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How early Christian gospels were written is an old question that continues to engage scholars. Moving beyond the traditional approach of reading Luke as a'gentile'gospel composed primarily using Greco-Roman methods of history and biography writing, this book argues that Luke's use of the earlier Gospel of Mark should be understood in the context of contemporaneous early Jewish writings known as'Rewritten Scripture.'Texts like the Book of Jubilees and Josephus's Antiquities interpret Scripture by rewriting it in such a way that ambiguities and contradictions are diminished, while also adapting it to contemporary beliefs and practices. A similar strategy of interpretation through rewriting best explains Luke's reworking of Mark. Even if Mark is not yet'Scripture,'Luke's manner of rewriting Mark suggests that Luke views the earliest gospel as an authoritative narrative about Jesus that merits interpretive clarification and expansion rather than rejection or critique. This approach offers solutions to various'problems'in the composition of Luke, such as the combination of expansion and omission, verbatim repetition and free paraphrase, and it also places Luke's compositional process within a plausible ancient literary context.

Like Philo and Josephus, as well as those who earlier produced the Septuagint and the Hellenistic Jewish fragmentary texts, the writers of the New Testament were Jews writing in Greek. They may have been articulating and promoting a particular form of Jewish messianism that eventually became a distinctive form of religious belief, but in the first and early second centuries, those Christ-followers who were writing in various genres operated with many of the same assumptions as their Jewish counterparts in the land of Israel and in other places such as Alexandria and Rome. This collection of essays, spanning the scholarly career of Carl R. Holladay, investigates the Hellenistic Jewish writings in their own contexts and explores how they illuminate the writings of the New Testament. Included are six new essays on such topics as Hellenistic Judaism, the Beatitudes, and Luke-Acts.

A collection of essays examining the roles played by music in American and European society during the Second World War.Global conflicts of the twentieth century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of “war music” in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized “home” and constructing politicized notions of national and ethnic identity. This fascinating, well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II.“A collection that offers deeply informed, interdisciplinary, and original views on a myriad of musical practices in Europe, Great Britain, and the United States during the period.” —Gayle Magee, co-editor of Over Here, Over There: Transatlantic Conversations on the Music of World War I

This provocative study asks why we have held on to vivid images of the Nazis'total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other “enemies of the state” was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.

Explore the diverse character of emerging Christian narratives This book presents essays that show how prophetic and priestly emphases in Luke and Acts, and emphasis on Jesus's existence prior to creation in the Gospel of John, are reworked in some second- and third-century Christian literature. Early Christians interpreted and expressed the storylines of Jesus, Mary, and other important figures in ways that created new images and stories. Contributors show the effect of including rhetography, the rhetoric of a text that prompts images and pictures in the mind of a hearer or reader, in interpretation of texts. Features: Readings that attempt to account for the development of richly creative and complicated early Christian traditions Essays bridging New Testament studies and interpretation of Early Christian literature Interpretations that integrate social and rhetorical interpretations

Transforming Interprofessional Partnerships: A New Framework for Nursing and Partnership-Based Health Care provides nurses and other health care professionals tools to reexamine the current state of interdisciplinary partnerships in order to build a more effective, caring, and sustainable health care system. This comprehensive text will benefit nurses by defining and illustrating full partnership in practice, education, and research in order to improve communication and interprofessional collaboration.

NGOs in International Politics surveys the full spectrum of NGO activities and relationships in a manner accessible to undergraduate students. In Part 1 of the book, the authors discuss nongovernmental organizations in light of IR theories, survey the development of NGOs, and highlight their relations with states, international organizations, and international politics overall. The case studies in Part 2 develop the issues outlined in the first part. The concluding chapter both summarizes the main themes presented in the previous chapters and addresses a range of emerging issues.

The Social Construction of Communities draws on archaeological research in the Southwest to examine how communities are created through social interaction. The archaeological record of the Southwest is important for its precise dating, exceptional preservation, large number of sites, and length of occupation—making it most intensively researched archaeological regions in the world. Taking advantage of that rich archaeological record, the contributors to this volume present case studies of the Mesa Verde, Rio Grande, Kayenta, Mogollon, and Hohokam regions. The result is an enhanced understanding of the ancient Southwest, a new appreciation for the ways in which humans construct communities and transform society, and an expanded theoretical discussion of the foundational concepts of modern social theory.

Sponsored by the National Cancer Institute (NIH)

America has long been famous as a land of plenty, but we seldom realize how much the American people are a people of plenty—a people whose distinctive character has been shaped by economic abundance. In this important book, David M. Potter breaks new ground both in the study of this phenomenon and in his approach to the question of national character. He brings a fresh historical perspective to bear on the vital work done in this field by anthropologists, social psychologists, and psychoanalysts.'The rejection of hindsight, with the insistence on trying to see events from the point of view of the participants, was a governing theme with Potter.... This sounds like a truism. Watching him apply it however, is a revelation.'—Walter Clemons, Newsweek'The best short book on national character I have seen... broadly based, closely reasoned, and lucidly written.'—Karl W. Deutsch, Yale Review