwestern University. Most of the students were in their second year of graduate study, and all were familiar with Fourier series, Lebesgue integration, Hilbert space, and ordinary differential equa­ tions in finite-dimensional space. This book is primarily an exposition of certain methods of topological dynamics that have been found to be very useful in the analysis of physical systems but appear to be well known only to specialists. The purpose of the book is twofold: to present the material in such a way that the applications-oriented reader will be encouraged to apply these methods in the study of those physical systems of personal interest, and to make the coverage sufficient to render the current research literature intelligible, preparing the more mathematically inclined reader for research in this particular area of applied mathematics. We present only that portion of the theory which seems most useful in applications to physical systems. Adopting the view that the world is deterministic, we consider our basic problem to be predicting the future for a given physical system. This prediction is to be based on a known equation of evolution, describing the forward-time behavior of the system, but it is to be made without explicitly solving the equation.

The growing cult of the celebrity in contemporary culture is throwing up paradoxical ideas about the contradictions between'high'art and mass appeal and blurring the already unstable boundaries between art, commodity and popular culture. This is a lively and accessible study of the phenomenon, informed by a look at what happens when the'serious'world of art collides with celebrity. Global culture is now dominated by celebrities, some of whom, like Madonna and Stallone, are art collectors and some, like Dennis Hopper and David Bowie, are part-time artists. Walker explains how artists such as Warhol, Gavin Turk, Jeff Koons, Elizabeth Peyton and Alison Jackson contribute to, but also critique, the cult of celebrity by depicting film celebrities, rock stars and royalty in paintings and statues. Celebritisation has overtaken the art world too: Walker surveys 14 art stars of the twentieth century from Dali to Tracey Emin. He also reviews alternatives: the left wing pantheon of figures such as Mao, Che Guevara and Rosa Luxemburg, and pictorial celebrations of the people.

John Walker brings to vivid life a neglected period in twentieth-century art history. He re-creates a time when visual fine artists, under the impact of left-wing politics, women's liberation and the gay movement, were seeking to re-establish a social purpose. His story is one of a struggle for art by contending factions in the art world, in which artists, curators, critics and organisations - both establishment and alternative - key exhibitions, galleries and magazines, all play a part. He offers welcome insight into the work of the key players and the many forms they used to express radical engagement in the events of the decade.

When art hits the headlines, it is usually because it has caused offence or is perceived by the media to have shock-value. Over the last fifty years many artists have been censored, vilified, accused of blasphemy and obscenity, threatened with violence, prosecuted and even imprisoned. Their work has been trashed by the media and physically attacked by the public. In Art & Outrage, John A. Walker covers the period from the late 1940s to the 1990s to provide the first detailed survey of the most prominent cases of art that has scandalised. The work of some of Britain's leading, and less well known, painters and sculptors of the post-war period is considered, such as Richard Hamilton, Bryan Organ, Rachel Whiteread, Reg Butler, Damien Hirst, Jamie Wagg, Barry Flanagan and Antony Gormley. Included are works made famous by the media, such as Carl Andre's Tate Gallery installation of 120 bricks, Rick Gibson's foetus earrings, Anthony-Noel Kelly's cast body-parts sculptures and Marcus Harvey's portrait of Myra Hindley. Walker describes how each incident emerged, considers the arguments for and against, and examines how each was concluded. While broadly sympathetic to radical contemporary art, Walker has some residual sympathy for the layperson's bafflement and antagonism. This is a scholarly yet accessible study of the interface between art, society and mass media which offers an alternative history of post-war British art and attitudes.

Diseases of the Small Intestine in Childhood, Third Edition, reviews diseases of the small intestine in children with emphasis upon a discussion of their causes, clinical manifestations, and the newer techniques used in diagnosis as well as modern methods of management. The book begins with a discussion of the development of pediatric gastroenterology and the function and physiology of the small intestine. This is followed by separate chapters on the importance of history taking and physical examination of children with small intestinal disease; and techniques to investigate the small intestine. Subsequent chapters are devoted to specific diseases such as celiac disease, food protein intolerance, acute gastroenteritis, defective digestion and absorption of sugars, parasitic infestation, Crohn's disease and abdominal tuberculosis, and chronic diarrhea. This book will be of value to the consultant pediatrician and pediatric surgeon as well as to the pediatric registrar and house officer as a practical guide to their understanding of these diseases. It is also intended for those adult physicians, gastroenterologists, and surgeons who wish to survey the clinical spectrum of disease of the small intestine in childhood.